In this Issue

Table of Contents

Editorial

pp. 7-8
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Night of the Living Bread: Unstable Signs In Chester’s ‘Antichrist’

Cameron Hunt McNabb
pp. 9-30
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Beds on the Early Modern Stage

Leslie Thomson
pp. 31-57
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Aaron’s Roots: Spaniards, Englishmen, and Blackamoors in Titus Andronicus

Noémie Ndiaye
pp. 59-80
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Edward Greene, Goldsmith; William Marston, Apprentice; and Eastward Ho!

Charles Cathcart
pp. 81-99
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Sung Silence: Complicity, Dramaturgy, and Song in Heywood’s Rape of Lucrece

Andrew Bretz
pp. 101-117
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Saints’ Lives and Shoemakers’ Holidays: The Gentle Craft and the Wells Cordwainers’ Pageant of 1613

Gina M. Di Salvo
pp. 119-138
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The ‘Comedy of a Duke of Ferrara’ in 1598

Matthew Steggle
pp. 139-156
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‘An Honest Pair of Oars’: Players, Watermen, and A Chaste Maid in Cheapside

Christi Spain-Savage
pp. 167-177
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‘Our Children Made Enterluders’: Choristers, Actors, and Students in St Paul’s Cathedral Precinct

Roze F. Hentschell
pp. 179-195
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‘I trac’d him too and fro’: Walking the Neighbourhood on the Early Modern Stage

Rebecca Tomlin
pp. 197-208
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Introduction: Exploring Neighbourhoods

Christopher Highley
pp. 157-165
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