1. Islamic Performance and the Problem of Drama
  2. John Bell
  3. pp. 5-10
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  1. From Karbala to New York City: Ta'ziyeh on the Move
  2. Peter J. Chelkowski
  3. pp. 12-14
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  1. Time Out of Memory: Ta'ziyeh, the Total Drama
  2. Peter J. Chelkowski
  3. pp. 15-27
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  1. Ta'ziyeh in France: The Ritual of Renewal at the Festival d'Automne
  2. Alain Crombeque
  3. pp. 24-25
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  1. Ta'ziyeh in Parma
  2. Anna Vanzan
  3. pp. 24-25
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  1. The Ta'ziyeh of the Martyrdom of Hussein
  2. Rebecca Ansary Pettys
  3. pp. 28-41
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  1. The Origins of the Sunnite-Shi'ite Divide and the Emergence of the Ta'ziyeh Tradition
  2. Kamran Scot Aghaie
  3. pp. 42-47
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  1. Acting Styles and Actor Training in Ta'ziyeh
  2. William O. Beeman, Mohammad B. Ghaffari
  3. pp. 48-60
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  1. Peripheral Ta'ziyeh: The Transformation of Ta'ziyeh from Muharram Mourning Ritual to Secular and Comical Theatre
  2. Iraj Anvar
  3. pp. 61-67
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  1. A View from the Inside: The Anatomy of the Persian Ta'ziyeh Plays
  2. Sadiq Humayuni, Iraj Anvar
  3. pp. 68-72
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  1. Karbala Drag Kings and Queens
  2. Negar Mottahedeh
  3. pp. 73-85
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  1. Compelling Reasons to Sing: The Music of Ta'ziyeh
  2. Stephen Blum
  3. pp. 86-90
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  1. Ta'ziyeh as Theatre of Protest
  2. Hamid Dabashi
  3. pp. 91-99
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  1. Moses and the Wandering Dervish : Ta'ziyeh at Trinity College
  2. Milla Cozart Riggio
  3. pp. 100-112
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  1. Mohammad B. Ghaffari: Ta'ziyeh Director
  2. Mohammad B. Ghaffari, Peter J. Chelkowski
  3. pp. 113-129
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  1. Presenting Ta'ziyeh at Lincoln Center
  2. Nigel Redden
  3. pp. 124-125
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  1. Remembering Ta'ziyeh in Iraq
  2. Elizabeth Warnock Fernea
  3. pp. 130-139
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  1. Ritual, Blood, and Shiite Identity: Ashura in Nabatiyya, Lebanon
  2. Augustus R. Norton
  3. pp. 140-155
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  1. From the Sun-Scorched Desert of Iran to the Beaches of Trinidad: Ta'ziyeh's Journey from Asia to the Caribbean
  2. Peter J. Chelkowski
  3. pp. 156-170
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  1. Theatre for the Ballot: Campaigning with Street Theatre in India
  2. Arjun Ghosh
  3. pp. 171-182
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  1. Gregor Schneider and the Flattering Performance Installation
  2. James Westcott
  3. pp. 183-189
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  1. Composing Ourselves: The Little Theatre Movement and the American Audience (review)
  2. Pam Cobrin
  3. pp. 192-193
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  1. The Art Firm: Aesthetic Management and Metaphysical Marketing From Wagner to Wilson (review)
  2. Randy Martin
  3. pp. 193-195
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  1. Speak It Louder: Asian Americans Making Music (review)
  2. T. Nikki Cesare
  3. pp. 195-197
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  1. Bruce Nauman: Theaters of Experience, and: Bruce Nauman--Raw Materials (review)
  2. Jenn Joy
  3. pp. 197-199
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  1. TDR Volume 49 Index
  2. pp. 200-206
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