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In this Issue

Table of Contents

Editor’s Message

  1. Film and Film Studies at the Center
  2. Sheri Spaine Long
  3. p. 383
  4. DOI: https://doi.org/10.1353/hpn.2015.0101
  5. restricted access

Hispania Guest Editorials

  1. Guest Editors
  3. p. 384
  4. DOI: https://doi.org/10.1353/hpn.2015.0066
  5. restricted access
  1. Pending Matters
  2. David William Foster
  3. pp. 385-387
  4. DOI: https://doi.org/10.1353/hpn.2015.0073
  5. restricted access
  1. Film as a Hinge: The Present State and Future Directions of Hispanic Studies
  2. Benjamin Fraser
  3. pp. 388-390
  4. DOI: https://doi.org/10.1353/hpn.2015.0080
  5. restricted access
  1. Film and Language Acquisition
  2. Bill VanPatten
  3. pp. 391-393
  4. DOI: https://doi.org/10.1353/hpn.2015.0086
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Contributions on Film and Film Studies

  1. Tango feroz: Teaching a History of Politics and Economics of Argentina through Sex, Drugs, and Rock and Roll
  2. Eva Karene Romero
  3. pp. 394-405
  4. DOI: https://doi.org/10.1353/hpn.2015.0092
  5. restricted access
  1. Cinematographic and Political Transitions in La redada and La frontera
  2. Bridget V. Franco
  3. pp. 406-420
  4. DOI: https://doi.org/10.1353/hpn.2015.0098
  5. restricted access
  1. Yes, No, or Maybe?: Transitions in Chilean Society in Pablo Larraín’s No
  2. Alexis Howe
  3. pp. 421-430
  4. DOI: https://doi.org/10.1353/hpn.2015.0105
  5. restricted access
  1. Maestros de la manipulación: Titiriteros de la memoria histórica en No de Pablo Larraín y La niña de tus ojos de Fernando Trueba
  2. Polly J. Hodge
  3. pp. 431-441
  4. DOI: https://doi.org/10.1353/hpn.2015.0070
  5. restricted access
  1. From Sanhattan to Nashvegas: The Aesthetics of Detachment in Alberto Fuguet’s Filmmaking
  2. Vania Barraza
  3. pp. 442-451
  4. DOI: https://doi.org/10.1353/hpn.2015.0077
  5. restricted access
  1. Memory, Trauma, and Phantasmagoria in Claudia Llosa’s La teta asustada
  2. Carolina Rueda
  3. pp. 442-451
  4. DOI: https://doi.org/10.1353/hpn.2015.0084
  5. restricted access
  1. Hacia una poética de la imagen: A la deriva de Heitor Dhalia
  2. Fatima Nogueira
  3. pp. 463-473
  4. DOI: https://doi.org/10.1353/hpn.2015.0090
  5. restricted access
  1. De Pedro Calderón de la Barca a Luis Saslavsky: Un estudio literario-cinematográfico de La dama duende
  2. Conxita Domènech
  3. pp. 474-484
  4. DOI: https://doi.org/10.1353/hpn.2015.0096
  5. restricted access
  1. “¡Pobre pierna que sólo sirve para andar!” Female (Dis)empowerments, (Dis)ability, and Space in Literary and Filmic Tristana
  2. Sara Muñoz-Muriana
  3. pp. 485-498
  4. DOI: https://doi.org/10.1353/hpn.2015.0103
  5. restricted access
  1. Performing Gender in Life and Art: Pilar Miró and El pájaro de la felicidad
  2. Sharon Keefe Ugalde
  3. pp. 499-510
  4. DOI: https://doi.org/10.1353/hpn.2015.0068
  5. restricted access
  1. Television as Textbook: Cuéntame cómo pasó in the Spanish (Literature) Classroom
  2. Linda Bartlett, Lourdes Manyé
  3. pp. 511-512
  4. DOI: https://doi.org/10.1353/hpn.2015.0075
  5. restricted access
  1. Lope on YouTube: Film Analysis and Amateur Video Production in a Comedia Course
  2. Charles Patterson
  3. pp. 522-532
  4. DOI: https://doi.org/10.1353/hpn.2015.0082
  5. restricted access
  1. Uniting Hispanic Film Studies with Civic Engagement: A Chance for Personal Transformation
  2. Kajsa C. Larson
  3. pp. 533-548
  4. DOI: https://doi.org/10.1353/hpn.2015.0088
  5. restricted access
  1. Promoting Cultural and Linguistic Competence with Documentary Film in Spanish
  2. Tammy Jandrey Hertel, Stasie Harrington
  3. pp. 549-569
  4. DOI: https://doi.org/10.1353/hpn.2015.0094
  5. restricted access
  1. Encountering Difference: Images of Otherness in Contemporary Spanish Film
  2. Andrea Meador Smith, Sarah Cox Campbell
  3. pp. 570-582
  4. DOI: https://doi.org/10.1353/hpn.2015.0100
  5. restricted access
  1. El cine según David Bordwell: Neoformalismo y el concepto de totalidad
  2. Salvador Oropesa
  3. pp. 583-593
  4. DOI: https://doi.org/10.1353/hpn.2015.0107
  5. restricted access
  1. Más allá del fútbol: Teaching Highland Afro-Ecuadorian Culture and Engaging Race and Racism through Documentary Film
  2. Diana M. Ruggiero
  3. pp. 594-606
  4. DOI: https://doi.org/10.1353/hpn.2015.0072
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Book/Media Reviews

