1. Manipulation and Memory: in John Huston’s The Battle of San Pietro
  2. Matthew Evangelista
  3. pp. 4-20
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  1. Deactivating Feminism: Sigourney Weaver, James Cameron, and Avatar
  2. Jennifer P. Nesbitt
  3. pp. 21-32
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  1. Cinema as Refuge: Frank Borzage and the Mystical Tradition
  2. Alan J. Bilton
  3. pp. 33-42
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  1. “Movie”: How a Single Word Shaped Hollywood Cinema
  2. Gary D. Rhodes
  3. pp. 43-52
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  1. A History of the U.S. in 20 Movies: An All-Movie History Course by M.W. Jacobs (review)
  2. Jerald Podair
  3. p. 53
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  1. Music in the Shadows: Noir Musical Films by Sheri Chinen Biesen’s (review)
  2. Jesse Schlotterbeck
  3. pp. 53-54
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  1. Drive: Journeys through Film, Cities and Landscapes by Iain Borden (review)
  2. Sofia Sampaio
  3. pp. 55-56
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  1. Beyond the Screen: Institutions, Networks and Publics of Early Cinema ed. by Marta Braun et al. (review)
  2. Richard John Ascárate
  3. pp. 56-58
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  1. Stanley Kubrick: Adapting the Sublime by Elisa Pezzotta (review)
  2. Ezra Claverie
  3. pp. 58-60
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  1. Self-Projection: The Director’s Image in Art Cinema by Linda Haverty Rugg (review)
  2. Najmeh Moradiyan Rizi
  3. pp. 60-61
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  1. East German Cinema by Sebastian Heiduschke (review)
  2. Matt Lawson
  3. pp. 61-62
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  1. Fictional Worlds Vols I-IV: Traditions in Narrative and the Age of Visual Culture by L.A. Alexander (review)
  2. Andrew Horton
  3. pp. 62-63
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  1. The Archive Effect: Found Footage and the Audiovisual Experience of History by Jaimie Baron (review)
  2. Victoria Grace Walden
  3. pp. 63-65
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  1. Samuel Fuller Interviews ed. by Gerald Peary (review)
  2. Bernard F. Dick
  3. pp. 66-67
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  1. The Jerome Kern Encyclopedia by Thomas S. Hischak (review)
  2. Bernard F. Dick
  3. pp. 67-69
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  1. John Wayne’s World: Transnational Masculinity in the Fifties by Russell Meeuf (review)
  2. Mike Phillips
  3. pp. 69-70
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  1. Making Cinelandia: American Films and Mexican Film Culture Before the Golden Age by Laura I. Serna (review)
  2. Kevin M. Anzzolin
  3. pp. 70-72
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  1. Mark Antony and Popular Culture: Masculinity and the Construction of an Icon by Rachael Kelly (review)
  2. Martin M. Winkler
  3. pp. 72-74
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  1. The Historical Dictionary of Scandinavian Cinema ed. by John Sundholm (review)
  2. Lena Frey
  3. pp. 75-76
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  1. The Culture and Philosophy of Ridley Scott ed. by Adam Barkman, Ashley Barkman, and Nancy Kangs (review)
  2. Zachary Ingle
  3. pp. 76-77
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  1. Cinema and History: The Telling of Stories by Mike Chopra-Gant (review)
  2. Frans Weiser
  3. pp. 77-79
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  1. Coming Soon to a Festival Near You ed. by Jeffrey Ruoff (review)
  2. Katherine Rennebohm
  3. pp. 79-80
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  1. Dreams Rewired written and dir. by Manu Luksch, Martin Reinhart, and Thomas Tode (review)
  2. A. Bowdoin Van Riper
  3. pp. 81-83
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  1. Animate Earth: Science, Intuition & Gaia dir. by Sally Angel and Josh Good (review)
  2. Lawrence Mastroni
  3. pp. 83-84
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  1. Knight of Cups dir. by Terrence Malick (review)
  2. Michael C. Reiff
  3. pp. 84-86
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  1. The Event [Sobytie] dir. by Sergei Loznitsa (review)
  2. Mariëlle Wijermars
  3. pp. 86-87
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  1. Trumbo dir. by Jay Roach (review)
  2. Michael Ray FitzGerald
  3. pp. 87-89
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  1. Carmo, Hit the Road written and dir. by Mirlo Pasta (review)
  2. Galen Wilson
  3. pp. 89-90
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  1. Howard Zinn: You Can’t Be Neutral on a Moving Train prod. and dir. by Deb Ellis and Denis Mueller (review)
  2. Andrew M. Mayer
  3. pp. 90-92
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  1. Los Angeles Plays Itself written and dir. by Thom Anderson (review)
  2. Chris Yogerst
  3. pp. 92-93
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  1. Tim’s Vermeer written and dir. by Penn Jillette and Raymond Joseph Teller (review)
  2. John C. Tibbetts
  3. pp. 93-95
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  1. Historical Film: A Critical Introduction by Jonathan Stubbs (review)
  2. Jennifer Frost
  3. pp. 65-66
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