In this Issue

Table of Contents

Editor’s Message

Film and Film Studies at the Center

Sheri Spaine Long
p. 383
DOI: https://doi.org/10.1353/hpn.2015.0101
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Hispania Guest Editorials

Guest Editors

p. 384
DOI: https://doi.org/10.1353/hpn.2015.0066
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Pending Matters

David William Foster
pp. 385-387
DOI: https://doi.org/10.1353/hpn.2015.0073
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Film as a Hinge: The Present State and Future Directions of Hispanic Studies

Benjamin Fraser
pp. 388-390
DOI: https://doi.org/10.1353/hpn.2015.0080
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Film and Language Acquisition

Bill VanPatten
pp. 391-393
DOI: https://doi.org/10.1353/hpn.2015.0086
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Contributions on Film and Film Studies

Tango feroz: Teaching a History of Politics and Economics of Argentina through Sex, Drugs, and Rock and Roll

Eva Karene Romero
pp. 394-405
DOI: https://doi.org/10.1353/hpn.2015.0092
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Cinematographic and Political Transitions in La redada and La frontera

Bridget V. Franco
pp. 406-420
DOI: https://doi.org/10.1353/hpn.2015.0098
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Yes, No, or Maybe?: Transitions in Chilean Society in Pablo Larraín’s No

Alexis Howe
pp. 421-430
DOI: https://doi.org/10.1353/hpn.2015.0105
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Maestros de la manipulación: Titiriteros de la memoria histórica en No de Pablo Larraín y La niña de tus ojos de Fernando Trueba

Polly J. Hodge
pp. 431-441
DOI: https://doi.org/10.1353/hpn.2015.0070
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From Sanhattan to Nashvegas: The Aesthetics of Detachment in Alberto Fuguet’s Filmmaking

Vania Barraza
pp. 442-451
DOI: https://doi.org/10.1353/hpn.2015.0077
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Memory, Trauma, and Phantasmagoria in Claudia Llosa’s La teta asustada

Carolina Rueda
pp. 442-451
DOI: https://doi.org/10.1353/hpn.2015.0084
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Hacia una poética de la imagen: A la deriva de Heitor Dhalia

Fatima Nogueira
pp. 463-473
DOI: https://doi.org/10.1353/hpn.2015.0090
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De Pedro Calderón de la Barca a Luis Saslavsky: Un estudio literario-cinematográfico de La dama duende

Conxita Domènech
pp. 474-484
DOI: https://doi.org/10.1353/hpn.2015.0096
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“¡Pobre pierna que sólo sirve para andar!” Female (Dis)empowerments, (Dis)ability, and Space in Literary and Filmic Tristana

Sara Muñoz-Muriana
pp. 485-498
DOI: https://doi.org/10.1353/hpn.2015.0103
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Performing Gender in Life and Art: Pilar Miró and El pájaro de la felicidad

Sharon Keefe Ugalde
pp. 499-510
DOI: https://doi.org/10.1353/hpn.2015.0068
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Television as Textbook: Cuéntame cómo pasó in the Spanish (Literature) Classroom

Linda Bartlett, Lourdes Manyé
pp. 511-512
DOI: https://doi.org/10.1353/hpn.2015.0075
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Lope on YouTube: Film Analysis and Amateur Video Production in a Comedia Course

Charles Patterson
pp. 522-532
DOI: https://doi.org/10.1353/hpn.2015.0082
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Uniting Hispanic Film Studies with Civic Engagement: A Chance for Personal Transformation

Kajsa C. Larson
pp. 533-548
DOI: https://doi.org/10.1353/hpn.2015.0088
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Promoting Cultural and Linguistic Competence with Documentary Film in Spanish

Tammy Jandrey Hertel, Stasie Harrington
pp. 549-569
DOI: https://doi.org/10.1353/hpn.2015.0094
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Encountering Difference: Images of Otherness in Contemporary Spanish Film

Andrea Meador Smith, Sarah Cox Campbell
pp. 570-582
DOI: https://doi.org/10.1353/hpn.2015.0100
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El cine según David Bordwell: Neoformalismo y el concepto de totalidad

Salvador Oropesa
pp. 583-593
DOI: https://doi.org/10.1353/hpn.2015.0107
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Más allá del fútbol: Teaching Highland Afro-Ecuadorian Culture and Engaging Race and Racism through Documentary Film

