1. We're Not Canute's Courtiers: A Personal Response to the Tsunami
  2. James Thompson
  3. pp. 5-9
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  1. Dwight Conquergood 1949-2004
  2. E. Patrick Johnson
  3. pp. 10-12
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  1. T: Tracing the Language of Bill T. Jones
  2. Bill T. Jones, Julie Bacon
  3. pp. 14-23
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  1. Checking the Time: Bill T. Jones's American Utopia
  2. Michelle Dent
  3. pp. 24-47
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  1. Bill T. Jones: Moving, Writing, Speaking
  2. Michelle Dent, M. J. Thompson, Bill T. Jones
  3. pp. 48-63
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  1. Spoken Text from Another Evening
  2. Bill T. Jones
  3. pp. 50-54
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  1. Will the Real Bill T. Jones Please Stand Up?
  2. Carl Paris
  3. pp. 64-74
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  1. Sincerely Dancing: Bill T. Jones's Sleight-of-Hand
  2. M. J. Thompson
  3. pp. 75-86
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  1. Incessant Daily Negotiations: Bill T. Jones's Floating the Tongue
  2. Barbara Browning
  3. pp. 87-92
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  1. Meredith Monk: Four Decades by Design and by Invention
  2. Nancy Smithner
  3. pp. 93-118
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  1. Major Awards and Honors
  3. p. 98
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  1. "I wyll be thy true servaunte / And trewely serve thee": Guildhall Minstrelsy in the Gest of Robyn Hode
  2. Dean A. Hoffman
  3. pp. 119-134
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  1. Romani Performance and Heritage Tourism: The Pilgrimage of the Gypsies at Les Saintes-Maries-de-la-Mer
  2. Eric Wiley
  3. pp. 135-158
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  1. Trans-Global Readings: Crossing Theatrical Boundaries (review)
  2. Jennifer Parker-Starbuck
  3. pp. 159-160
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  1. The Stage Life of Props (review)
  2. John Bell
  3. pp. 161-162
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  1. A Problem Like Maria: Gender and Sexuality in the American Musical, and: Lydia Thompson: Queen of Burlesque (review)
  2. Sharon Mazer
  3. pp. 162-166
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  1. Staging the War: American Drama and World War II (review)
  2. John W. Frick
  3. pp. 166-169
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  1. Rasa: Performing the Divine in India (review)
  2. Joan Landy Erdman
  3. pp. 169-170
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  1. Bill T. Jones: Chronology of Works
  2. Bill T. Jones
  3. pp. 39-44
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  1. Chamber Music Diary Notes
  2. Bill T. Jones
  3. p. 55
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  1. Chronology of Major Works by Meredith Monk
  2. Meredith Monk
  3. p. 107
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