1. The Theatre of Fashion: Staging Haute Couture in Early 20th Century France
  2. Nancy J. Troy
  3. pp. 1-32
  4. DOI: 10.1353/tj.2001.0026
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  1. Nature's Dream Play: Modes of Vision and August Strindberg's Re-Definition of the Theatre
  2. Eszter Szalczer
  3. pp. 33-52
  4. DOI: 10.1353/tj.2001.0025
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  1. A Gander at the Goose Play
  2. C. W. Marshall
  3. pp. 53-71
  4. DOI: 10.1353/tj.2001.0014
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  1. Portraits of Self and Other: SlutForArt and the Photographs of Tseng Kwong Chi
  2. Dan Bacalzo
  3. pp. 73-94
  4. DOI: 10.1353/tj.2001.0003
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  1. Black Cat Fever: Manifestations of Manet's Olympia
  2. Jennifer DeVere Brody
  3. pp. 95-118
  4. DOI: 10.1353/tj.2001.0006
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  1. Visualizing Hamlet's Ghost: The Spirit of Modern Subjectivity
  2. Alan L. Ackerman
  3. pp. 119-144
  4. DOI: 10.1353/tj.2001.0002
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  1. The Wild Party, and: The Wild Party (review)
  2. Shane Vogel
  3. pp. 145-148
  4. DOI: 10.1353/tj.2001.0028
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  1. Der Weg der Verheissung (The Eternal Road), and: York Millennium Mystery Plays (review)
  2. Joshua Abrams
  3. pp. 148-151
  4. DOI: 10.1353/tj.2001.0001
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  1. The Far Side of the Moon (review)
  2. Jennifer Parker-Starbuck
  3. pp. 151-154
  4. DOI: 10.1353/tj.2001.0017
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  1. Bad Boy Nietzsche (review)
  2. David Kilpatrick
  3. pp. 154-155
  4. DOI: 10.1353/tj.2001.0012
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  1. The Time of Our Lives: International Festival of Reminiscence Theatre (review)
  2. Anne Davis Basting
  3. pp. 155-157
  4. DOI: 10.1353/tj.2001.0004
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  1. Lit Moon World Theatre Festival (review)
  2. Andrew Cuk
  3. pp. 158-160
  4. DOI: 10.1353/tj.2001.0008
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  1. 24th Annual Humana Festival of New American Plays (review)
  2. Jeffrey Ullom
  3. pp. 160-163
  4. DOI: 10.1353/tj.2001.0027
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  1. Theatertreffen Berlin (review)
  2. John Rouse
  3. pp. 164-169
  4. DOI: 10.1353/tj.2001.0022
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  1. Performing the Body/Performing the Text (review)
  2. Carrie Ellen Ponder
  3. pp. 171-172
  4. DOI: 10.1353/tj.2001.0018
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  1. Corpus Delecti: Performance Art of the Americas (review)
  2. Ramon H. Rivera-Servera
  3. pp. 172-173
  4. DOI: 10.1353/tj.2001.0020
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  1. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice (review)
  2. Maria G. Stampino
  3. pp. 173-174
  4. DOI: 10.1353/tj.2001.0024
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  1. Of Borders and Thresholds: Theatre History, Practice, and Theory (review)
  2. Harley Erdman
  3. pp. 175-176
  4. DOI: 10.1353/tj.2001.0010
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  1. Unspeakable ShaXXXspeares: Queer Theory and American Kiddie Culture (review)
  2. Margaret E. Owens
  3. pp. 176-177
  4. DOI: 10.1353/tj.2001.0016
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  1. After Dionysus: A Theory of the Tragic, and: Gender and Politics in Greek Tragedy (review)
  2. Carol Schafer
  3. pp. 177-179
  4. DOI: 10.1353/tj.2001.0023
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  1. Establishing Our Boundaries: English-Canadian Theatre Criticism (review)
  2. John Ripley
  3. pp. 181-182
  4. DOI: 10.1353/tj.2001.0019
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  1. The "Weak" Subject: On Modernity, Eros, and Women's Playwriting (review)
  2. Aileen Alana Hendricks
  3. pp. 182-183
  4. DOI: 10.1353/tj.2001.0011
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  1. Senior Theatre Connections (review)
  2. Ann McDonough
  3. p. 184
  4. DOI: 10.1353/tj.2001.0015
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  1. Italian Futurist Theatre 1909-1944 (review)
  2. Joel Eis
  3. pp. 184-185
  4. DOI: 10.1353/tj.2001.0009
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  1. Editor's Comment: Theatre and Visual Culture
  2. David Román
  3. pp. iv-viii
  4. DOI: 10.1353/tj.2001.0021
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  1. Books Received
  2. pp. 188-195
  3. DOI: 10.1353/tj.2001.0005
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