Issue Cover

From: Women and Music: A Journal of Gender and Culture

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restricted access   Volume 16, 2012

Table of Contents

Complementarity and Cultural Ideals: Women's Roles in Contemporary Canadian Powwows

pp. 1-22
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DOI: 10.1353/wam.2012.0018
Anna Hoefnagels
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"Between Death and Life": Mobility, War, and Marshallese Women's Songs of Survival

pp. 23-56
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DOI: 10.1353/wam.2012.0023
Jessica A. Schwartz
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Female Singers and the maladie morale in Parisian Lyric Theaters, 1830-1850

pp. 57-85
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DOI: 10.1353/wam.2012.0027
Kimberly White
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Theorizing Gender, Culture, and Music

Making Waves: Opening Keynote for the Twentieth Anniversary of the Feminist Theory and Music Conference

pp. 86-96
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DOI: 10.1353/wam.2012.0003
Susan McClary
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Someday They Will Dance

pp. 97-112
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DOI: 10.1353/wam.2012.0007
Julia Eklund Koza
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Resounding Chicana Music: Listening to Eva Garza

pp. 113-132
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DOI: 10.1353/wam.2012.0011
Deborah R. Vargas
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Reflections on the Twenty-Fifth Anniversary of Women Making Music

pp. 113-132
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DOI: 10.1353/wam.2012.0016
Judith Tick
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Reviews

Dusty! Queen of the Postmods (review)

pp. 139-143
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DOI: 10.1353/wam.2012.0021
Laurie Stras
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Songs in Black and Lavender: Race, Sexual Politics, and Women's Music (review)

pp. 143-146
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DOI: 10.1353/wam.2012.0025
Monica Hairston O'Connell
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Sounding Out! (review)

pp. 146-149
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DOI: 10.1353/wam.2012.0001
Paula Matthusen
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Changed for Good: A Feminist History of the Broadway Musical (review)

pp. 149-153
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DOI: 10.1353/wam.2012.0005
Bradley Rogers
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Wagner and the Erotic Impulse (review)

pp. 153-159
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DOI: 10.1353/wam.2012.0009
Holly Watkins
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Pink Noises: Women on Electronic Music and Sound (review)

pp. 160-168
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DOI: 10.1353/wam.2012.0014
Betsey Biggs
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Contributors

pp. 169-172
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DOI: 10.1353/wam.2012.0019
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