In this Issue

Table of Contents

Music and Dance in the Japanese Military “Comfort Women” System: A Case Study in the Performing Arts, War, and Sexual Violence

Joshua D. Pilzer
pp. 1-23
DOI: https://doi.org/10.1353/wam.2014.0001
free access

Working behind the Scenes: Gender, Sexuality, and Collaboration in the Vocal Arrangements of Billy Strayhorn

Lisa Barg
pp. 24-47
DOI: https://doi.org/10.1353/wam.2014.0002
free access

Icelandic Nationalism, Difference Feminism, and Björk’s Maternal Aesthetic

Shana Goldin-Perschbacher
pp. 48-81
DOI: https://doi.org/10.1353/wam.2014.0003
free access

Queer Relationships with Music and an Experiential Hermeneutics for Musical Meaning

Sarah Hankins
pp. 83-104
DOI: https://doi.org/10.1353/wam.2014.0004
free access

In Her Own Words: Conversations with Composers in the United States by Jennifer Kelly (review)

Jessica Rudman
pp. 105-112
DOI: https://doi.org/10.1353/wam.2014.0005
free access

Anthology of Text Scores by Pauline Oliveros, ed. by Samuel Golter and Lawton Hall (review)

Douglas Cohen
pp. 112-113
DOI: https://doi.org/10.1353/wam.2014.0006
free access

Letter from the Editor

Ellie M. Hisama
pp. vii-viii
DOI: https://doi.org/10.1353/wam.2014.0007
free access

Contributors

pp. 114-115
DOI: https://doi.org/10.1353/wam.2014.0000
free access

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