In this Issue

Table of Contents

Complementarity and Cultural Ideals: Women's Roles in Contemporary Canadian Powwows

Anna Hoefnagels
pp. 1-22
DOI: https://doi.org/10.1353/wam.2012.0018
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"Between Death and Life": Mobility, War, and Marshallese Women's Songs of Survival

Jessica A. Schwartz
pp. 23-56
DOI: https://doi.org/10.1353/wam.2012.0023
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Female Singers and the maladie morale in Parisian Lyric Theaters, 1830-1850

Kimberly White
pp. 57-85
DOI: https://doi.org/10.1353/wam.2012.0027
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Making Waves: Opening Keynote for the Twentieth Anniversary of the Feminist Theory and Music Conference

Susan McClary
pp. 86-96
DOI: https://doi.org/10.1353/wam.2012.0003
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Someday They Will Dance

Julia Eklund Koza
pp. 97-112
DOI: https://doi.org/10.1353/wam.2012.0007
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Resounding Chicana Music: Listening to Eva Garza

Deborah R. Vargas
pp. 113-132
DOI: https://doi.org/10.1353/wam.2012.0011
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Reflections on the Twenty-Fifth Anniversary of Women Making Music

Judith Tick
pp. 113-132
DOI: https://doi.org/10.1353/wam.2012.0016
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Dusty! Queen of the Postmods (review)

Laurie Stras
pp. 139-143
DOI: https://doi.org/10.1353/wam.2012.0021
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Songs in Black and Lavender: Race, Sexual Politics, and Women's Music (review)

Monica Hairston O'Connell
pp. 143-146
DOI: https://doi.org/10.1353/wam.2012.0025
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Sounding Out! (review)

Paula Matthusen
pp. 146-149
DOI: https://doi.org/10.1353/wam.2012.0001
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Changed for Good: A Feminist History of the Broadway Musical (review)

Bradley Rogers
pp. 149-153
DOI: https://doi.org/10.1353/wam.2012.0005
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Wagner and the Erotic Impulse (review)

Holly Watkins
pp. 153-159
DOI: https://doi.org/10.1353/wam.2012.0009
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Pink Noises: Women on Electronic Music and Sound (review)

Betsey Biggs
pp. 160-168
DOI: https://doi.org/10.1353/wam.2012.0014
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Contributors

pp. 169-172
DOI: https://doi.org/10.1353/wam.2012.0019
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