In this Issue

Table of Contents

Editorial

pp. 7-8
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A History of ‘The Mysteries’

Emma Maggie Solberg
pp. 9-36
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Jewish Questions in Robert Wilson’s The Three Ladies of London

Brett D. Hirsch
pp. 37-56
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Talbot’s Death as Passion Play in Shakespeare’s 1 Henry VI

John A. Warrick
pp. 57-80
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‘A Mad-Cap Ruffian and a Swearing Jack’: Braggart Courtship from Miles Gloriosus to The Taming of the Shrew

Philip D. Collington
pp. 81-112
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Youth and Privacy in Romeo and Juliet

Rachel Prusko
pp. 113-136
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The Peaceable King, or the Lord Mendall: A Lost Jack Cade Play and its 1623 Revival

David Nicol
pp. 137-145
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Staging Conventions in Medieval English Theatre by Philip Butterworth (review)

Tamara Haddad
pp. 147-150
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Civic London to 1558 ed. by Anne Lancashire and David J. Parkinson (review)

Tracey Hill
pp. 151-153
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Clowning and Authorship in Early Modern Theatre by Richard Preiss (review)

John H. Astington
pp. 154-157
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Lost Plays in Shakespeare’s England ed. by David McInnis and Matthew Steggle (review)

Todd Andrew Borlik
pp. 158-160
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Shakespeare’s Nature: From Cultivation to Culture by Charlotte Scott (review)

Sarah O’Malley
pp. 161-163
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Shakespeare and the Performance of Girlhood by Deanne Williams (review)

M. Tyler Sasser
pp. 164-167
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Renaissance Drama on the Edge by Lisa Hopkins (review)

Eoin Price
pp. 168-171
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Politics and Political Culture in the Court Masque by James Knowles (review)

Richard Allen Cave
pp. 172-174
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The End of Satisfaction: Drama and Repentance in the Age of Shakespeare by Heather Hirschfeld (review)

Kenneth J.E. Graham
pp. 175-178
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Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays by Laura Estill (review)

Douglas Bruster
pp. 179-182
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Paratexts in English Printed Drama to 1642 ed. by Thomas L. Berger and Sonia Massai (review)

Helen Smith
pp. 183-186
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