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In this Issue

Table of Contents

Editorial

  1. Queer Performance: Women and Trans Artists
  2. Moynan King
  3. pp. 3-5
  4. DOI: https://doi.org/10.1353/ctr.2012.0001
  5. restricted access

Feature Articles

  1. Anne Made Me Gay: When Kindred Spirits Get Naked
  2. Rosemary Rowe
  3. pp. 6-11
  4. DOI: https://doi.org/10.1353/ctr.2012.0004
  5. restricted access
  1. The Boychoir of Lesbos: Between the Folds/From Throat to Shining Throat
  2. David Bateman
  3. pp. 12-16
  4. DOI: https://doi.org/10.1353/ctr.2012.0007
  5. restricted access
  1. Getting Kinky Inside and Outside: A Conversation with Trey Anthony
  2. Spy Dénommé-Welch
  3. pp. 17-21
  4. DOI: https://doi.org/10.1353/ctr.2012.0010
  5. restricted access
  1. Companioned Solos: Nathalie Claude's Trilogie de la folie
  2. Erin Hurley
  3. pp. 22-26
  4. DOI: https://doi.org/10.1353/ctr.2012.0013
  5. restricted access
  1. A Sadly Overlooked Lesbian Gem: Hope Thompson's Green
  2. Sky Gilbert
  3. pp. 27-30
  4. DOI: https://doi.org/10.1353/ctr.2012.0016
  5. restricted access
  1. Funny Girl: An Interview with Mariko Tamaki
  2. Abi Slone
  3. pp. 31-35
  4. DOI: https://doi.org/10.1353/ctr.2012.0000
  5. restricted access
  1. The Extraction/Fusion Apparatus: Dayna McLeod's Engaged Mash-up Art Practice
  2. Anne Golden
  3. pp. 36-39
  4. DOI: https://doi.org/10.1353/ctr.2012.0003
  5. restricted access
  1. ''An Act of Bravery'': Queer Women's Performance in Contemporary Nova Scotia
  2. Roberta Barker, Susanne Shawyer
  3. pp. 40-45
  4. DOI: https://doi.org/10.1353/ctr.2012.0006
  5. restricted access
  1. Canada's Dandy Duet: The Performance Collaboration of Ivan Coyote and Rae Spoon
  2. Moynan King, Ivan Coyote, Rae Spoon
  3. pp. 46-51
  4. DOI: https://doi.org/10.1353/ctr.2012.0009
  5. restricted access
  1. Giving us ''Everything She's Got'': Processing the Script-as-Archive in Jess Dobkin's Queer Performance Art
  2. Benjamin Gillespie
  3. pp. 52-53
  4. DOI: https://doi.org/10.1353/ctr.2012.0012
  5. restricted access

Script

  1. Everything I’ve Got
  2. Jess Dobkin
  3. pp. 54-63
  4. DOI: https://doi.org/10.1353/ctr.2012.0019
  5. restricted access
  1. Queer Women's Performance Symposium
  2. Laine Newman
  3. pp. 64-72
  4. DOI: https://doi.org/10.1353/ctr.2012.0015
  5. restricted access

Views and Reviews

  1. Performance Studies in Canada
  2. Natalie Alvarez
  3. pp. 73-74
  4. DOI: https://doi.org/10.1353/ctr.2012.0018
  5. restricted access
  1. In Search of PS North: Performance Studies in Canada
  2. Laura Levin
  3. pp. 74-76
  4. DOI: https://doi.org/10.1353/ctr.2012.0002
  5. restricted access
  1. Outskirts to Mainstream?: Performance Poetry on the Move
  2. Naila Keleta-Mae
  3. pp. 76-79
  4. DOI: https://doi.org/10.1353/ctr.2012.0005
  5. restricted access
  1. (No) Performance Studies in Canada
  2. Susan Bennett
  3. pp. 79-81
  4. DOI: https://doi.org/10.1353/ctr.2012.0008
  5. restricted access
  1. Towards Locating the Alchemy of Convergence in the Native Theatre Classroom
  2. Jill Carter
  3. pp. 82-84
  4. DOI: https://doi.org/10.1353/ctr.2012.0011
  5. restricted access
  1. Études théâtrales and Performance Studies in Quebec
  2. Erin Hurley
  3. pp. 84-86
  4. DOI: https://doi.org/10.1353/ctr.2012.0014
  5. restricted access
  1. Canadian Theatre Review Constitutes Performance Studies
  2. Ric Knowles
  3. pp. 87-89
  4. DOI: https://doi.org/10.1353/ctr.2012.0017
  5. restricted access