restricted access   Volume 46, Number 1, Summer 2016

Table of Contents

Visions of the Audience

Manipulation and Memory: in John Huston’s The Battle of San Pietro

pp. 4-20

Deactivating Feminism: Sigourney Weaver, James Cameron, and Avatar

pp. 21-32

Cinema as Refuge: Frank Borzage and the Mystical Tradition

pp. 33-42

“Movie”: How a Single Word Shaped Hollywood Cinema

pp. 43-52

Book Reviews

A History of the U.S. in 20 Movies: An All-Movie History Course by M.W. Jacobs (review)

p. 53

Music in the Shadows: Noir Musical Films by Sheri Chinen Biesen’s (review)

pp. 53-54

Drive: Journeys through Film, Cities and Landscapes by Iain Borden (review)

pp. 55-56

Beyond the Screen: Institutions, Networks and Publics of Early Cinema ed. by Marta Braun et al. (review)

pp. 56-58

Stanley Kubrick: Adapting the Sublime by Elisa Pezzotta (review)

pp. 58-60

Self-Projection: The Director’s Image in Art Cinema by Linda Haverty Rugg (review)

pp. 60-61

East German Cinema by Sebastian Heiduschke (review)

pp. 61-62

Fictional Worlds Vols I-IV: Traditions in Narrative and the Age of Visual Culture by L.A. Alexander (review)

pp. 62-63

The Archive Effect: Found Footage and the Audiovisual Experience of History by Jaimie Baron (review)

pp. 63-65

Historical Film: A Critical Introduction by Jonathan Stubbs (review)

pp. 65-66

Samuel Fuller Interviews ed. by Gerald Peary (review)

pp. 66-67

The Jerome Kern Encyclopedia by Thomas S. Hischak (review)

pp. 67-69

John Wayne’s World: Transnational Masculinity in the Fifties by Russell Meeuf (review)

pp. 69-70

Making Cinelandia: American Films and Mexican Film Culture Before the Golden Age by Laura I. Serna (review)

pp. 70-72

Mark Antony and Popular Culture: Masculinity and the Construction of an Icon by Rachael Kelly (review)

pp. 72-74

The Europe of 1500-1815 on Film and Television: A Worldwide Filmography of Over 2550 Works, 1895 through 2000 by Michael Klossner (review)

pp. 74-75

The Historical Dictionary of Scandinavian Cinema ed. by John Sundholm (review)

pp. 75-76

The Culture and Philosophy of Ridley Scott ed. by Adam Barkman, Ashley Barkman, and Nancy Kangs (review)

pp. 76-77

Cinema and History: The Telling of Stories by Mike Chopra-Gant (review)

pp. 77-79

Coming Soon to a Festival Near You ed. by Jeffrey Ruoff (review)

pp. 79-80

Film Reviews

Dreams Rewired written and dir. by Manu Luksch, Martin Reinhart, and Thomas Tode (review)

pp. 81-83

Animate Earth: Science, Intuition & Gaia dir. by Sally Angel and Josh Good (review)

pp. 83-84

Knight of Cups dir. by Terrence Malick (review)

pp. 84-86

The Event [Sobytie] dir. by Sergei Loznitsa (review)

pp. 86-87

Trumbo dir. by Jay Roach (review)

pp. 87-89

Carmo, Hit the Road written and dir. by Mirlo Pasta (review)

pp. 89-90

Howard Zinn: You Can’t Be Neutral on a Moving Train prod. and dir. by Deb Ellis and Denis Mueller (review)

pp. 90-92

Los Angeles Plays Itself written and dir. by Thom Anderson (review)

pp. 92-93

Tim’s Vermeer written and dir. by Penn Jillette and Raymond Joseph Teller (review)

pp. 93-95