1. Editorial Comment
  2. David Z. Saltz
  3. pp. 7-8
  4. DOI: 10.1353/tj.2009.0000
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  1. Refugee Theatre: Melodrama and Modernity's Loss
  2. Matthew S. Buckley
  3. pp. 175-190
  4. DOI: 10.1353/tj.0.0192
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  1. Audience, Mass, Crowd: Theatres of Cruelty in Interwar Europe
  2. Kimberly Jannarone
  3. pp. 191-211
  4. DOI: 10.1353/tj.0.0160
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  1. Posing Modernism: Delsartism in Modern Dance and Silent Film
  2. Carrie J. Preston
  3. pp. 213-233
  4. DOI: 10.1353/tj.0.0166
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  1. "Authentic Reproductions": Staging the "Wild West" in Modern Irish Drama
  2. Mark Phelan
  3. pp. 235-248
  4. DOI: 10.1353/tj.0.0172
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  1. Negotiating the Foreign: Language, American Audiences, and Theatre from Japan
  2. Barbara E. Thornbury
  3. pp. 249-269
  4. DOI: 10.1353/tj.0.0178
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  1. Popular Festivity and the Early Modern Stage: The Case of George a Greene
  2. Erika T. Lin
  3. pp. 271-297
  4. DOI: 10.1353/tj.0.0184
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  1. South Pacific (review)
  2. David Román, Zachary Wolf
  3. pp. 299-301
  4. DOI: 10.1353/tj.0.0197
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  1. Blue Door: A Play With Original Songs (review)
  2. Ben Saypol
  3. pp. 302-304
  4. DOI: 10.1353/tj.0.0165
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  1. How Theater Failed America (review)
  2. Joel Bassin
  3. pp. 304-305
  4. DOI: 10.1353/tj.0.0190
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  1. The Denver Project (review)
  2. Heather A. Beasley
  3. pp. 305-308
  4. DOI: 10.1353/tj.0.0196
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  1. El amor es un francotirador (review)
  2. Richard Jones
  3. pp. 308-311
  4. DOI: 10.1353/tj.0.0180
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  1. Harina, and: Guardavidas, and: Narciso (review)
  2. Milton Loayza
  3. pp. 311-315
  4. DOI: 10.1353/tj.0.0186
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  1. Illyria, A New Musical (review)
  2. Anne Beggs
  3. pp. 315-316
  4. DOI: 10.1353/tj.0.0164
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  1. Unbeatable: A Bold New Musical (review)
  2. Tiffany Noell
  3. pp. 317-318
  4. DOI: 10.1353/tj.0.0191
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  1. Blasted (review)
  2. Peter A. Campbell
  3. pp. 318-319
  4. DOI: 10.1353/tj.0.0176
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  1. Eureka (review)
  2. Tim Good
  3. pp. 319-321
  4. DOI: 10.1353/tj.0.0162
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  1. Ko Festival of Performance (review)
  2. Kermit Dunkelberg
  3. pp. 321-326
  4. DOI: 10.1353/tj.0.0182
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  1. Storytelling Live! (review)
  2. Christin Essin
  3. pp. 326-328
  4. DOI: 10.1353/tj.0.0194
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  1. Xanadu (review)
  2. Jessica Hillman
  3. pp. 328-329
  4. DOI: 10.1353/tj.0.0168
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  1. Naked Cocktail (review)
  2. Anthony Hostetter
  3. pp. 329-331
  4. DOI: 10.1353/tj.0.0174
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  1. 9 To 5: The Musical (review)
  2. David S. Sollish
  3. pp. 331-332
  4. DOI: 10.1353/tj.0.0171
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  1. West Side Story (review)
  2. David Callaghan
  3. pp. 332-334
  4. DOI: 10.1353/tj.0.0170
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  1. Errata
  3. p. 334
  4. DOI: 10.1353/tj.0.0188
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  1. Performing the Matrix: Mediating Cultural Performances (review)
  2. Sarah Bay-Cheng
  3. pp. 335-336
  4. DOI: 10.1353/tj.0.0183
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  1. Shakespeare, Memory and Performance (review)
  2. Dan Venning
  3. pp. 336-337
  4. DOI: 10.1353/tj.0.0167
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  1. Shakespeare and Childhood (review)
  2. Kevin J. Wetmore Jr.
  3. pp. 337-339
  4. DOI: 10.1353/tj.0.0179
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  1. Children and Theatre in Victorian Britain: 'All Work, No Play' (review)
  2. Emily Katherine Knowles
  3. pp. 339-340
  4. DOI: 10.1353/tj.0.0163
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  1. The Cultural Significance of the Child Star (review)
  2. Shauna Vey
  3. pp. 340-341
  4. DOI: 10.1353/tj.0.0173
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  1. Stage Presence (review)
  2. Erika Rundle
  3. pp. 342-343
  4. DOI: 10.1353/tj.0.0161
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  1. The Stanislavsky System of Acting: Legacy and Influence in Modern Performance (review)
  2. David Krasner
  3. pp. 343-344
  4. DOI: 10.1353/tj.0.0169
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  1. Autobiography and Performance (review)
  2. Season M. Ellison
  3. pp. 344-346
  4. DOI: 10.1353/tj.0.0195
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  1. The Hypersexuality of Race: Performing Asian/American Women on Screen and Scene (review)
  2. Samuel Park
  3. pp. 346-347
  4. DOI: 10.1353/tj.0.0193
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  1. Mama Dada: Gertrude Stein's Avant-Garde Theater (review)
  2. Kevin Landis
  3. pp. 347-348
  4. DOI: 10.1353/tj.0.0175
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  1. Women in Irish Drama: A Century of Authorship and Representation (review)
  2. Callie Oppedisano
  3. pp. 348-349
  4. DOI: 10.1353/tj.0.0187
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  1. Andrew P. Wilson and the Early Irish and Scottish National Theatres, 1911–1950 (review)
  2. Dawn Larsen
  3. pp. 350-351
  4. DOI: 10.1353/tj.0.0181
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  1. The Enchanted Years of the Stage: Kansas City at the Crossroads of American Theater, 1870–1930 (review)
  2. Jane Barnette
  3. pp. 351-352
  4. DOI: 10.1353/tj.0.0177
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  1. Plays in American Periodicals, 1890–1918 (review)
  2. Dorothy Chansky
  3. pp. 352-353
  4. DOI: 10.1353/tj.0.0189
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  1. The Regal Theater and Black Culture (review)
  2. Aimee Zygmonski
  3. pp. 353-354
  4. DOI: 10.1353/tj.0.0185
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  1. Doctoral Projects in Progress in Theatre Arts, 2009
  2. Michael Novak, Kyle Conway
  3. pp. 359-362
  4. DOI: 10.1353/tj.0.0198
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