1. Illustration
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  1. On My Approach to Making Nonfigurative Static and Kinetic Sculpture
  2. Ilhan Koman, Françoise Ribeyrolles
  3. pp. 1-4
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  1. About My Highly Abstract Figurative Paintings of 1970–1978
  2. Dunbar Marshall-Malagola
  3. pp. 5-8
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  1. An Empirical Evaluation of my Recent Nonfigurative Sculptural Constructions
  2. Larry Mohr
  3. pp. 9-13
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  1. An Analysis and Interpretation of My Paintings and Prints
  2. David Shapiro
  3. pp. 14-18
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  1. The Non-Euclidean Symmetry of Escher’s Picture ‘Circle Limit III’
  2. H. S. M. Coxeter
  3. pp. 19-25
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  1. An Ethological View of Ritual and Art in Human Evolutionary History
  2. Ellen Dissanayake
  3. pp. 27-31
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  1. An Analysis of my Painting ‘La Barbe A Ry’
  2. Daniel Authouart
  3. pp. 32-34
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  1. Comments on the Book Entitled It’s A Funny Thing, Humour: Essays on the Nature of Humour, Laughter and Comedy
  2. Alfred E. Davidson
  3. pp. 35-36
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  1. A Study in the Variation of Types of Computer Drawings Obtainable by Small Program Changes
  2. Ana Sacerdote de Guthmann
  3. pp. 37-40
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  1. Sculptural Constructions Associated With Isolation
  2. James Hirschfield
  3. pp. 41-42
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  1. On Book-Art
  2. Richard Kostelanetz
  3. pp. 43-44
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  1. Electric Light Audio-Kinetic Artworks: ‘Ecological Biomes’
  2. Ron Kostyniuk
  3. pp. 45-46
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  1. A Sticky Situation for the Visual Arts: The ‘Chicago-Gum-Smear’
  2. Jim Ostler
  3. p. 47
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  1. On the Appeal of M. C. Escher’s Pictures
  2. Jean C. Rush
  3. pp. 48-50
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  1. Jacob Bronowski: A Sketch of his Natural Philosophy
  2. David R. Topper
  3. pp. 51-53
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  1. On Teaching Aesthetics in Secondary Schools and Education for International Understanding
  2. Jan L. Broeckx
  3. pp. 54-58
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  1. The Future of Art and Mass Culture
  2. John McHale
  3. pp. 59-64
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  1. Terminology
  2. pp. 65-66
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  1. The Universe: Its Beginning and End by Lloyd Motz, The Amazing Universe by Herbert Friedman (review)
  2. David A. Hardy
  3. p. 71
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  1. Essential Physics in the World around Us by Jerry B. Marion (review)
  2. Lawrence Slifkin
  3. pp. 71-72
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  1. Scientific Man: The Humanistic Significance of Science by Enrico Cantore (review)
  2. P. T. Landsberg
  3. p. 72
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  1. The High Frontier: Human Colonies in Space by Gerard K. O’Neill (review)
  2. David A. Hardy
  3. p. 72
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  1. Your Memory: How It Works and How to Improve It by Kenneth L. Higbee, The Psychology of Memory by Alan D. Baddeley (review)
  2. David N. Perkins
  3. pp. 72-73
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  1. The Miracle of Vision: The Workings and Wonders of the Human Eye by Arthur S. Freese (review)
  2. Marc H. Bornstein
  3. p. 73
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  1. What Is It Really Like Out There?: Objective Knowing by Thomas Moorman (review)
  2. Peter Y. Windt
  3. p. 73
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  1. Review: The Psychology of Place by David Canter (review)
  2. Roger Mason
  3. pp. 73-74
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  1. Supersensonics: The Spiritual Physics of All Vibrations from Zero to Infinity by Christopher Hills (review)
  2. Richard I. Land
  3. p. 74
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  1. The Behaviour of Communicating. An Ethological Approach by W. John Smith (review)
  2. Gerhard Charles Rump
  3. pp. 74-75
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  1. The Art of Social Conscience by Paul Von Blum (review)
  2. Christopher Crouch
  3. p. 75
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  1. An Anti-Catalog by Rudolf Baranik (review)
  2. Barron M. Hirsch
  3. pp. 75-76
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  1. Art and Act: On Causes in History—Manet, Gropius, Mondrian by Peter Gay (review)
  2. Jeanne Brody
  3. p. 76
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  1. Japanese Prints and Western Painters by Frank Whitford (review)
  2. Sean O’Driscoll
  3. p. 76
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  1. Art Deco Posters and Graphics by Jean Delhaye, Art Deco by Victor Arwas (review)
  2. Malcolm Miles
  3. pp. 76-77
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  1. Skyscraper Primitives: Dada and the American Avant-Garde 1910–1925 by Dickran Tashjian (review)
  2. Malcolm Miles
  3. p. 77
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  1. Paul Valéry by Charles G. Whiting (review)
  2. Richard Brown
  3. pp. 77-78
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  1. Complementarities: Uncollected Essays of I. A. Richards by John Paul Russo (review)
  2. Elmer H. Duncan
  3. p. 78
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  1. Odilon Redon ed. by Carolyn Keay (review)
  2. Ellen Dissanayake
  3. p. 78
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  1. Photomontages of the Nazi Period by John Heartfield (review)
  2. Gerhard H. Müller
  3. p. 79
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  1. Brauer by Arik Brauer, Rudolf Hausner by Günter Engelhard (review)
  2. Norman Narotzky
  3. p. 79
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  1. The Magic World of Ivan Generalić by Nabojša Tomašević (review)
  2. Alfred Werner
  3. p. 80
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  1. Constructs: Stories by Richard Kostelanetz (review)
  2. Joseph Germana
  3. p. 80
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  1. Artists at Curwen by Pat Gilmour (review)
  2. Sean O’Driscoll
  3. pp. 80-81
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  1. Concrete in Contemporary Art by Marcel Joray (review)
  2. Geoffrey Smedley
  3. pp. 81-82
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  1. The Best of Byte—Volume I ed. by David H. Ahl and Carl T. Helmers, Jr. (review)
  2. E. Zajec
  3. p. 82
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  1. Art in Paper by Carson I. A. Ritchie (review)
  2. Maurice Lang
  3. p. 82
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  1. Conservation and Scientific Analysis of Painting by Madeleine Hours (review)
  2. Larry Slifkin
  3. pp. 82-83
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  1. Architecture for the Poor: An Experiment in Rural Egypt by Hassan Fathy (review)
  2. Laszlo Nemeth
  3. p. 83
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  1. Colour for Architecture ed. by Tom Porter and Byron Mikellides (review)
  2. Gert Marcus
  3. p. 83
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  1. Industrial Design in Britain by Noel Carrington (review)
  2. David Sless
  3. pp. 83-84
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  1. The Pleasures of Music: An Anthology of Writing about Music and Musicians ed. by Jacques Barzun (review)
  2. Barbara Hero
  3. p. 84
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  1. Art Is Elementary: Teaching Visual Thinking through Art Concepts by Ivan E. Cornia, Charles B. Stubbs and Nathan B. Winters (review)
  2. David Friend
  3. pp. 84-85
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  1. Easter Eggs: A Collector’s Guide by Victor Houart (review)
  2. Lynn Kari Petrich
  3. p. 85
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  1. Mars and Its Satellites: A Detailed Commentary of the Nomenclature by Jürgen Blunck (review)
  2. Ralph J. Turner
  3. p. 85
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  1. Letters
  2. pp. 87-88
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  1. Books Received
  2. pp. 85-86
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