Diana M. Ruggiero
pp. 594-606
DOI: https://doi.org/10.1353/hpn.2015.0072
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Book/Media Reviews

Cultural Studies on Film

Dark Laughter: Spanish Film, Comedy, and the Nation by Juan F. Egea (review)

Conxita Domènech
pp. 607-608
DOI: https://doi.org/10.1353/hpn.2015.0079
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El documental cinematográfico y televisivo contemporáneo: Memoria, sujeto y formación de la identidad democrática española by Isabel M. Estrada (review)

Jennifer Brady
pp. 608-610
DOI: https://doi.org/10.1353/hpn.2015.0085
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Latin American Documentary Filmmaking: Major Works by David William Foster (review)

Maria Matz
pp. 610-611
DOI: https://doi.org/10.1353/hpn.2015.0091
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Buñuel, del surrealismo al terrorismo by Víctor Fuentes (review)

Gerardo Cummings
pp. 611-613
DOI: https://doi.org/10.1353/hpn.2015.0097
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Brazilian Women’s Filmmaking: From Dictatorship to Democracy by Leslie L. Marsh (review)

Luci de Biaji Moreira
pp. 613-614
DOI: https://doi.org/10.1353/hpn.2015.0104
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The “Femme” Fatale in Brazilian Cinema: Challenging Hollywood Norms by Antônio Márcio da Silva (review)

Débora Racy Soares
pp. 614-616
DOI: https://doi.org/10.1353/hpn.2015.0069
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Picturing Argentina: Myths, Movies and the Peronist Vision by Currie K. Thompson (review)

María Gil Poisa
pp. 616-617
DOI: https://doi.org/10.1353/hpn.2015.0076
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(Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema ed. by Duncan Wheeler, Fernando Canet (review)

Dennis West
pp. 617-619
DOI: https://doi.org/10.1353/hpn.2015.0083
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White Gypsies: Race and Stardom in Spanish Musicals by Eva Woods Peiró (review)

María Márquez
pp. 619-620
DOI: https://doi.org/10.1353/hpn.2015.0089
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Film as Pedagogy and Film in Pedagogy

Estreno de cine by Max Ehrsam (review)

Marcela Piérola
pp. 620-623
DOI: https://doi.org/10.1353/hpn.2015.0095
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Teaching Film ed. by Lucy Fischer and Patrice Petro (review)

Ada Ortúzar-Young
pp. 623-624
DOI: https://doi.org/10.1353/hpn.2015.0102
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Cultura y cine: Hispanoamérica hoy by Mary McVey Gill and Teresa Méndez-Faith (review)

Viki Zavales Eggert
pp. 625-626
DOI: https://doi.org/10.1353/hpn.2015.0067
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Tornasol: Guía para la interpretación de textos literarios y cine by Antonio Sobejano-Morán (review)

Joanne Pol
pp. 626-627
DOI: https://doi.org/10.1353/hpn.2015.0074
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Film Critiques

Los amantes pasajeros dir. by Pedro Almodóvar (review)

Jorge Marí
pp. 627-629
DOI: https://doi.org/10.1353/hpn.2015.0081
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Elena dir. by Petra Costa (review)

Michelle Farrell
pp. 629-630
DOI: https://doi.org/10.1353/hpn.2015.0087
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Después de Lucia dir. by Michel Franco (review)

Krista Chambless
pp. 630-631
DOI: https://doi.org/10.1353/hpn.2015.0093
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Bless Me, Ultima dir. by Carl Franklin (review)

Spencer Herrera
pp. 632-633
DOI: https://doi.org/10.1353/hpn.2015.0099
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O tempo e o vento dir. by Jayme Monjardim (review)

Bianca Brigidi
pp. 633-634
DOI: https://doi.org/10.1353/hpn.2015.0106
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Habanastation dir. by Ian Padrón (review)

Iliana Rosales-Figueroa
pp. 634-636
DOI: https://doi.org/10.1353/hpn.2015.0071
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Gonzaga, de pai para filho dir. by Breno Silveira (review)

Debora Zamorano
pp. 636-637
DOI: https://doi.org/10.1353/hpn.2015.0078
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