1. On Feeding Tubes
  2. Patrick Anderson
  3. pp. 5-9
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  1. The Death of the Avantgarde
  2. David Savran
  3. pp. 10-42
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  1. Confrontation, Simulation, Admiration: The Wooster Group's Poor Theater
  2. Kermit Dunkelberg
  3. pp. 43-57
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  1. Violent Capital: Zhu Yu on File
  2. Meiling Cheng
  3. pp. 58-77
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  1. Staging Meaning: Performance in the Modern Museum
  2. Valerie Casey
  3. pp. 78-95
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  1. Student Essay Contest Winner
  2. p. 79
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  1. The Space Specific Theatre: Skewed Visions' The City Itself
  2. Branislav Jakovljevic
  3. pp. 96-106
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  1. Never Tell: Nicole Blackman's The Courtesan Tales
  2. T. Nikki Cesare, Steve Luber
  3. pp. 107-113
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  1. Sacred Theatres: Shakers, Spiritualists, Theatricality, and the Indian in the 1830s and 1840s
  2. Bridget Bennett
  3. pp. 114-134
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  1. Performing Patterns: Numinous Relations in Shang and Zhou China
  2. Dallas McCurley
  3. pp. 135-156
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  1. "An Evasion of Ontology": Being Adrienne Kennedy
  2. Claudia Barnett
  3. pp. 157-186
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  1. Interview
  2. Adrienne Kennedy, Claudia Barnett
  3. pp. 162-164
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  1. Milena's Wedding
  2. Adrienne Kennedy
  3. pp. 176-178
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  1. A Queer Sort of Materialism: Recontextualizing American Theater (review)
  2. Ilka Saal
  3. pp. 187-191
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  1. The Archive and the Repertoire: Performing Cultural Memory in the Americas (review)
  2. Marvin A. Carlson
  3. pp. 191-192
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  1. Hrotsvit of Gandersheim: Contexts, Identities, Affinities, and Performances (review)
  2. Claudia Barnett
  3. pp. 193-194
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  1. Playing Underground: A Critical History of the Off-Off Broadway Movement (review)
  2. Michael Paller
  3. pp. 194-196
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