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Table of Contents

  1. "Becoming-Insect Woman": Tezuka's Feminist Species
  2. Mary A. Knighton
  3. pp. 3-24
  4. DOI: https://doi.org/10.1353/mec.2013.0001
  5. restricted access
  1. Diary of an Insect Shōjo's Vagabond Life
  2. Tezuka Osamu, Mary A. Knighton
  3. pp. 25-32
  4. DOI: https://doi.org/10.1353/mec.2013.0017
  5. restricted access
  1. Tezuka Osamu's Circle of Life: Vitalism, Evolution, and Buddhism
  2. G. Clinton Godart
  3. pp. 34-47
  4. DOI: https://doi.org/10.1353/mec.2013.0005
  5. restricted access
  1. Atom Came from Bugs: The Precocious Didacticism of Tezuka Osamu's Essays in Insect Idleness
  2. Linda H. Chance
  3. pp. 49-59
  4. DOI: https://doi.org/10.1353/mec.2013.0008
  5. restricted access
  1. On the Fabulation of a Form of Life in the Drawn Line and Systems of Thought
  2. Verina Gfader
  3. pp. 61-71
  4. DOI: https://doi.org/10.1353/mec.2013.0011
  5. restricted access
  1. The Metamorphic and Microscopic in Tezuka Osamu's Graphic Novels
  2. Christine L. Marran
  3. pp. 73-85
  4. DOI: https://doi.org/10.1353/mec.2013.0014
  5. restricted access
  1. Where Is Tezuka?: A Theory of Manga Expression
  2. Natsume Fusanosuke, Matthew Young
  3. pp. 89-107
  4. DOI: https://doi.org/10.1353/mec.2013.0018
  5. restricted access
  1. Phoenix 2772: A 1980 Turning Point for Tezuka and Anime
  2. Renato Rivera Rusca
  3. pp. 109-125
  4. DOI: https://doi.org/10.1353/mec.2013.0000
  5. restricted access
  1. Copying Atomu
  2. Marc Steinberg
  3. pp. 127-136
  4. DOI: https://doi.org/10.1353/mec.2013.0004
  5. restricted access
  1. Tokiwasou Story
  2. Akatsuka Fujio, Matthew Young
  3. pp. 137-152
  4. DOI: https://doi.org/10.1353/mec.2013.0022
  5. restricted access
  1. Toward a Theory of "Artist Manga": Manga Self-Consciousness and the Transforming Figure of the Artist
  2. Hashimoto Yorimitsu, Baryon Tensor Posadas
  3. pp. 155-171
  4. DOI: https://doi.org/10.1353/mec.2013.0007
  5. restricted access
  1. Manga Shōnen: Katō Ken'ichi and the Manga Boys
  2. Ryan Holmberg
  3. pp. 173-193
  4. DOI: https://doi.org/10.1353/mec.2013.0010
  5. restricted access
  1. Implicating Readers: Tezuka's Early Seinen Manga
  2. Fujiki Hideaki
  3. pp. 195-212
  4. DOI: https://doi.org/10.1353/mec.2013.0016
  5. restricted access
  1. Tezuka's Anime Revolution in Context
  2. Jonathan Clements
  3. pp. 214-226
  4. DOI: https://doi.org/10.1353/mec.2013.0013
  5. restricted access
  1. Designing a World
  2. Frederik L. Schodt
  3. pp. 228-242
  4. DOI: https://doi.org/10.1353/mec.2013.0021
  5. restricted access
  1. Unico
  2. Anno Moyoko, Matthew Young
  3. pp. 243-248
  4. DOI: https://doi.org/10.1353/mec.2013.0003
  5. restricted access
  1. An Unholy Alliance of Eisenstein and Disney: The Fascist Origins of Otaku Culture
  2. Ōtsuka Eiji, Thomas Lamarre
  3. pp. 251-277
  4. DOI: https://doi.org/10.1353/mec.2013.0002
  5. restricted access
  1. Osamu Moet Moso: Imagining Lines of Eroticism in Akihabara
  2. Patrick W. Galbraith
  3. pp. 279-297
  4. DOI: https://doi.org/10.1353/mec.2013.0006
  5. restricted access
  1. Tezuka, Shōjo Manga, and Hagio Moto
  2. Hori Hikari
  3. pp. 299-311
  4. DOI: https://doi.org/10.1353/mec.2013.0012
  5. restricted access
  1. Out of Death, an Atomic Consecration to Life: Astro Boy and Hiroshima's Long Shadow
  2. Alicia Gibson
  3. pp. 313-320
  4. DOI: https://doi.org/10.1353/mec.2013.0009
  5. restricted access
  1. Wolf Head in Phoenix
  2. Ueno Toshiya
  3. pp. 322-335
  4. DOI: https://doi.org/10.1353/mec.2013.0015
  5. restricted access
  1. Introduction
  2. Thomas Lamarre
  3. pp. ix-xiii
  4. DOI: https://doi.org/10.1353/mec.2013.0020
  5. restricted access
  1. Contributors
  3. pp. 336-337
  4. DOI: https://doi.org/10.1353/mec.2013.0019
  5. restricted access

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