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In this Issue

Table of Contents

  1. “Wochenend und Sonnenschein”: In the Blind Spots of Censorship at the GDR’s Cultural Authorities and the Berliner Ensemble
  2. Margaret Setje-Eilers
  3. pp. 363-386
  4. DOI: https://doi.org/10.1353/tj.0.0234
  5. restricted access
  1. Theatre Reform as Censorship: Censoring Traditional Theatre in China in the Early 1950s
  2. Siyuan Liu
  3. pp. 387-406
  4. DOI: https://doi.org/10.1353/tj.0.0245
  5. restricted access
  1. “In the Interest of the State”: A Cold War National Theatre for the United States
  2. Charlotte M. Canning
  3. pp. 407-420
  4. DOI: https://doi.org/10.1353/tj.0.0256
  5. restricted access
  1. Ballet Nations: The New York City Ballet’s 1962 US State Department–Sponsored Tour of the Soviet Union
  2. Clare Croft
  3. pp. 421-442
  4. DOI: https://doi.org/10.1353/tj.0.0199
  5. restricted access
  1. How The National Health Improved the National’s Health: Peter Nichols, Michael Blakemore, and the National Theatre Company
  2. Alec Patton
  3. pp. 443-462
  4. DOI: https://doi.org/10.1353/tj.0.0210
  5. restricted access
  1. Continuous City (review)
  2. Nadja Masura
  3. pp. 463-464
  4. DOI: https://doi.org/10.1353/tj.0.0263
  5. restricted access
  1. Opening Night (review)
  2. Dan Venning
  3. pp. 465-467
  4. DOI: https://doi.org/10.1353/tj.0.0248
  5. restricted access
  1. The Success of Failure (or the Failure of Success) (review)
  2. Judy Bauerlein
  3. pp. 467-469
  4. DOI: https://doi.org/10.1353/tj.0.0220
  5. restricted access
  1. Ghostwritten (review)
  2. Samuel Park
  3. pp. 469-472
  4. DOI: https://doi.org/10.1353/tj.0.0216
  5. restricted access
  1. Electra (review)
  2. Jae Kyoung Kim
  3. pp. 472-474
  4. DOI: https://doi.org/10.1353/tj.0.0241
  5. restricted access
  1. Bamboo Blues (review)
  2. David Pellegrini
  3. pp. 474-477
  4. DOI: https://doi.org/10.1353/tj.0.0226
  5. restricted access
  1. Winesburg, Ohio (review)
  2. Bryan M. Vandevender
  3. pp. 477-479
  4. DOI: https://doi.org/10.1353/tj.0.0237
  5. restricted access
  1. West Side Story (review)
  2. Derek Miller
  3. pp. 479-481
  4. DOI: https://doi.org/10.1353/tj.0.0202
  5. restricted access
  1. Dead Man’s Cell Phone (review)
  2. J. Chris Westgate
  3. pp. 481-483
  4. DOI: https://doi.org/10.1353/tj.0.0259
  5. restricted access
  1. Co-Ed Prison Sluts (review)
  2. Matt Fotis
  3. pp. 483-485
  4. DOI: https://doi.org/10.1353/tj.0.0230
  5. restricted access
  1. The Garden of Intimacy and Desire Cycle (review)
  2. Kevin Landis
  3. pp. 485-489
  4. DOI: https://doi.org/10.1353/tj.0.0252
  5. restricted access
  1. The Objectification of Things (review)
  2. Beth Osnes
  3. pp. 489-490
  4. DOI: https://doi.org/10.1353/tj.0.0206
  5. restricted access
  1. Visualizing Medieval Performance: Perspectives, Histories, Contexts (review)
  2. Jill Stevenson
  3. pp. 491-492
  4. DOI: https://doi.org/10.1353/tj.0.0261
  5. restricted access
  1. City/Stage/Globe: Performance and Space in Shakespeare’s London (review)
  2. Ric Knowles
  3. pp. 492-494
  4. DOI: https://doi.org/10.1353/tj.0.0254
  5. restricted access
  1. Shakespeare and the Eighteenth Century (review)
  2. Dan Venning
  3. pp. 494-495
  4. DOI: https://doi.org/10.1353/tj.0.0235
  5. restricted access
  1. Shakespeare and Garrick (review)
  2. Barbara Mackey
  3. pp. 495-496
  4. DOI: https://doi.org/10.1353/tj.0.0228
  5. restricted access
  1. Gothic Plays and American Society, 1794–1830 (review)
  2. Maura L. Jortner
  3. pp. 496-497
  4. DOI: https://doi.org/10.1353/tj.0.0243
  5. restricted access
  1. Laughing Fit to Kill: Black Humor in the Fictions of Slavery (review)
  2. Aimee Zygmonski
  3. pp. 498-499
  4. DOI: https://doi.org/10.1353/tj.0.0201
  5. restricted access
  1. Stages of Conflict: A Critical Anthology of Latin American Theater and Performance (review)
  2. Carla Beatriz Melo
  3. pp. 499-500
  4. DOI: https://doi.org/10.1353/tj.0.0250
  5. restricted access
  1. Zeami: Performance Notes (review)
  2. David Jortner
  3. pp. 500-501
  4. DOI: https://doi.org/10.1353/tj.0.0232
  5. restricted access
  1. Western Esotericism in Russian Silver Age Drama: Aleksandr Blok’s The Rose and the Cross (review)
  2. Edmund B. Lingan
  3. pp. 501-502
  4. DOI: https://doi.org/10.1353/tj.0.0208
  5. restricted access
  1. Embodied Texts: Symbolist Playwright–Dancer Collaborations (review)
  2. Christopher Martin
  3. pp. 502-503
  4. DOI: https://doi.org/10.1353/tj.0.0239
  5. restricted access
  1. Staging Stigma: A Critical Examination of the American Freak Show (review)
  2. Meredith Conti
  3. pp. 503-505
  4. DOI: https://doi.org/10.1353/tj.0.0222
  5. restricted access
  1. Considering Calamity: Methods for Performance Research (review)
  2. Robert C. Thompson
  3. pp. 505-506
  4. DOI: https://doi.org/10.1353/tj.0.0224
  5. restricted access
  1. Small Acts of Repair: Performance, Ecology and Goat Island (review)
  2. Loren Kruger
  3. pp. 506-507
  4. DOI: https://doi.org/10.1353/tj.0.0265
  5. restricted access
  1. Voices Carry: Behind Bars and Backstage During China’s Revolution and Reform (review)
  2. Siyuan Liu
  3. pp. 507-509
  4. DOI: https://doi.org/10.1353/tj.0.0218
  5. restricted access
  1. Performance and Identity in the Classical World (review)
  2. Cynthia D. Stroud
  3. pp. 509-510
  4. DOI: https://doi.org/10.1353/tj.0.0204
  5. restricted access
  1. The Stagecraft and Performance of Roman Comedy (review)
  2. Chiara Sulprizio
  3. pp. 510-511
  4. DOI: https://doi.org/10.1353/tj.0.0214
  5. restricted access
  1. Books Received
  3. pp. 512-516
  4. DOI: https://doi.org/10.1353/tj.0.0212
  5. restricted access