In this Issue

Table of Contents

Inventing Intervals: The Digital Image in Metropolis and Gankutsuō

Marc Steinberg
pp. 3-22
DOI: https://doi.org/10.1353/mec.2012.0003
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Takahashi Macoto: The Origin of Shōjo Manga Style

Fujimoto Yukari, Rachel Thorn
pp. 24-55
DOI: https://doi.org/10.1353/mec.2012.0000
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The Face in the Shadow of the Camera: Corporeality of the Photographer in Kanai Mieko’s Narratives

Atsuko Sakaki
pp. 57-76
DOI: https://doi.org/10.1353/mec.2012.0015
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Kamishibai and the Art of the Interval

Sharalyn Orbaugh
pp. 78-100
DOI: https://doi.org/10.1353/mec.2012.0012
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Hokusai’s Lines of Sight

Timon Screech
pp. 103-109
DOI: https://doi.org/10.1353/mec.2012.0009
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Superflat and the Postmodern Gothic: Images of Western Modernity in Kuroshitsuji

Waiyee Loh
pp. 111-127
DOI: https://doi.org/10.1353/mec.2012.0007
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From Techno-cute to Superflat: Robots and Asian Architectural Futures

Davi Beynon
pp. 129-148
DOI: https://doi.org/10.1353/mec.2012.0004
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Dying in Two Dimensions: Genji emaki and the Wages of Depth Perception

Reginald Jackson
pp. 149-172
DOI: https://doi.org/10.1353/mec.2012.0001
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Image Essay: Mobile Worldviews

Stefan Riekeles, Thomas Lamarre
pp. 173-188
DOI: https://doi.org/10.1353/mec.2012.0016
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Topologies of Identity in Serial Experiments Lain

Craig Jackson
pp. 191-201
DOI: https://doi.org/10.1353/mec.2012.0013
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From Superflat Windows to Facebook Walls: Mobility and Multiplicity of an Animated Shopping Gaze

Jinying Li
pp. 203-221
DOI: https://doi.org/10.1353/mec.2012.0010
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New Halves, Old Selves: Reincarnation and Transgender Identification in Ōshima Yumiko’s Tsurubara-tsurubara

Emily Somers
pp. 223-246
DOI: https://doi.org/10.1353/mec.2012.0008
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Audiovisual Redundancy and Remediation in Ninja bugeichō

Yuriko Furuhata
pp. 249-262
DOI: https://doi.org/10.1353/mec.2012.0005
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Moving the Horizon: Violence and Cinematic Revolution in Ōshima Nagisa’s Ninja bugeichō

Miryam Sas
pp. 264-280
DOI: https://doi.org/10.1353/mec.2012.0002
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Anatomy of Permutational Desire, Part III: The Artificial Woman and the Perverse Structure of Modernity

Livia Monnet
pp. 282-297
DOI: https://doi.org/10.1353/mec.2012.0017
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Radical Perspectivalism

Thomas Lamarre
pp. ix-xviii
DOI: https://doi.org/10.1353/mec.2012.0006
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Contributors

pp. 299-300
DOI: https://doi.org/10.1353/mec.2012.0011
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