In this Issue
TDR provides scholarship on performances and their social, economic and political contexts. With an emphasis on the experimental, avant-garde, intercultural and interdisciplinary, it covers dance theatre, performance art, popular entertainment, media, sports, rituals and performance in politics and everyday life.
published by
The MIT Pressviewing issue
Volume 60, Number 1, Spring 2016 (T229)Table of Contents
pp. 10-24
White-Skinned Gods: Thor Heyerdahl, the Kon-Tiki Museum, and the Racial Theory of Polynesian Origins
pp. 25-49
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View White-Skinned Gods: Thor Heyerdahl, the Kon-Tiki Museum, and the Racial Theory of Polynesian Origins
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White-Skinned Gods: Thor Heyerdahl, the Kon-Tiki Museum, and the Racial Theory of Polynesian Origins
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pp. 50-66
pp. 67-78
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View Beating the Daf and Darbuka: Testing the Boundaries of Ethnicity, Evoking a National Imaginary, and Dancing a Contemporary Iraqi Identity
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Beating the Daf and Darbuka: Testing the Boundaries of Ethnicity, Evoking a National Imaginary, and Dancing a Contemporary Iraqi Identity
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pp. 79-92
pp. 116-131
pp. 132-149
pp. 150-156
pp. 157-164
pp. 173-175
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View The Routledge Companion to Puppetry and Material Performance ed. by Dassia N. Posner, Claudia Orenstein, John Bell (review)
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The Routledge Companion to Puppetry and Material Performance ed. by Dassia N. Posner, Claudia Orenstein, John Bell (review)
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pp. 178-179
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View Staging Ageing: Theatre, Performance, and the Narrative of Decline by Michael Mangan (review)
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Staging Ageing: Theatre, Performance, and the Narrative of Decline by Michael Mangan (review)
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pp. 180-181
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View Thought in the Act: Passages in the Ecology of Experience by Erin Manning, Brian Massumi (review)
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Thought in the Act: Passages in the Ecology of Experience by Erin Manning, Brian Massumi (review)
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pp. 182-184
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View Enacting Nature: Ecocritical Perspectives on Indigenous Performance ed. by Birgit Däwes, Marc Maufort (review)
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Enacting Nature: Ecocritical Perspectives on Indigenous Performance ed. by Birgit Däwes, Marc Maufort (review)
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pp. 184-188
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View New World Drama: The Performative Commons in the Atlantic World, 1649–1849 by Elizabeth Maddock Dillon, and: The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North by Douglas A. Jones, Jr. (review)
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New World Drama: The Performative Commons in the Atlantic World, 1649–1849 by Elizabeth Maddock Dillon, and: The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North by Douglas A. Jones, Jr. (review)
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| ISSN | 1531-4715 |
|---|---|
| Print ISSN | 1054-2043 |
| Launched on MUSE | 2016-03-04 |
| Open Access | No |
Copyright
Copyright © New York University and the Massachusetts Institute of Technology.
