1. A Comparative Commentary on Nine of my Sculptures
  2. Kenneth R. Adams
  3. pp. 177-182
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  1. Sculpture: On my Work as a Carver of Wood
  2. Jaromír Fiala
  3. pp. 183-186
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  1. On My Sculpture Influenced by the Industrial Revolution
  2. L. R. Kitchin, Pamela Brown
  3. pp. 187-191
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  1. On My Work as a Sculptor
  2. Pilloo R. Pochkhanawala, S. I. Clerk
  3. pp. 192-196
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  1. On The Depiction of Figurative Representational Pictures Within Pictures
  2. David Carrier
  3. pp. 197-200
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  1. Parallels in Visual Art, Nature and Human Societies: A Proposed Interdisciplinary Secondary-School Art Program
  2. Ronald N. MacGregor
  3. pp. 201-205
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  1. Optical Society of America (OSA) Uniform Color Scale Samples
  2. Dorothy Nickerson
  3. pp. 206-212
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  1. Illustration
  2. p. 212
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  1. On My Emotional Approach to Making Sculptures Referring To Humans
  2. Franco Adami, Ben Chehida, Dominique Renoult
  3. pp. 213-214
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  1. Commentary on Bernard Smith’s Book The Antipodean Manifesto
  2. Rosemary Brooks
  3. pp. 215-216
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  1. Sculpture: A ‘Memorial’ to a Tornado
  2. Sidney Buchanan, Judith K. Van Wagner
  3. p. 217
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  1. A Response to W. Garner’s Observations on the Relationship between Colour and Music
  2. James W. Davis
  3. pp. 218-219
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  1. A New Engraving Technique by Means of Explosives
  2. Verner Molin
  3. pp. 222-223
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  1. Comments on the Book Entitled: The Creative Process in Science and Medicine
  2. Ismond Rosen
  3. pp. 224-227
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  1. On my Work as a Painter
  2. Takami Sakurai
  3. pp. 228-229
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  1. The Visual Arts and the Art of the Unseen
  2. Arnold Berleant
  3. pp. 231-235
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  1. Extracts from the Diary of Joseph Floch (1895–1977)
  2. Charlotte Lichtblau
  3. pp. 236-241
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  1. Terminology
  2. p. 242
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  1. The Origins of Knowledge and Imagination by Jacob Bronowski (review)
  2. David Perkins
  3. p. 247
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  1. Philosophical Problems of Modern Physics by Peter Mittelstaedt (review)
  2. P. T. Landsberg
  3. p. 247
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  1. The Key to the Universe by Nigel Calder (review)
  2. Halton Arp
  3. pp. 247-248
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  1. Science and Creation: From Eternal Cycles to an Oscillating Universe by Stanley L. Jaki (review)
  2. Ismond Rosen
  3. p. 248
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  1. Combinatorics with Emphasis on the Theory of Graphs by J. E. Graver and M. E. Watkins (review)
  2. Anthony Hill
  3. p. 248
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  1. Fractals: Form, Chance, and Dimension by Benoit Mandelbrot (review)
  2. Denis Bresson
  3. pp. 248-249
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  1. Sexual Attraction by Mark Cook and Robert McHenry (review)
  2. Hugh Mercer Curtler
  3. p. 249
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  1. Divining the Primary Sense: Unfamiliar Radiation in Nature, Art and Science by Herbert Weaver (review)
  2. Paul Heyer
  3. p. 249
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  1. The Sensitive Scientist by D. W. Morley (review)
  2. Pierre Auger
  3. pp. 249-250
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  1. Edison: The Man Who Made the Future by Ronald W. Clark (review)
  2. J. C. Kapur
  3. p. 250
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  1. Sociology as an Art Form by Robert Nisbet (review)
  2. A. N. Barnett
  3. pp. 250-251
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  1. Space and Place: The Perspective of Experience by Yi-Fu Tuan (review)
  2. N. N. Patricios
  3. p. 251
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  1. The Nationalization of Culture: The Development of State Subsidies to the Arts in Great Britain by Janet Minihan (review)
  2. Dolores Mitchell
  3. pp. 251-252
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  1. Culture and the City by Helen Lafkowitz Horowitz (review)
  2. Barry S. Maitland
  3. pp. 252-253
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  1. The Syntax of Cities by Peter F. Smith (review)
  2. Roger Mason
  3. p. 253
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  1. The Arts of China by Michael Sullivan (review)
  2. Richard A. Perry
  3. p. 253
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  1. Ethnic and Tourist Arts: Cultural Expressions from the Fourth World ed. by Nelson H. H. Graburn (review)
  2. S. I. Clerk
  3. pp. 253-254
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  1. Russian and Soviet Painting by Dmitrii Vladimirovich Sarabianov (review)
  2. S. Frederick Starr
  3. p. 254
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  1. Russian Modernism: Culture and the Avant-Garde, 1900–1930 ed. by George Gibian and H. W. Tjalsma (review)
  2. Alan C. Birnholz
  3. p. 254
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  1. Brancusi/The Kiss by Sidney Geist (review)
  2. Eugen Ciuca
  3. p. 255
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  1. Raoul Hausmann: Je ne suis pas un photographe ed. by Michel Giroud (review)
  2. David Haberstich
  3. p. 255
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  1. Vadim Sidur by Karl Eimermacher (review)
  2. John E. Bowlt
  3. pp. 255-256
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  1. Anton Krajčovič by Iva Mojžišova (review)
  2. John E. Bowlt
  3. p. 256
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  1. La Genèse d’une peinture by Jacques Mandelbrojt (review)
  2. Etienne Souriau
  3. p. 256
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  1. The Art of Sketching by Albert W. Porter, and: The Drawing Handbook: Approaches to Drawing by Stuart Purser (review)
  2. James W. Davis
  3. pp. 256-257
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  1. Sensitive Chaos: The Creation of Flowing Forms in Water and Air by Theodore Schwenk (review)
  2. Philip Bornarth
  3. p. 257
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  1. Infinite Design Coloring Book by Muncie Hendler (review)
  2. Arthur L. Loeb
  3. p. 257
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  1. Twentieth-Century Lace by Ernst-Erik Pfannschmidt (review)
  2. Marianne Straub
  3. pp. 257-258
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  1. Mind Models: New Forms of Musical Experience by Roger Reynolds (review)
  2. John Grayson
  3. p. 258
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  1. Innovation in Science Education—World-Wide by Albert V. Baez (review)
  2. Robert F. Erickson
  3. pp. 258-259
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  1. Methods of Learning Communication Skills by P. R. Day (review)
  2. Babette S. Whipple
  3. p. 259
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  1. The Noble Buyer: John Quinn, Patron of the Avant-Garde by Judith Zilczer (review)
  2. R. S. Biran
  3. p. 259
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  1. Letters
  2. C. G. Gross, M. Bornstein, Jan L. Broeckx, John E. Fobes, Ian G. Wallace, Peter Y. Windt, Lincoln Rothschild, Elwyn Lynn, Herbert W. Franke
  3. pp. 262-264
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  1. Urban Art: The ‘Archigrok Environmental Displacement’ Series
  2. Tom Dubicanac
  3. pp. 220-221
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  1. Books Received
  2. pp. 260-261
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