Cultural Studies on Film

  1. Dark Laughter: Spanish Film, Comedy, and the Nation by Juan F. Egea (review)
  2. Conxita Domènech
  3. pp. 607-608
  4. DOI: https://doi.org/10.1353/hpn.2015.0079
  5. restricted access
  1. El documental cinematográfico y televisivo contemporáneo: Memoria, sujeto y formación de la identidad democrática española by Isabel M. Estrada (review)
  2. Jennifer Brady
  3. pp. 608-610
  4. DOI: https://doi.org/10.1353/hpn.2015.0085
  5. restricted access
  1. Latin American Documentary Filmmaking: Major Works by David William Foster (review)
  2. Maria Matz
  3. pp. 610-611
  4. DOI: https://doi.org/10.1353/hpn.2015.0091
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  1. Buñuel, del surrealismo al terrorismo by Víctor Fuentes (review)
  2. Gerardo Cummings
  3. pp. 611-613
  4. DOI: https://doi.org/10.1353/hpn.2015.0097
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  1. Brazilian Women’s Filmmaking: From Dictatorship to Democracy by Leslie L. Marsh (review)
  2. Luci de Biaji Moreira
  3. pp. 613-614
  4. DOI: https://doi.org/10.1353/hpn.2015.0104
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  1. The “Femme” Fatale in Brazilian Cinema: Challenging Hollywood Norms by Antônio Márcio da Silva (review)
  2. Débora Racy Soares
  3. pp. 614-616
  4. DOI: https://doi.org/10.1353/hpn.2015.0069
  5. restricted access
  1. Picturing Argentina: Myths, Movies and the Peronist Vision by Currie K. Thompson (review)
  2. María Gil Poisa
  3. pp. 616-617
  4. DOI: https://doi.org/10.1353/hpn.2015.0076
  5. restricted access
  1. (Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema ed. by Duncan Wheeler, Fernando Canet (review)
  2. Dennis West
  3. pp. 617-619
  4. DOI: https://doi.org/10.1353/hpn.2015.0083
  5. restricted access
  1. White Gypsies: Race and Stardom in Spanish Musicals by Eva Woods Peiró (review)
  2. María Márquez
  3. pp. 619-620
  4. DOI: https://doi.org/10.1353/hpn.2015.0089
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Film as Pedagogy and Film in Pedagogy

  1. Estreno de cine by Max Ehrsam (review)
  2. Marcela Piérola
  3. pp. 620-623
  4. DOI: https://doi.org/10.1353/hpn.2015.0095
  5. restricted access
  1. Teaching Film ed. by Lucy Fischer and Patrice Petro (review)
  2. Ada Ortúzar-Young
  3. pp. 623-624
  4. DOI: https://doi.org/10.1353/hpn.2015.0102
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  1. Cultura y cine: Hispanoamérica hoy by Mary McVey Gill and Teresa Méndez-Faith (review)
  2. Viki Zavales Eggert
  3. pp. 625-626
  4. DOI: https://doi.org/10.1353/hpn.2015.0067
  5. restricted access
  1. Tornasol: Guía para la interpretación de textos literarios y cine by Antonio Sobejano-Morán (review)
  2. Joanne Pol
  3. pp. 626-627
  4. DOI: https://doi.org/10.1353/hpn.2015.0074
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Film Critiques

  1. Los amantes pasajeros dir. by Pedro Almodóvar (review)
  2. Jorge Marí
  3. pp. 627-629
  4. DOI: https://doi.org/10.1353/hpn.2015.0081
  5. restricted access
  1. Elena dir. by Petra Costa (review)
  2. Michelle Farrell
  3. pp. 629-630
  4. DOI: https://doi.org/10.1353/hpn.2015.0087
  5. restricted access
  1. Después de Lucia dir. by Michel Franco (review)
  2. Krista Chambless
  3. pp. 630-631
  4. DOI: https://doi.org/10.1353/hpn.2015.0093
  5. restricted access
  1. Bless Me, Ultima dir. by Carl Franklin (review)
  2. Spencer Herrera
  3. pp. 632-633
  4. DOI: https://doi.org/10.1353/hpn.2015.0099
  5. restricted access
  1. O tempo e o vento dir. by Jayme Monjardim (review)
  2. Bianca Brigidi
  3. pp. 633-634
  4. DOI: https://doi.org/10.1353/hpn.2015.0106
  5. restricted access
  1. Habanastation dir. by Ian Padrón (review)
  2. Iliana Rosales-Figueroa
  3. pp. 634-636
  4. DOI: https://doi.org/10.1353/hpn.2015.0071
  5. restricted access
  1. Gonzaga, de pai para filho dir. by Breno Silveira (review)
  2. Debora Zamorano
  3. pp. 636-637
  4. DOI: https://doi.org/10.1353/hpn.2015.0078
  5. restricted access