In this Issue

Table of Contents

Manipulation and Memory: in John Huston’s The Battle of San Pietro

Matthew Evangelista
pp. 4-20
DOI: https://doi.org/10.1353/flm.2016.a626141
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Deactivating Feminism: Sigourney Weaver, James Cameron, and Avatar

Jennifer P. Nesbitt
pp. 21-32
DOI: https://doi.org/10.1353/flm.2016.a626142
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Cinema as Refuge: Frank Borzage and the Mystical Tradition

Alan J. Bilton
pp. 33-42
DOI: https://doi.org/10.1353/flm.2016.a626143
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“Movie”: How a Single Word Shaped Hollywood Cinema

Gary D. Rhodes
pp. 43-52
DOI: https://doi.org/10.1353/flm.2016.a626144
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A History of the U.S. in 20 Movies: An All-Movie History Course by M.W. Jacobs (review)

Jerald Podair
p. 53
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Music in the Shadows: Noir Musical Films by Sheri Chinen Biesen’s (review)

Jesse Schlotterbeck
pp. 53-54
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Drive: Journeys through Film, Cities and Landscapes by Iain Borden (review)

Sofia Sampaio
pp. 55-56
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Beyond the Screen: Institutions, Networks and Publics of Early Cinema ed. by Marta Braun et al. (review)

Richard John Ascárate
pp. 56-58
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Stanley Kubrick: Adapting the Sublime by Elisa Pezzotta (review)

Ezra Claverie
pp. 58-60
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Self-Projection: The Director’s Image in Art Cinema by Linda Haverty Rugg (review)

Najmeh Moradiyan Rizi
pp. 60-61
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East German Cinema by Sebastian Heiduschke (review)

Matt Lawson
pp. 61-62
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Fictional Worlds Vols I-IV: Traditions in Narrative and the Age of Visual Culture by L.A. Alexander (review)

Andrew Horton
pp. 62-63
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The Archive Effect: Found Footage and the Audiovisual Experience of History by Jaimie Baron (review)

Victoria Grace Walden
pp. 63-65
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Samuel Fuller Interviews ed. by Gerald Peary (review)

Bernard F. Dick
pp. 66-67
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The Jerome Kern Encyclopedia by Thomas S. Hischak (review)

Bernard F. Dick
pp. 67-69
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John Wayne’s World: Transnational Masculinity in the Fifties by Russell Meeuf (review)

Mike Phillips
pp. 69-70
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Making Cinelandia: American Films and Mexican Film Culture Before the Golden Age by Laura I. Serna (review)

Kevin M. Anzzolin
pp. 70-72
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Mark Antony and Popular Culture: Masculinity and the Construction of an Icon by Rachael Kelly (review)

Martin M. Winkler
pp. 72-74
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The Europe of 1500-1815 on Film and Television: A Worldwide Filmography of Over 2550 Works, 1895 through 2000 by Michael Klossner (review)

Johnathan H. Pope
pp. 74-75
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The Historical Dictionary of Scandinavian Cinema ed. by John Sundholm (review)

Lena Frey
pp. 75-76
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The Culture and Philosophy of Ridley Scott ed. by Adam Barkman, Ashley Barkman, and Nancy Kangs (review)

Zachary Ingle
pp. 76-77
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Cinema and History: The Telling of Stories by Mike Chopra-Gant (review)

Frans Weiser
pp. 77-79
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Coming Soon to a Festival Near You ed. by Jeffrey Ruoff (review)

Katherine Rennebohm
pp. 79-80
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Dreams Rewired written and dir. by Manu Luksch, Martin Reinhart, and Thomas Tode (review)

A. Bowdoin Van Riper
pp. 81-83
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Animate Earth: Science, Intuition & Gaia dir. by Sally Angel and Josh Good (review)

Lawrence Mastroni
pp. 83-84
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Knight of Cups dir. by Terrence Malick (review)

Michael C. Reiff
pp. 84-86
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The Event [Sobytie] dir. by Sergei Loznitsa (review)

Mariëlle Wijermars
pp. 86-87
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Trumbo dir. by Jay Roach (review)

Michael Ray FitzGerald
pp. 87-89
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Carmo, Hit the Road written and dir. by Mirlo Pasta (review)

Galen Wilson
pp. 89-90
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Howard Zinn: You Can’t Be Neutral on a Moving Train prod. and dir. by Deb Ellis and Denis Mueller (review)

Andrew M. Mayer
pp. 90-92
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Los Angeles Plays Itself written and dir. by Thom Anderson (review)

Chris Yogerst
pp. 92-93
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Tim’s Vermeer written and dir. by Penn Jillette and Raymond Joseph Teller (review)

John C. Tibbetts
pp. 93-95
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Historical Film: A Critical Introduction by Jonathan Stubbs (review)

Jennifer Frost
pp. 65-66
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