1. How to Do Things with Demons: Conjuring Performatives in Doctor Faustus
  2. Andrew Sofer
  3. pp. 1-21
  4. DOI: 10.1353/tj.0.0154
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  1. Scenes of Self-Recruitment: Ron Vawter’s Entry into The Performance Group
  2. Theresa K. Smalec
  3. pp. 23-41
  4. DOI: 10.1353/tj.0.0138
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  1. Between Umat and Rakyat: Islam and Nationalism in Indonesian Modern Theatre
  2. Evan Darwin Winet
  3. pp. 43-64
  4. DOI: 10.1353/tj.0.0129
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  1. Genocide Unbound: Erik Ehn, Rwanda, and an Aesthetics of Discomfort
  2. Laura Edmondson
  3. pp. 65-83
  4. DOI: 10.1353/tj.0.0135
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  1. Blood Debt: Reparations in Langston Hughes’s Mulatto
  2. Harry J. Elam Jr., Michele Elam
  3. pp. 85-103
  4. DOI: 10.1353/tj.0.0128
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  1. August: Osage County (review)
  2. E. Teresa Choate
  3. pp. 105-106
  4. DOI: 10.1353/tj.0.0142
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  1. Kicking a Dead Horse (review)
  2. Miriam Felton-Dansky
  3. pp. 107-108
  4. DOI: 10.1353/tj.0.0137
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  1. No Child (review)
  2. Maya E. Roth
  3. pp. 108-109
  4. DOI: 10.1353/tj.0.0123
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  1. Monkey: Journey to the West, and: Between the Devil and the Deep Blue Sea, and: Homeland, and: The Great War (review)
  2. Susan Kattwinkel
  3. pp. 110-114
  4. DOI: 10.1353/tj.0.0141
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  1. Sixtenth International Istanbul Theatre Festival (review)
  2. Serap Erincin
  3. pp. 114-117
  4. DOI: 10.1353/tj.0.0144
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  1. Festival D’Avignon (review)
  2. Daniel Sack
  3. pp. 117-120
  4. DOI: 10.1353/tj.0.0147
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  1. The Clay Cart (review)
  2. Eleanor Owicki
  3. pp. 120-122
  4. DOI: 10.1353/tj.0.0143
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  1. Les Éphémères (review)
  2. Jon Foley Sherman
  3. pp. 122-124
  4. DOI: 10.1353/tj.0.0131
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  1. Penthésilée (review)
  2. Kevin Gustafson
  3. pp. 124-126
  4. DOI: 10.1353/tj.0.0155
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  1. The God of Carnage (review)
  2. Amanda Beth Holden
  3. pp. 126-128
  4. DOI: 10.1353/tj.0.0149
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  1. Fram (review)
  2. J. D. Phillipson
  3. pp. 128-131
  4. DOI: 10.1353/tj.0.0151
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  1. Noel Coward’s Brief Encounter, and: Gone with the Wind (review)
  2. George Contini
  3. pp. 131-135
  4. DOI: 10.1353/tj.0.0152
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  1. Dessa Rose (review)
  2. Virginia Anderson
  3. pp. 135-138
  4. DOI: 10.1353/tj.0.0133
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  1. Gypsy (review)
  2. Ray Schultz
  3. pp. 138-139
  4. DOI: 10.1353/tj.0.0126
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  1. Cat on a Hot Tin Roof (review)
  2. Ara Grabaskas Beal
  3. pp. 139-142
  4. DOI: 10.1353/tj.0.0136
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  1. Performing Aotearoa: New Zealand Theatre and Drama in an Age of Transition (review)
  2. Diana Looser
  3. pp. 143-144
  4. DOI: 10.1353/tj.0.0146
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  1. At Home in the World: Bharata Natyam on the Global Stage (review)
  2. Mark Kittlaus
  3. pp. 144-145
  4. DOI: 10.1353/tj.0.0145
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  1. Performance and Politics in Tanzania: The Nation on Stage (review)
  2. Joachim Fiebach
  3. pp. 145-147
  4. DOI: 10.1353/tj.0.0132
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  1. Cascoland: Interventions in Public Space, Drill Hall, Johannesburg, South Africa (review)
  2. Loren Kruger
  3. pp. 147-148
  4. DOI: 10.1353/tj.0.0156
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  1. Czech Theatre Design in the Twentieth Century: Metaphor and Irony Revisited (review)
  2. Phil Van Groeschel
  3. pp. 148-149
  4. DOI: 10.1353/tj.0.0140
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  1. A History of Italian Theatre (review)
  2. Scott Malia
  3. pp. 149-150
  4. DOI: 10.1353/tj.0.0153
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  1. Brian Friel, Ireland, and the North (review)
  2. Elizabeth Bonjean
  3. pp. 150-151
  4. DOI: 10.1353/tj.0.0134
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  1. A History of Asian American Theatre (review)
  2. Angela K. Ahlgren
  3. pp. 152-153
  4. DOI: 10.1353/tj.0.0150
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  1. Performing Patriotism: National Identity in the Colonial and Revolutionary American Theater (review)
  2. Naomi Stubbs
  3. pp. 154-155
  4. DOI: 10.1353/tj.0.0139
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  1. Eugene O’Neill’s America: Desire Under Democracy (review)
  2. James Fisher
  3. pp. 155-156
  4. DOI: 10.1353/tj.0.0127
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  1. Theatre Censorship: From Walpole to Wilson (review)
  2. Alec Patton
  3. pp. 157-158
  4. DOI: 10.1353/tj.0.0124
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  1. Voice in Motion: Staging Gender, Shaping Sound in Early Modern England (review)
  2. Kim Solga
  3. pp. 158-159
  4. DOI: 10.1353/tj.0.0125
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  1. Early Responses to Renaissance Drama (review)
  2. Nick Moschovakis
  3. pp. 159-160
  4. DOI: 10.1353/tj.0.0130
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  1. Shakespeare’s Late Style, and: The Staging of Romance in Late Shakespeare: Text and Theatrical Technique (review)
  2. Julia Schmitt
  3. pp. 160-162
  4. DOI: 10.1353/tj.0.0148
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  1. Editorial Comment
  2. Catherine A. Schuler
  3. pp. vii-x
  4. DOI: 10.1353/tj.0.0158
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  1. Books Received
  2. pp. 163-169
  3. DOI: 10.1353/tj.0.0157
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