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In this Issue

Table of Contents

  1. Staging the City with the Good People of New Haven
  2. Sonja Kuftinec
  3. pp. 197-222
  4. DOI: https://doi.org/10.1353/tj.2001.0051
  5. restricted access
  1. Theatre, Crime and the Edgy City in Post-apartheid Johannesburg
  2. Loren Kruger
  3. pp. 223-252
  4. DOI: https://doi.org/10.1353/tj.2001.0050
  5. restricted access
  1. Urban National, Suburban Transnational: Civic Theatres and the Urban Development of Toronto's Downtowns
  2. Michael McKinnie
  3. pp. 253-276
  4. DOI: https://doi.org/10.1353/tj.2001.0054
  5. restricted access
  1. International Casting in Chinese Plays: A Tale of Two Cities
  2. Claire Conceison
  3. pp. 277-290
  4. DOI: https://doi.org/10.1353/tj.2001.0036
  5. restricted access
  1. Spectacular Failure: Frank Lloyd Wright's Midway Gardens and Chicago Entertainment
  2. Judith A. Sebesta
  3. pp. 291-309
  4. DOI: https://doi.org/10.1353/tj.2001.0060
  5. restricted access
  1. Doctoral Projects in Progress in Theatre Arts, 2001
  2. Doug Cummins
  3. pp. 311-315
  4. DOI: https://doi.org/10.1353/tj.2001.0037
  5. restricted access
  1. City for Sale (review)
  2. Susan Vaneta Mason
  3. pp. 317-318
  4. DOI: https://doi.org/10.1353/tj.2001.0053
  5. restricted access
  1. The Good Person of New Haven (review)
  2. Karen Bovard
  3. pp. 318-320
  4. DOI: https://doi.org/10.1353/tj.2001.0034
  5. restricted access
  1. Tantalus (review)
  2. Arthur Horowitz
  3. pp. 320-324
  4. DOI: https://doi.org/10.1353/tj.2001.0045
  5. restricted access
  1. Ion (review)
  2. Megan Sanborn Jones
  3. pp. 324-326
  4. DOI: https://doi.org/10.1353/tj.2001.0047
  5. restricted access
  1. The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade (review)
  2. Michael Kohler
  3. pp. 326-328
  4. DOI: https://doi.org/10.1353/tj.2001.0048
  5. restricted access
  1. The Ghost Sonata (review)
  2. John Austin
  3. pp. 328-330
  4. DOI: https://doi.org/10.1353/tj.2001.0030
  5. restricted access
  1. Don Juan (review)
  2. Henrik Borgstrom
  3. pp. 330-331
  4. DOI: https://doi.org/10.1353/tj.2001.0033
  5. restricted access
  1. Albert Speer (review)
  2. Jeffrey Stephens
  3. pp. 331-333
  4. DOI: https://doi.org/10.1353/tj.2001.0061
  5. restricted access
  1. El Secreto de la Torre de Don Fadrique (review)
  2. Catherine Diamond
  3. pp. 334-335
  4. DOI: https://doi.org/10.1353/tj.2001.0038
  5. restricted access
  1. Herod (review)
  2. Glenda Frank
  3. pp. 335-337
  4. DOI: https://doi.org/10.1353/tj.2001.0041
  5. restricted access
  1. Brothers and Sisters (review)
  2. Mary Fleischer
  3. pp. 337-339
  4. DOI: https://doi.org/10.1353/tj.2001.0040
  5. restricted access
  1. Lincoln Center Festival 2000 (review)
  2. Bevya Rosten
  3. pp. 339-342
  4. DOI: https://doi.org/10.1353/tj.2001.0059
  5. restricted access
  1. Dumrul and Azrael (review)
  2. Anna Krajewska-Wieczorek
  3. pp. 342-343
  4. DOI: https://doi.org/10.1353/tj.2001.0049
  5. restricted access
  1. Coriolanus (review)
  2. Heidi Holder
  3. pp. 344-345
  4. DOI: https://doi.org/10.1353/tj.2001.0043
  5. restricted access
  1. Tragedy in Athens: Performance Space and Theatrical Meaning (review)
  2. Karen Bassi
  3. pp. 347-348
  4. DOI: https://doi.org/10.1353/tj.2001.0031
  5. restricted access
  1. Spectacle Entertainments of Early Imperial Rome (review)
  2. Timothy J. Moore
  3. pp. 348-349
  4. DOI: https://doi.org/10.1353/tj.2001.0057
  5. restricted access
  1. The Voice of the City: Vaudeville and Popular Culture in New York (review)
  2. Mary C. Henderson
  3. pp. 349-351
  4. DOI: https://doi.org/10.1353/tj.2001.0042
  5. restricted access
  1. The Portable Theater: American Literature & the Nineteenth-Century Stage (review)
  2. Martin Puchner
  3. pp. 351-352
  4. DOI: https://doi.org/10.1353/tj.2001.0058
  5. restricted access
  1. Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910-1935 (review)
  2. Leigh Clemons
  3. pp. 352-353
  4. DOI: https://doi.org/10.1353/tj.2001.0035
  5. restricted access
  1. Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama (review)
  2. Erin Hurley
  3. pp. 353-354
  4. DOI: https://doi.org/10.1353/tj.2001.0046
  5. restricted access
  1. Williams: A Streetcar Named Desire (review)
  2. Thomas P. Adler
  3. pp. 354-355
  4. DOI: https://doi.org/10.1353/tj.2001.0029
  5. restricted access
  1. Wearing the Breeches: Gender on the Antebellum Stage (review)
  2. Lisa Merrill
  3. pp. 355-357
  4. DOI: https://doi.org/10.1353/tj.2001.0055
  5. restricted access
  1. Management and the Arts (review)
  2. Linda Donahue
  3. pp. 357-358
  4. DOI: https://doi.org/10.1353/tj.2001.0039
  5. restricted access
  1. Performing America: Cultural Nationalism in American Theatre (review)
  2. Sean Metzger, Hope Medina
  3. pp. 358-360
  4. DOI: https://doi.org/10.1353/tj.2001.0056
  5. restricted access
  1. The Changing Room: Sex, Drag, and Theatre (review)
  2. Elizabeth Homan
  3. pp. 360-361
  4. DOI: https://doi.org/10.1353/tj.2001.0044
  5. restricted access
  1. Introducing Charlotte Charke: Actress, Author, Enigma, and: Voltaire and the Theatre of the Eighteenth Century (review)
  2. Barbara Mackey
  3. pp. 361-363
  4. DOI: https://doi.org/10.1353/tj.2001.0052
  5. restricted access
  1. Comment
  2. Susan Bennett
  3. pp. iv-vi
  4. DOI: https://doi.org/10.1353/tj.2001.0032
  5. restricted access