University of Hawai'i Press
  • From Ritual Form to Tourist Attraction:Negotiating the Transformation of Classical Cambodian Dance in a Changing World
Figure 3. Kim Sophors and other dancers at Kulen II performing “Apsara Dance.” Note the Angkorean motifs of the stage set.<br/><br/>(Photo: Celia Tuch man-Rosta)
Figure 3.

Kim Sophors and other dancers at Kulen II performing “Apsara Dance.” Note the Angkorean motifs of the stage set.

(Photo: Celia Tuch man-Rosta)

Share