In this Issue

Table of Contents

Editorial Comment

David Z. Saltz
pp. 7-8
DOI: https://doi.org/10.1353/tj.2009.0000
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Refugee Theatre: Melodrama and Modernity's Loss

Matthew S. Buckley
pp. 175-190
DOI: https://doi.org/10.1353/tj.0.0192
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Audience, Mass, Crowd: Theatres of Cruelty in Interwar Europe

Kimberly Jannarone
pp. 191-211
DOI: https://doi.org/10.1353/tj.0.0160
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Posing Modernism: Delsartism in Modern Dance and Silent Film

Carrie J. Preston
pp. 213-233
DOI: https://doi.org/10.1353/tj.0.0166
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"Authentic Reproductions": Staging the "Wild West" in Modern Irish Drama

Mark Phelan
pp. 235-248
DOI: https://doi.org/10.1353/tj.0.0172
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Negotiating the Foreign: Language, American Audiences, and Theatre from Japan

Barbara E. Thornbury
pp. 249-269
DOI: https://doi.org/10.1353/tj.0.0178
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Popular Festivity and the Early Modern Stage: The Case of George a Greene

Erika T. Lin
pp. 271-297
DOI: https://doi.org/10.1353/tj.0.0184
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South Pacific (review)

David Román, Zachary Wolf
pp. 299-301
DOI: https://doi.org/10.1353/tj.0.0197
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Blue Door: A Play With Original Songs (review)

Ben Saypol
pp. 302-304
DOI: https://doi.org/10.1353/tj.0.0165
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How Theater Failed America (review)

Joel Bassin
pp. 304-305
DOI: https://doi.org/10.1353/tj.0.0190
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The Denver Project (review)

Heather A. Beasley
pp. 305-308
DOI: https://doi.org/10.1353/tj.0.0196
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El amor es un francotirador (review)

Richard Jones
pp. 308-311
DOI: https://doi.org/10.1353/tj.0.0180
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Harina, and: Guardavidas, and: Narciso (review)

Milton Loayza
pp. 311-315
DOI: https://doi.org/10.1353/tj.0.0186
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Illyria, A New Musical (review)

Anne Beggs
pp. 315-316
DOI: https://doi.org/10.1353/tj.0.0164
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Unbeatable: A Bold New Musical (review)

Tiffany Noell
pp. 317-318
DOI: https://doi.org/10.1353/tj.0.0191
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Blasted (review)

Peter A. Campbell
pp. 318-319
DOI: https://doi.org/10.1353/tj.0.0176
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Eureka (review)

Tim Good
pp. 319-321
DOI: https://doi.org/10.1353/tj.0.0162
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Ko Festival of Performance (review)

Kermit Dunkelberg
pp. 321-326
DOI: https://doi.org/10.1353/tj.0.0182
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Storytelling Live! (review)

Christin Essin
pp. 326-328
DOI: https://doi.org/10.1353/tj.0.0194
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Xanadu (review)

Jessica Hillman
pp. 328-329
DOI: https://doi.org/10.1353/tj.0.0168
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Naked Cocktail (review)

Anthony Hostetter
pp. 329-331
DOI: https://doi.org/10.1353/tj.0.0174
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9 To 5: The Musical (review)

David S. Sollish
pp. 331-332
DOI: https://doi.org/10.1353/tj.0.0171
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West Side Story (review)

David Callaghan
pp. 332-334
DOI: https://doi.org/10.1353/tj.0.0170
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Errata

p. 334
DOI: https://doi.org/10.1353/tj.0.0188
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Performing the Matrix: Mediating Cultural Performances (review)

Sarah Bay-Cheng
pp. 335-336
DOI: https://doi.org/10.1353/tj.0.0183
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Shakespeare, Memory and Performance (review)

Dan Venning
pp. 336-337
DOI: https://doi.org/10.1353/tj.0.0167
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Shakespeare and Childhood (review)

Kevin J. Wetmore Jr.
pp. 337-339
DOI: https://doi.org/10.1353/tj.0.0179
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Children and Theatre in Victorian Britain: 'All Work, No Play' (review)

Emily Katherine Knowles
pp. 339-340
DOI: https://doi.org/10.1353/tj.0.0163
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The Cultural Significance of the Child Star (review)

Shauna Vey
pp. 340-341
DOI: https://doi.org/10.1353/tj.0.0173
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Stage Presence (review)

Erika Rundle
pp. 342-343
DOI: https://doi.org/10.1353/tj.0.0161
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The Stanislavsky System of Acting: Legacy and Influence in Modern Performance (review)

David Krasner
pp. 343-344
DOI: https://doi.org/10.1353/tj.0.0169
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Autobiography and Performance (review)

Season M. Ellison
pp. 344-346
DOI: https://doi.org/10.1353/tj.0.0195
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The Hypersexuality of Race: Performing Asian/American Women on Screen and Scene (review)

Samuel Park
pp. 346-347
DOI: https://doi.org/10.1353/tj.0.0193
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Mama Dada: Gertrude Stein's Avant-Garde Theater (review)

Kevin Landis
pp. 347-348
DOI: https://doi.org/10.1353/tj.0.0175
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Women in Irish Drama: A Century of Authorship and Representation (review)

Callie Oppedisano
pp. 348-349
DOI: https://doi.org/10.1353/tj.0.0187
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Andrew P. Wilson and the Early Irish and Scottish National Theatres, 1911–1950 (review)

Dawn Larsen
pp. 350-351
DOI: https://doi.org/10.1353/tj.0.0181
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The Enchanted Years of the Stage: Kansas City at the Crossroads of American Theater, 1870–1930 (review)

Jane Barnette
pp. 351-352
DOI: https://doi.org/10.1353/tj.0.0177
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Plays in American Periodicals, 1890–1918 (review)

Dorothy Chansky
pp. 352-353
DOI: https://doi.org/10.1353/tj.0.0189
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The Regal Theater and Black Culture (review)

Aimee Zygmonski
pp. 353-354
DOI: https://doi.org/10.1353/tj.0.0185
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Doctoral Projects in Progress in Theatre Arts, 2009

Michael Novak, Kyle Conway
pp. 359-362
DOI: https://doi.org/10.1353/tj.0.0198
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