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In this Issue

Table of Contents

  1. Colors on the Exterior Walls of the Buildings of the Apartment Complex at Västra Flemingsberg, Huddinge, Sweden
  2. Gert Marcus, Hans Matell
  3. pp. 89-93
  4. restricted access
  1. Pictorial Artworks by a Contemporary Realist
  2. Peter Stämpfli
  3. pp. 95-99
  4. restricted access
  1. On Making and Displaying Inkless Embossed Prints on Dyed Paper
  2. Romas Viesulas
  3. pp. 101-105
  4. restricted access
  1. The Organization of Artists’ Work in the U.S.S.R.
  2. M. Lazarev
  3. pp. 107-109
  4. restricted access
  1. Recent Currents in Aesthetics of Relevance to Contemporary Visual Artists
  2. Joseph Margolis
  3. pp. 111-119
  4. restricted access
  1. Illustration
  2. p. 120
  3. restricted access
  1. Some Comments on J. J. Gibson’s Approach to Picture Perception
  2. Rudolf Arnheim
  3. pp. 121-122
  4. restricted access
  1. Collages of Wood Engravings on Japanese Handmade Paper
  2. Albert Garrett
  3. pp. 123-124
  4. restricted access
  1. Kinetic Art: Two Flashing-Light Installations and Related Paintings
  2. Thorbjørn Lausten
  3. pp. 125-126
  4. restricted access
  1. My Value-Modulated Nonfigurative Paintings and Kinetic Projected Images
  2. Finn Mickelborg
  3. pp. 127-128
  4. restricted access
  1. Making Sculpture by Means of Copper-Electroforming
  2. Paul F. Miller
  3. pp. 129-131
  4. restricted access
  1. ‘Fountain Light’: A Kinetic Art Object Utilizing a Fluidized Bed of Plastic Spheres
  2. Gordon P. Sharp
  3. pp. 132-134
  4. restricted access
  1. Further Reflections on J. J. Gibson’s Hypothesis of Picture Perception
  2. David R. Topper
  3. pp. 135-136
  4. restricted access
  1. The Metamorphoses of the Ballet ‘Les Noces’
  2. Natalia Goncharova
  3. pp. 137-143
  4. restricted access
  1. Kinetic Art: The Mobilcolor Projectors of Charles R. Dockum (1904–1977)
  2. Smith A. Steven, Greta J. Dockum, Gretchen Evans Dockum
  3. pp. 144-150
  4. restricted access
  1. Courbet’s ‘La Diligence dans la neige’
  2. Edward Wakeford
  3. pp. 151-154
  4. restricted access
  1. Terminology
  2. p. 155
  3. restricted access
  1. Aesthetics for Contemporary Artists
  2. Elmer H. Duncan
  3. pp. 156-160
  4. restricted access
  1. The Existential Adventure: Roles of Science and Belief by Benjamin Pinkel (review)
  2. James A. Goldman
  3. p. 161
  4. restricted access
  1. The New Challenge of the Stars by Patrick Moore and David Hardy (review)
  2. A. T. Lawton
  3. p. 162
  4. restricted access
  1. Animals: Unique Moments by Miriam Austerman (review)
  2. Donna Stein
  3. p. 162
  4. restricted access
  1. Freud and the Dilemmas of Psychology by Marie Jahoda (review)
  2. Patricia L. Musick
  3. p. 163
  4. restricted access
  1. A Poetic for Sociology: Toward a Logic of Discovery for the Human Sciences by Richard H. Brown (review)
  2. Arnold Rockman
  3. pp. 163-164
  4. restricted access
  1. Cultural Policy in Japan by Nobuya Shikaumi (review)
  2. Thomas T. Ichinose
  3. p. 164
  4. restricted access
  1. Arts in Society ed. by Paul Barker (review)
  2. Lincoln Rothschild
  3. p. 164
  4. restricted access
  1. Inquiries into the Fundamentals of Aesthetics by Stefan Morawski (review)
  2. Arnold Berleant
  3. p. 165
  4. restricted access
  1. Forms and Their Meaning in Western Art by Lincoln Rothschild (review)
  2. Winifred H. Higgins
  3. p. 165
  4. restricted access
  1. Performance in Postmodern Culture ed. by Michel Benamou and Charles Caramello (review)
  2. Tim Healey
  3. pp. 165-166
  4. restricted access
  1. Twentieth Century British Naïve and Primitive Artists by Eric Lister and Sheldon Williams (review)
  2. Winefride Wilson
  3. p. 166
  4. restricted access
  1. Futurism by Caroline Tisdall and Angelo Bozzola (review)
  2. Alfonz Lengyel
  3. pp. 166-167
  4. restricted access
  1. Modern Australian Painting, 1970–1975 by Kym Bonython and Elwyn Lynn (review)
  2. Sasha Grishin
  3. p. 167
  4. restricted access
  1. Readings in Glass History ed. by Anita Engle (review)
  2. Gladys D. Weinberg
  3. pp. 167-168
  4. restricted access
  1. Kunst kontra Technik? Wechselwirkungen zwischen Kunst, Naturwissenschaft und Technik by Herbert W. Franke (review)
  2. Gerhard Charles Rump
  3. p. 168
  4. restricted access
  1. The World View of Paul Cézanne: A Psychic Interpretation by Jane Roberts (review)
  2. Henry P. Raleigh
  3. p. 168
  4. restricted access
  1. Man Ray: The Rigour of Imagination by Arturo Schwarz (review)
  2. Peter Fingesten
  3. p. 169
  4. restricted access
  1. Joan Miro: Catalan Notebooks by Gaëtan Picon (review)
  2. Nicholas Orsini
  3. p. 169
  4. restricted access
  1. Jasper Johns by Michael Crichton (review)
  2. Dorothy Grorz
  3. pp. 169-170
  4. restricted access
  1. Lost Wax Investment Casting by C. W. Ammen (review)
  2. Nigel Konstam
  3. p. 170
  4. restricted access
  1. Horizons by Norman Bel Geddes (review)
  2. Donald Bush
  3. pp. 170-171
  4. restricted access
  1. Electric Music: A Practical Manual by John Jenkins and John Smith (review)
  2. F. Brown
  3. p. 171
  4. restricted access
  1. Software Engineering: An Advanced Course ed. by F. L. Bauer (review)
  2. Steve Scrivener
  3. p. 171
  4. restricted access
  1. Unique Art Lessons and Special Projects for the Elementary Classroom by Candy Cook (review)
  2. Jan J. Valtr
  3. p. 171
  4. restricted access
  1. Art/Kunst 6 (International Bibliography of Art Books 1977) by Theodora Vischer (review)
  2. p. 171
  3. restricted access
  1. Arts Review Yearbook 1977 ed. by John Gainsborough (review)
  2. pp. 171-172
  3. restricted access
  1. Contemporary Artists ed. by Colin Naylor and Genesis P-Orridge (review)
  2. p. 172
  3. restricted access
  1. Letters
  2. John Fisher, David R. Topper, E. H. Gombrich, Nelson Goodman, Herbert J. Gans, Gifford Phillips, Gerard K. O'Neill, Thomas Moorman
  3. pp. 174-176
  4. restricted access
  1. Books Received
  2. pp. 172-173
  3. restricted access