+ MUSE Alert

In this Issue

Table of Contents

Provocation

  1. Performance, Protest, and the Intimate-Public
  2. Ameet Parameswaran
  3. pp. 2-3
  4. restricted access

TDR Comment

  1. My Epistemological Crisis: Arts Criticism in the Times of Trump
  2. Alisa Solomon
  3. pp. 7-12
  4. restricted access
  1. Errata
  3. p. 13
  4. restricted access

Articles

  1. I want to understand (what is happening to me)! Miguel Gutierrez Performs How to Be Okay in a Non-Utopia
  2. Amanda Hamp
  3. pp. 14-31
  4. restricted access
  1. The War, the Body, and the Nation: Commemorating the War in Afghanistan at The Danish Royal Theatre
  2. Solveig Gade
  3. pp. 32-47
  4. restricted access
  1. Remembering Fred Ho: The Legacy of Afro Asian Futurism
  2. Zachary Price
  3. pp. 48-67
  4. restricted access
  1. Choreographing the Weather — Weathering Choreography
  2. Gerko Egert
  3. pp. 68-82
  4. restricted access

Student Essay Contest Winner

  1. A Meditation on Stillness: Ann Carlson’s Picture Jasper Ridge
  2. Giulia Vittori
  3. pp. 83-102
  4. restricted access

Student Essay Contest Honorable Mention

  1. Dance History in Contemporary Visual Art Practice: Kelly Nipper’s Weather Center
  2. Jennie Goldstein
  3. pp. 103-121
  4. restricted access
  1. Mustache as Resistance: Representation and Reception of Mei Lanfang’s Masculinity
  2. Guanda Wu
  3. pp. 122-138
  4. restricted access

Critical Acts

  1. Fantasy on the Clock: The Virtual Cruelty of Collected Works’ The Balcony
  2. Rebecca Chaleff
  3. pp. 139-145
  4. restricted access
  1. Gestural Economies and Production Pedagogies in Deaf West’s Spring Awakening
  2. Sarah Wilbur
  3. pp. 145-153
  4. restricted access

Books

  1. Performing Proximity: Curious Intimacies by Leslie Hill and Helen Paris (review)
  2. Sonja Arsham Kuftinec
  3. pp. 154-155
  4. restricted access
  1. The First Frame: Theatre Space in Enlightenment France by Pannill Camp (review)
  2. Arnold Aronson
  3. pp. 156-157
  4. restricted access
  1. A Race So Different: Performance and Law in Asian America by Joshua Takano Chambers-Letson (review)
  2. Ju Yon Kim
  3. pp. 157-159
  4. restricted access
  1. Coloring Whiteness: Acts of Critique in Black Performance by Faedra Chatard Carpenter (review)
  2. Tara Aisha Willis
  3. pp. 159-162
  4. restricted access
  1. The Act of Becoming: Actors Talk ed. by Amal Allana (review)
  2. Arnab Banerji
  3. pp. 162-164
  4. restricted access
  1. The Columbia Anthology of Yuan Drama eds. by C.T. Hsia, Wai-yee Li, and George Kao (review)
  2. Patricia Sieber
  3. pp. 164-165
  4. restricted access
  1. Encounters in Performance Philosophy ed. by Laura Cull and Alice Lagaay, and: Adorno and Performance ed. Will Daddario and Karoline Gritzner (review)
  2. Alex Pittman
  3. pp. 166-169
  4. restricted access
  1. Topless Cellist: The Improbable Life of Charlotte Moorman by Joan Rothfuss, and: Ellen C. Covito: Works After Weather ed. No Collective (review)
  2. Gelsey Bell
  3. pp. 169-172
  4. restricted access
  1. More Books: Ireland
  2. James Moran
  3. pp. 172-174
  4. restricted access