In this Issue

Table of Contents

Queer Responses to Sexual Trauma: The Voices of Tori Amos’s “Me and a Gun” and Lydia Lunch’s Daddy Dearest

Mary Lee Greitzer
pp. 1-26
DOI: https://doi.org/10.1353/wam.2013.0000
restricted access

Hoopskirts, Coffee, and the Changing Musical Prospects of the Bach Women

David Yearsley
pp. 27-58
DOI: https://doi.org/10.1353/wam.2013.0002
restricted access

Shall Nation Speak unto Nation?: Grace Williams and the BBC in Wales, 1931–1950

Graeme Cotterill
pp. 59-77
DOI: https://doi.org/10.1353/wam.2013.0003
restricted access

Blackness in Opera ed. by Naomi André, Karen M. Bryan, Eric Saylor (review)

Tammy L. Kernodle
pp. 78-81
DOI: https://doi.org/10.1353/wam.2013.0004
restricted access

Hearts of Pine: Songs in the Lives of Three Korean Survivors of the Japanese “Comfort Women.” by Joshua D. Pilzer (review)

Jessica Payette
pp. 81-91
DOI: https://doi.org/10.1353/wam.2013.0005
restricted access

Towards a Twenty-First-Century Feminist Politics of Music by Sally Macarthur (review)

Lindsey Eckenroth
pp. 92-101
DOI: https://doi.org/10.1353/wam.2013.0006
restricted access

Umm Kulthūm: Artistic Agency and the Shaping of an Arab Legend 1967–2007 by Laura Lohman (review)

Margaret Farrell
pp. 101-107
DOI: https://doi.org/10.1353/wam.2013.0007
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Contributors

pp. 108-109
DOI: https://doi.org/10.1353/wam.2013.0001
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