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Table of Contents

  1. A Manifesto for Manifestos
  2. Natalie Alvarez, Jenn Stephenson
  3. pp. 3-7
  4. DOI: https://doi.org/10.1353/ctr.2012.0025
  5. restricted access
  1. Seek Electricity: A Multiple Theatre Manifesto
  2. Alex McLean
  3. pp. 8-13
  4. DOI: https://doi.org/10.1353/ctr.2012.0030
  5. restricted access
  1. A Statement of Objectives (and a Conversation)
  2. Beatriz Pizano, Trevor Schwellnus
  3. pp. 14-16
  4. DOI: https://doi.org/10.1353/ctr.2012.0035
  5. restricted access
  1. GLITTERfesto: An Open Call in Trinity Formation for a Revolutionary Movement of Activist Performance Based on the Premise That Social Justice is Fabulous
  2. T.L. Cowan
  3. pp. 17-21
  4. DOI: https://doi.org/10.1353/ctr.2012.0040
  5. restricted access
  1. Performance as an Act of Survival
  2. Claudia Bernal, Meg Moran
  3. pp. 22-25
  4. DOI: https://doi.org/10.1353/ctr.2012.0045
  5. restricted access
  1. r/evolution begins within
  2. d’bi.young Anitafrika
  3. pp. 26-29
  4. DOI: https://doi.org/10.1353/ctr.2012.0049
  5. restricted access
  1. Administration is Eating Away at Us
  2. Olivier Choinière, Meg Moran
  3. pp. 30-33
  4. DOI: https://doi.org/10.1353/ctr.2012.0023
  5. restricted access
  1. On the Beauty of Our Perpetual Marginality, and Why it Might be Time for All of Us to Figure Out Our Position on Social Housing
  2. Marcus Youssef
  3. pp. 34-35
  4. DOI: https://doi.org/10.1353/ctr.2012.0028
  5. restricted access
  1. Writing on the Wall
  2. Steven Hill, Michele Valiquette
  3. pp. 36-37
  4. DOI: https://doi.org/10.1353/ctr.2012.0033
  5. restricted access
  1. Space-ifesto 2012 (A Manifesto Toward Conditions and the Proliferation of Culture in a Better Canada)
  2. Rebecca Singh
  3. pp. 38-41
  4. DOI: https://doi.org/10.1353/ctr.2012.0038
  5. restricted access
  1. On the Force of Time
  2. Anand Rajaram
  3. pp. 42-46
  4. DOI: https://doi.org/10.1353/ctr.2012.0043
  5. restricted access
  1. TYA = i: Assessing the Fair Market Value of Young People
  2. Nicholas Hanson
  3. pp. 47-52
  4. DOI: https://doi.org/10.1353/ctr.2012.0047
  5. restricted access
  1. Igniting Imaginations with Actor-manipulated Design
  2. Jillian Keiley
  3. pp. 53-55
  4. DOI: https://doi.org/10.1353/ctr.2012.0021
  5. restricted access
  1. Ondinnok: The First Nations Theatre of Quebec
  2. Yves Sioui Durand, Meg Moran
  3. pp. 56-60
  4. DOI: https://doi.org/10.1353/ctr.2012.0026
  5. restricted access
  1. Tangible Archives of the Intangible, or Archiving the Ineluctable Modality of the Theatrical
  2. Kathryn Harvey
  3. pp. 61-63
  4. DOI: https://doi.org/10.1353/ctr.2012.0031
  5. restricted access
  1. A Manifesto of Living Self-portraiture (Identity, Transformation, and Performance)
  2. Nina Arsenault
  3. pp. 64-69
  4. DOI: https://doi.org/10.1353/ctr.2012.0036
  5. restricted access
  1. Dangers of the Theatrical–Dramaturgical Complex: A Call to Artists to Run Faster and Jump Higher on Their Own Two Feet
  2. Alex Lazaridis Ferguson
  3. pp. 70-74
  4. DOI: https://doi.org/10.1353/ctr.2012.0041
  5. restricted access
  1. Manifesto in a Cup
  2. Suitcase in Point
  3. p. 75
  4. DOI: https://doi.org/10.1353/ctr.2012.0046
  5. restricted access
  1. On Moderation in Social Networks
  2. David Yee
  3. pp. 76-79
  4. DOI: https://doi.org/10.1353/ctr.2012.0020
  5. restricted access
  1. A Few Rules, Some Platitudes, a Bit of Advice, and a Prayer for Producers of (Radical/Political/ Meaningful) Theatre
  2. Naomi Campbell
  3. pp. 80-83
  4. DOI: https://doi.org/10.1353/ctr.2012.0024
  5. restricted access
  1. Synthesis
  2. Michael Wheeler, Ravi Jain
  3. pp. 84-85
  4. DOI: https://doi.org/10.1353/ctr.2012.0029
  5. restricted access
  1. There is No Revolution, Televised or Otherwise
  2. Kristine Nutting
  3. pp. 86-88
  4. DOI: https://doi.org/10.1353/ctr.2012.0034
  5. restricted access
  1. Manifesto for Confusion, Struggle, and Conflicted Feelings
  2. Jacob Wren
  3. pp. 89-90
  4. DOI: https://doi.org/10.1353/ctr.2012.0039
  5. restricted access
  1. Why a Linguistic Minority Theatre is Essential: A Manifesto
  2. Madeleine Blais-Dahlem
  3. pp. 91-93
  4. DOI: https://doi.org/10.1353/ctr.2012.0044
  5. restricted access
  1. Theatre That is Not Just DEH-BIN-NOCK!
  2. Waawaate Fobister
  3. pp. 94-96
  4. DOI: https://doi.org/10.1353/ctr.2012.0048
  5. restricted access
  1. Theatre Production, Experiential Learning, and Research–Creation in the Academy: An Anti-manifesto of Sorts
  2. Louis Patrick Leroux
  3. pp. 97-99
  4. DOI: https://doi.org/10.1353/ctr.2012.0022
  5. restricted access
  1. Failure Points
  2. Sarah Garton Stanley
  3. pp. 100-102
  4. DOI: https://doi.org/10.1353/ctr.2012.0027
  5. restricted access
  1. To Hell with Manifestos
  2. Daniel Brooks
  3. pp. 103-106
  4. DOI: https://doi.org/10.1353/ctr.2012.0032
  5. restricted access
  1. Notes on Contributors
  3. pp. 107-110
  4. DOI: https://doi.org/10.1353/ctr.2012.0037
  5. restricted access
  1. Bonus Insert
  2. Aaron Pollard, Stephen Lawson
  3. pp. 1-17
  4. DOI: https://doi.org/10.1353/ctr.2012.0042
  5. restricted access