1. Queer Responses to Sexual Trauma: The Voices of Tori Amos’s “Me and a Gun” and Lydia Lunch’s Daddy Dearest
  2. Mary Lee Greitzer
  3. pp. 1-26
  4. DOI: 10.1353/wam.2013.0000
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  1. Hoopskirts, Coffee, and the Changing Musical Prospects of the Bach Women
  2. David Yearsley
  3. pp. 27-58
  4. DOI: 10.1353/wam.2013.0002
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  1. Shall Nation Speak unto Nation?: Grace Williams and the BBC in Wales, 1931–1950
  2. Graeme Cotterill
  3. pp. 59-77
  4. DOI: 10.1353/wam.2013.0003
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  1. Blackness in Opera ed. by Naomi André, Karen M. Bryan, Eric Saylor (review)
  2. Tammy L. Kernodle
  3. pp. 78-81
  4. DOI: 10.1353/wam.2013.0004
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  1. Towards a Twenty-First-Century Feminist Politics of Music by Sally Macarthur (review)
  2. Lindsey Eckenroth
  3. pp. 92-101
  4. DOI: 10.1353/wam.2013.0006
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  1. Umm Kulthūm: Artistic Agency and the Shaping of an Arab Legend 1967–2007 by Laura Lohman (review)
  2. Margaret Farrell
  3. pp. 101-107
  4. DOI: 10.1353/wam.2013.0007
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  1. Contributors
  2. pp. 108-109
  3. DOI: 10.1353/wam.2013.0001
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