In this Issue

Table of Contents

Film Propaganda and Kultur: The German Dilemma, 1914-1917

Chad R. Fulwider
pp. 4-12
DOI: https://doi.org/10.1353/flm.2015.a604514
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Royal Renunciation: Edward VIII and the Problems of Representation

Renée Pigeon
pp. 13-23
DOI: https://doi.org/10.1353/flm.2015.a604515
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Cartoon Jazz: Soviet Animations and the Khrushchev “Thaw”

Ian MacMillen, Masha Kowell
pp. 24-38
DOI: https://doi.org/10.1353/flm.2015.a604516
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The World History of Animation by Stephen Cavalier (review)

Naomi Chiba
pp. 39-40
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1939: The Making of the Six Greatest Films from Hollywood’s Greatest Year by Charles F. Adams (review)

Jordan Baker
pp. 40-41
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Sensing the Past: Hollywood Stars and Historical Visions by Jim Cullen (review)

Deborah L. Kitchen-Døderlein
pp. 41-43
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Counter-Archive: Film, the Everyday, and Albert Kahn’s Archives de la Planète by Paula Amad (review)

Russel Sheaffer
pp. 43-44
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Screening Nature: Cinema Beyond the Human ed. by Anat Pick & Guinevere Narraway (review)

Stephen Rust
pp. 44-45
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Cinema and Evil: Moral Complexities and the “Dangerous” Film by Dara Waldron (review)

Zachary Ingle
pp. 45-46
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Documenting the Documentary: Close Readings of Documentary Film and Video ed. by Barry Keith Grant and Jeannette Sloniowski (review)

Doug MacLeod
pp. 46-47
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Fatalism in American Film Noir: Some Cinematic Philosophy by Robert B. Pippin (review)

Aeon J. Skoble
pp. 47-48
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Post-Westerns: Cinema, Region, West by Neil Campbell (review)

Monica Montelongo Flores
pp. 48-50
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Berlin Coquette. Prostitution and the New German Woman, 1890-1933 by Jill Suzanne Smith (review)

Todd Heidt
pp. 50-52
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Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking by Hunter Vaughan (review)

Shara D. Knight
pp. 52-53
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Hollywood 1938: Motion Pictures’ Greatest Year by Catherine Jurca (review)

Hannah Graves
pp. 54-55
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Consuming Visions: Cinema, Writing And Modernity In Rio De Janeiro by Maite Conde (review)

Joshua J. Cowan
pp. 55-57
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Hollywood Left and Right: How Movie Stars Shaped American Politics by Steven J. Ross (review)

Ron Briley
pp. 57-59
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Hollywood Exiles in Europe: The Blacklist and Cold War Film Culture by Rebecca Prime (review)

Ron Briley
pp. 59-60
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Directory of World Cinema: Turkey by Eylem Atakav (review)

María Gil Poisa
p. 61
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Split Screen Korea: Shin Sang-ok and Postwar Cinema by Steven Chung (review)

Joseph Pomp
pp. 61-63
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Television Aesthetics and Style ed. by Jason Jacobs and Steven Peacock (review)

Brian Faucette
pp. 63-65
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The American Jewish Story through Cinema by Eric A. Goldman (review)

Oscar Winberg
pp. 65-66
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La historia argentina a través del cine: Las “visiones del pasado” (1933-2003) by Eduardo Jakubowicz and Laura Radetich (review)

Richard John Ascárate
pp. 66-68
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Almost Hollywood: The Forgotten Story of Jacksonville, Florida by Blair Miller (review)

Richard John Ascárate
pp. 68-69
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This Ain’t California dir. by Marten Persiel (review)

Laurence Raw
pp. 70-71
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Jerichow written and dir. by Christian Petzold (review)

Ulrich Bach
pp. 71-73
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The Outrageous Sophie Tucker dir. by William Gazecki (review)

Tom Shaker
pp. 73-75
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Leon Blum For All Mankind dir. by Jean Bodon (review)

Andrew M. Mayer
pp. 75-77
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Toxic Tears: The Darker Side of the Green Revolution dir. by Tom Deiters and Hibert Kamphuisen (review)

Lawrence Mastroni
pp. 77-78
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The Wrecking Crew dir. by Danny Tedesco (review)

Michael Ray FitzGerald
pp. 78-79
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Unmade in China dir. and written by Tanner King Barklow and Gil Kofman (review)

Xiangyang Chen
pp. 80-81
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Battalion [Batal’on] dir. by Dmitrii Meskhiev (review)

Mariëlle Wijermars
pp. 81-82
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Exodus: Gods and Kings dir. by Ridley Scott (review)

Rodney Wallis
pp. 82-83
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Together Brothers dir. by William A. Graham (review)

Wes Lawson
pp. 84-85
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