1. Bonus Insert
  2. Aaron Pollard, Stephen Lawson
  3. pp. 1-17
  4. DOI: 10.1353/ctr.2012.0042
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  1. A Manifesto for Manifestos
  2. Natalie Alvarez, Jenn Stephenson
  3. pp. 3-7
  4. DOI: 10.1353/ctr.2012.0025
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  1. Seek Electricity: A Multiple Theatre Manifesto
  2. Alex McLean
  3. pp. 8-13
  4. DOI: 10.1353/ctr.2012.0030
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  1. A Statement of Objectives (and a Conversation)
  2. Beatriz Pizano, Trevor Schwellnus
  3. pp. 14-16
  4. DOI: 10.1353/ctr.2012.0035
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  1. Performance as an Act of Survival
  2. Claudia Bernal, Meg Moran
  3. pp. 22-25
  4. DOI: 10.1353/ctr.2012.0045
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  1. r/evolution begins within
  2. d’bi.young Anitafrika
  3. pp. 26-29
  4. DOI: 10.1353/ctr.2012.0049
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  1. Administration is Eating Away at Us
  2. Olivier Choinière, Meg Moran
  3. pp. 30-33
  4. DOI: 10.1353/ctr.2012.0023
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  1. Writing on the Wall
  2. Steven Hill, Michele Valiquette
  3. pp. 36-37
  4. DOI: 10.1353/ctr.2012.0033
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  1. Space-ifesto 2012 (A Manifesto Toward Conditions and the Proliferation of Culture in a Better Canada)
  2. Rebecca Singh
  3. pp. 38-41
  4. DOI: 10.1353/ctr.2012.0038
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  1. On the Force of Time
  2. Anand Rajaram
  3. pp. 42-46
  4. DOI: 10.1353/ctr.2012.0043
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  1. TYA = i: Assessing the Fair Market Value of Young People
  2. Nicholas Hanson
  3. pp. 47-52
  4. DOI: 10.1353/ctr.2012.0047
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  1. Igniting Imaginations with Actor-manipulated Design
  2. Jillian Keiley
  3. pp. 53-55
  4. DOI: 10.1353/ctr.2012.0021
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  1. Ondinnok: The First Nations Theatre of Quebec
  2. Yves Sioui Durand, Meg Moran
  3. pp. 56-60
  4. DOI: 10.1353/ctr.2012.0026
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  1. Tangible Archives of the Intangible, or Archiving the Ineluctable Modality of the Theatrical
  2. Kathryn Harvey
  3. pp. 61-63
  4. DOI: 10.1353/ctr.2012.0031
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  1. A Manifesto of Living Self-portraiture (Identity, Transformation, and Performance)
  2. Nina Arsenault
  3. pp. 64-69
  4. DOI: 10.1353/ctr.2012.0036
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  1. Manifesto in a Cup
  2. Suitcase in Point
  3. p. 75
  4. DOI: 10.1353/ctr.2012.0046
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  1. On Moderation in Social Networks
  2. David Yee
  3. pp. 76-79
  4. DOI: 10.1353/ctr.2012.0020
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  1. A Few Rules, Some Platitudes, a Bit of Advice, and a Prayer for Producers of (Radical/Political/ Meaningful) Theatre
  2. Naomi Campbell
  3. pp. 80-83
  4. DOI: 10.1353/ctr.2012.0024
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  1. Synthesis
  2. Michael Wheeler, Ravi Jain
  3. pp. 84-85
  4. DOI: 10.1353/ctr.2012.0029
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  1. There is No Revolution, Televised or Otherwise
  2. Kristine Nutting
  3. pp. 86-88
  4. DOI: 10.1353/ctr.2012.0034
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  1. Manifesto for Confusion, Struggle, and Conflicted Feelings
  2. Jacob Wren
  3. pp. 89-90
  4. DOI: 10.1353/ctr.2012.0039
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  1. Why a Linguistic Minority Theatre is Essential: A Manifesto
  2. Madeleine Blais-Dahlem
  3. pp. 91-93
  4. DOI: 10.1353/ctr.2012.0044
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  1. Theatre That is Not Just DEH-BIN-NOCK!
  2. Waawaate Fobister
  3. pp. 94-96
  4. DOI: 10.1353/ctr.2012.0048
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  1. Theatre Production, Experiential Learning, and Research–Creation in the Academy: An Anti-manifesto of Sorts
  2. Louis Patrick Leroux
  3. pp. 97-99
  4. DOI: 10.1353/ctr.2012.0022
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  1. Failure Points
  2. Sarah Garton Stanley
  3. pp. 100-102
  4. DOI: 10.1353/ctr.2012.0027
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  1. To Hell with Manifestos
  2. Daniel Brooks
  3. pp. 103-106
  4. DOI: 10.1353/ctr.2012.0032
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  1. Notes on Contributors
  2. pp. 107-110
  3. DOI: 10.1353/ctr.2012.0037
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