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In this Issue

Table of Contents

  1. Manipulation and Memory: in John Huston’s The Battle of San Pietro
  2. Matthew Evangelista
  3. pp. 4-20
  4. DOI: https://doi.org/10.1353/flm.2016.a626141
  5. restricted access
  1. Deactivating Feminism: Sigourney Weaver, James Cameron, and Avatar
  2. Jennifer P. Nesbitt
  3. pp. 21-32
  4. DOI: https://doi.org/10.1353/flm.2016.a626142
  5. restricted access
  1. Cinema as Refuge: Frank Borzage and the Mystical Tradition
  2. Alan J. Bilton
  3. pp. 33-42
  4. DOI: https://doi.org/10.1353/flm.2016.a626143
  5. restricted access
  1. “Movie”: How a Single Word Shaped Hollywood Cinema
  2. Gary D. Rhodes
  3. pp. 43-52
  4. DOI: https://doi.org/10.1353/flm.2016.a626144
  5. restricted access
  1. A History of the U.S. in 20 Movies: An All-Movie History Course by M.W. Jacobs (review)
  2. Jerald Podair
  3. p. 53
  4. restricted access
  1. Music in the Shadows: Noir Musical Films by Sheri Chinen Biesen’s (review)
  2. Jesse Schlotterbeck
  3. pp. 53-54
  4. restricted access
  1. Drive: Journeys through Film, Cities and Landscapes by Iain Borden (review)
  2. Sofia Sampaio
  3. pp. 55-56
  4. restricted access
  1. Beyond the Screen: Institutions, Networks and Publics of Early Cinema ed. by Marta Braun et al. (review)
  2. Richard John Ascárate
  3. pp. 56-58
  4. restricted access
  1. Stanley Kubrick: Adapting the Sublime by Elisa Pezzotta (review)
  2. Ezra Claverie
  3. pp. 58-60
  4. restricted access
  1. Self-Projection: The Director’s Image in Art Cinema by Linda Haverty Rugg (review)
  2. Najmeh Moradiyan Rizi
  3. pp. 60-61
  4. restricted access
  1. East German Cinema by Sebastian Heiduschke (review)
  2. Matt Lawson
  3. pp. 61-62
  4. restricted access
  1. Fictional Worlds Vols I-IV: Traditions in Narrative and the Age of Visual Culture by L.A. Alexander (review)
  2. Andrew Horton
  3. pp. 62-63
  4. restricted access
  1. The Archive Effect: Found Footage and the Audiovisual Experience of History by Jaimie Baron (review)
  2. Victoria Grace Walden
  3. pp. 63-65
  4. restricted access
  1. Samuel Fuller Interviews ed. by Gerald Peary (review)
  2. Bernard F. Dick
  3. pp. 66-67
  4. restricted access
  1. The Jerome Kern Encyclopedia by Thomas S. Hischak (review)
  2. Bernard F. Dick
  3. pp. 67-69
  4. restricted access
  1. John Wayne’s World: Transnational Masculinity in the Fifties by Russell Meeuf (review)
  2. Mike Phillips
  3. pp. 69-70
  4. restricted access
  1. Making Cinelandia: American Films and Mexican Film Culture Before the Golden Age by Laura I. Serna (review)
  2. Kevin M. Anzzolin
  3. pp. 70-72
  4. restricted access
  1. Mark Antony and Popular Culture: Masculinity and the Construction of an Icon by Rachael Kelly (review)
  2. Martin M. Winkler
  3. pp. 72-74
  4. restricted access
  1. The Europe of 1500-1815 on Film and Television: A Worldwide Filmography of Over 2550 Works, 1895 through 2000 by Michael Klossner (review)
  2. Johnathan H. Pope
  3. pp. 74-75
  4. restricted access
  1. The Historical Dictionary of Scandinavian Cinema ed. by John Sundholm (review)
  2. Lena Frey
  3. pp. 75-76
  4. restricted access
  1. The Culture and Philosophy of Ridley Scott ed. by Adam Barkman, Ashley Barkman, and Nancy Kangs (review)
  2. Zachary Ingle
  3. pp. 76-77
  4. restricted access
  1. Cinema and History: The Telling of Stories by Mike Chopra-Gant (review)
  2. Frans Weiser
  3. pp. 77-79
  4. restricted access
  1. Coming Soon to a Festival Near You ed. by Jeffrey Ruoff (review)
  2. Katherine Rennebohm
  3. pp. 79-80
  4. restricted access
  1. Dreams Rewired written and dir. by Manu Luksch, Martin Reinhart, and Thomas Tode (review)
  2. A. Bowdoin Van Riper
  3. pp. 81-83
  4. restricted access
  1. Animate Earth: Science, Intuition & Gaia dir. by Sally Angel and Josh Good (review)
  2. Lawrence Mastroni
  3. pp. 83-84
  4. restricted access
  1. Knight of Cups dir. by Terrence Malick (review)
  2. Michael C. Reiff
  3. pp. 84-86
  4. restricted access
  1. The Event [Sobytie] dir. by Sergei Loznitsa (review)
  2. Mariëlle Wijermars
  3. pp. 86-87
  4. restricted access
  1. Trumbo dir. by Jay Roach (review)
  2. Michael Ray FitzGerald
  3. pp. 87-89
  4. restricted access
  1. Carmo, Hit the Road written and dir. by Mirlo Pasta (review)
  2. Galen Wilson
  3. pp. 89-90
  4. restricted access
  1. Howard Zinn: You Can’t Be Neutral on a Moving Train prod. and dir. by Deb Ellis and Denis Mueller (review)
  2. Andrew M. Mayer
  3. pp. 90-92
  4. restricted access
  1. Los Angeles Plays Itself written and dir. by Thom Anderson (review)
  2. Chris Yogerst
  3. pp. 92-93
  4. restricted access
  1. Tim’s Vermeer written and dir. by Penn Jillette and Raymond Joseph Teller (review)
  2. John C. Tibbetts
  3. pp. 93-95
  4. restricted access
  1. Historical Film: A Critical Introduction by Jonathan Stubbs (review)
  2. Jennifer Frost
  3. pp. 65-66
  4. restricted access