In this Issue

Table of Contents

Queer Performance: Women and Trans Artists

Moynan King
pp. 3-5
DOI: https://doi.org/10.1353/ctr.2012.0001
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Anne Made Me Gay: When Kindred Spirits Get Naked

Rosemary Rowe
pp. 6-11
DOI: https://doi.org/10.1353/ctr.2012.0004
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The Boychoir of Lesbos: Between the Folds/From Throat to Shining Throat

David Bateman
pp. 12-16
DOI: https://doi.org/10.1353/ctr.2012.0007
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Getting Kinky Inside and Outside: A Conversation with Trey Anthony

Spy Dénommé-Welch
pp. 17-21
DOI: https://doi.org/10.1353/ctr.2012.0010
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Companioned Solos: Nathalie Claude's Trilogie de la folie

Erin Hurley
pp. 22-26
DOI: https://doi.org/10.1353/ctr.2012.0013
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A Sadly Overlooked Lesbian Gem: Hope Thompson's Green

Sky Gilbert
pp. 27-30
DOI: https://doi.org/10.1353/ctr.2012.0016
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Funny Girl: An Interview with Mariko Tamaki

Abi Slone
pp. 31-35
DOI: https://doi.org/10.1353/ctr.2012.0000
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The Extraction/Fusion Apparatus: Dayna McLeod's Engaged Mash-up Art Practice

Anne Golden
pp. 36-39
DOI: https://doi.org/10.1353/ctr.2012.0003
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''An Act of Bravery'': Queer Women's Performance in Contemporary Nova Scotia

Roberta Barker, Susanne Shawyer
pp. 40-45
DOI: https://doi.org/10.1353/ctr.2012.0006
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Canada's Dandy Duet: The Performance Collaboration of Ivan Coyote and Rae Spoon

Moynan King, Ivan Coyote, Rae Spoon
pp. 46-51
DOI: https://doi.org/10.1353/ctr.2012.0009
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Giving us ''Everything She's Got'': Processing the Script-as-Archive in Jess Dobkin's Queer Performance Art

Benjamin Gillespie
pp. 52-53
DOI: https://doi.org/10.1353/ctr.2012.0012
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Everything I’ve Got

Jess Dobkin
pp. 54-63
DOI: https://doi.org/10.1353/ctr.2012.0019
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Queer Women's Performance Symposium

Laine Newman
pp. 64-72
DOI: https://doi.org/10.1353/ctr.2012.0015
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Performance Studies in Canada

Natalie Alvarez
pp. 73-74
DOI: https://doi.org/10.1353/ctr.2012.0018
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In Search of PS North: Performance Studies in Canada

Laura Levin
pp. 74-76
DOI: https://doi.org/10.1353/ctr.2012.0002
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Outskirts to Mainstream?: Performance Poetry on the Move

Naila Keleta-Mae
pp. 76-79
DOI: https://doi.org/10.1353/ctr.2012.0005
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(No) Performance Studies in Canada

Susan Bennett
pp. 79-81
DOI: https://doi.org/10.1353/ctr.2012.0008
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Towards Locating the Alchemy of Convergence in the Native Theatre Classroom

Jill Carter
pp. 82-84
DOI: https://doi.org/10.1353/ctr.2012.0011
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Études théâtrales and Performance Studies in Quebec

Erin Hurley
pp. 84-86
DOI: https://doi.org/10.1353/ctr.2012.0014
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Canadian Theatre Review Constitutes Performance Studies

Ric Knowles
pp. 87-89
DOI: https://doi.org/10.1353/ctr.2012.0017
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