1. Individual Agency and the Studio System: Don Siegel, Montage, and Warner Bros
  2. Ghia Godfree
  3. pp. 4-20
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  1. The Myth of John F. Kennedy in Film and Television
  2. Gregory Frame
  3. pp. 21-34
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  1. Melodrama, Sickness, and Paranoia: Todd Haynes and the Woman’s Film
  2. Linda Belau, Ed Cameron
  3. pp. 35-45
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  1. DADA, Surrealism, and the Cinematic Effect by R. Bruce Elder (review)
  2. Richard John Ascárate
  3. pp. 46-47
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  1. The French Screen Goddess: Film Stardom and the Modern Woman in 1930s France by Jonathan Driskell (review)
  2. Eilene Hoft-March
  3. pp. 47-49
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  1. Green Documentary: Environmental Documentary in the 21st Century by Helen Hughes (review)
  2. D.B. Jones
  3. pp. 49-51
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  1. Dalton Trumbo: Blacklisted Hollywood Radical by Larry Ceplair and Christopher Trumbo (review)
  2. Bernard F. Dick
  3. pp. 51-53
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  1. Muybridge: The Eye in Motion by Stephen Barber (review)
  2. Clare Brennan
  3. pp. 53-55
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  1. The Private Eye Detectives in the Movies by Bran Nicol (review)
  2. Zeke Saber
  3. pp. 55-57
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  1. James Cagney Films of the 1930s by James L. Neibaur (review)
  2. Max Baril
  3. pp. 59-61
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  1. The Cinema of John Boorman by Brian Hoyle (review)
  2. Zachary Ingle
  3. pp. 61-62
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  1. Homemade Men In Postwar Austrian Cinema. Nationhood, Genre and Masculinity by Maria Fritsche (review)
  2. Claus Tieber
  3. pp. 62-64
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  1. Making Cinelandia: American Films and Mexican Film Culture Before the Golden Age by Laura Isabel Serna (review)
  2. Courtney Sanchez
  3. pp. 64-67
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  1. Akira Kurosawa by Peter Wild (review)
  2. Bryan Mead
  3. pp. 67-68
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  1. Historical Dictionary of British Cinema by Alan Burton and Steve Chibnall (review)
  2. Kevin M. Flanagan
  3. pp. 68-70
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  1. The Woman’s Film of the 1940s: Gender, Narrative, and History by Alison L. McKee (review)
  2. Andrée Lafontaine
  3. pp. 70-72
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  1. Importing Asta Nielsen: The International Film Star in the Making, 1910–1914 ed. by Martin Loiperdinger and Uli Jung (review)
  2. Steven Rybin
  3. pp. 72-74
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  1. Epic Sound Music in Postwar Hollywood Biblical Films by Stephen C. Meyer (review)
  2. James H. Krukones
  3. pp. 74-76
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  1. The Death Penalty in American Cinema: Criminality and Retribution in Hollywood Film by Yvonne Kozlovsky-Golan (review)
  2. Zachary Ingle
  3. pp. 76-77
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  1. Cinematic Appeals: The Experience of New Movie Technologies by Ariel Rogers (review)
  2. Amanda Konkle
  3. pp. 77-80
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  1. The Films of Agnes Moorehead by Axel Nissen (review)
  2. Bernard F. Dick
  3. pp. 80-82
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  1. The HBO Effect by Dean J. DeFino (review)
  2. Rebecca Weeks
  3. pp. 82-84
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  1. Nationalism and the Cinema in France: Political Mythologies and Film Events, 1945–1995 by Hugo Frey (review)
  2. Judith Sarnecki
  3. pp. 84-86
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  1. The Horrors of Trauma in Cinema: Violence Void Visualization ed. by Michael Elm, Kobi Kabalek, and Julia B. Köhne (review)
  2. Jason Crouthamel
  3. pp. 86-89
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  1. Twentieth Century-Fox: The Zanuck-Skouras Years, 1935–1965 by Peter Lev (review)
  2. Jennifer Frost
  3. pp. 89-90
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  1. Embrace of the Serpent (El abrazo de la serpiente) dir. by Ciro Guerra (review)
  2. Thomas Prasch
  3. pp. 93-95
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  1. In the Heart of the Sea dir. by Ron Howard (review)
  2. A. Bowdoin Van Riper
  3. pp. 96-98
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  1. Adrift (Choơi Vaơi) dir. by Bùi Thạc Chuyên (review)
  2. David J. McCaskey
  3. pp. 99-101
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  1. Tres instantes, un grito dir. by Cecilia Barriga (review)
  2. Ana M. Aguilera
  3. pp. 101-102
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  1. Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll dir. by John Pirozzi (review)
  2. Tom Shaker
  3. pp. 102-104
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  1. Don’t Breathe dir. by Fede Alvarez (review)
  2. John C. Tibbetts
  3. pp. 104-106
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  1. Hell Or High Water dir. by David MacKenzie (review)
  2. Michael C. Reiff
  3. pp. 106-108
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  1. The Birth of a Nation dir. by Nate Parker (review)
  2. Matthew C. Hulbert
  3. pp. 108-111
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  1. Listen to Me Marlon dir. by Stevan Riley (review)
  2. Michael Ray FitzGerald
  3. p. 112
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  1. Brooklyn dir. by John Crowley (review)
  2. Erwin F. Erhardt III
  3. pp. 113-114
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  1. BaddDDD: Sonia Sanchez dir. by Barbara Attie, Janet Goldwater and Sabrina Schmidt Gordon (review)
  2. Jannea Thomason
  3. pp. 115-116
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