In this Issue

Table of Contents

From the Editor

Kathy Foley
p. iii
DOI: https://doi.org/10.1353/atj.2014.0043
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Articles

Introduction: Global Encounters in Southeast Asian Performing Arts

Matthew Isaac Cohen
pp. 353-368
DOI: https://doi.org/10.1353/atj.2014.0047
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No More Masterpieces: Tangible Impacts and Intangible Cultural Heritage in Bordered Worlds

Kathy Foley
pp. 369-398
DOI: https://doi.org/10.1353/atj.2014.0031
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Filipino Folk Dance in the Academy: Embodied Research in the Work of Francesca Reyes Aquino, Sally Ann Ness, and Benildanze

Declan Patrick
pp. 399-416
DOI: https://doi.org/10.1353/atj.2014.0035
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Seri Wangnaitham’s Phuchanasibtid and the Modernization of Thai Traditional Theatre

Phakamas Jirajarupat
pp. 417-438
DOI: https://doi.org/10.1353/atj.2014.0038
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Buddhism and Thai Comic Performance

Wankwan Polachan
pp. 439-456
DOI: https://doi.org/10.1353/atj.2014.0041
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Looking to the Future: Training a New Generation for Balinese Arja

Bethany J. Collier
pp. 457-480
DOI: https://doi.org/10.1353/atj.2014.0045
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Wayang Hip Hop: Java’s Oldest Performance Tradition Meets Global Youth Culture

Miguel Escobar Varela
pp. 481-504
DOI: https://doi.org/10.1353/atj.2014.0049
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Contemporary Wayang Beber in Central Java

Marianna Lis
pp. 505-523
DOI: https://doi.org/10.1353/atj.2014.0029
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From Ritual Form to Tourist Attraction: Negotiating the Transformation of Classical Cambodian Dance in a Changing World

Celia Tuchman-Rosta
pp. 524-544
DOI: https://doi.org/10.1353/atj.2014.0033
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To Randai or Not to Randai

Zainal Abd Latiff, Duratul Ain D. Jonathan
pp. 545-557
DOI: https://doi.org/10.1353/atj.2014.0037
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Dama Orchestra’s Shidaiqu Recontextualized in Theatre

Loo Fung Ying, Loo Fung Chiat
pp. 558-573
DOI: https://doi.org/10.1353/atj.2014.0040
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Whither Rama in the Clear-Cut Forest: Ecodramaturgy in Southeast Asia

Catherine Diamond
pp. 574-593
DOI: https://doi.org/10.1353/atj.2014.0044
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Report

Lighting Spectacles in East and Southeast Asia

John A. Williams
pp. 594-605
DOI: https://doi.org/10.1353/atj.2014.0048
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Founder of the Field

Frank Hoff (1932–2013)

Cody Poulton
pp. 606-611
DOI: https://doi.org/10.1353/atj.2014.0052
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Performance Review

Double Nora by Ueda Kuniyoshi, Mori Mitsuya, and Tsumura Reijirō (review)

Yasutaka Maruki
pp. 612-616
DOI: https://doi.org/10.1353/atj.2014.0032
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Book Reviews

A Continuous Revolution: Making Sense of Cultural Revolution Culture by Barbara Mittler (review)

Xing Fan
pp. 617-620
DOI: https://doi.org/10.1353/atj.2014.0036
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South Asian Festivals on the Move ed. by Ute Hüsken Axel Michaels (review)

David Mason
pp. 620-622
DOI: https://doi.org/10.1353/atj.2014.0039
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Dramatic Action in Greek Tragedy and Noh: Reading with and Beyond Aristotle by Mae J. Smethurst (review)

Judith Halebsky
pp. 622-625
DOI: https://doi.org/10.1353/atj.2014.0042
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Hijikata: Revolt of the Body by Stephen Barber (review)

Rosemary Candelario
pp. 625-628
DOI: https://doi.org/10.1353/atj.2014.0046
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Supernatural Beings from Japanese Noh Plays of the Fifth Group: Parallel Translations with Running Commentary by Chifumi Shimazaki and Stephen Comee (review)

Titanilla Mátrai
pp. 628-631
DOI: https://doi.org/10.1353/atj.2014.0050
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Another Stage: Kanze Nobumitsu and the Late Muromachi Noh Theater by Lim Beng Choo (review)

Eric C. Rath
pp. 631-635
DOI: https://doi.org/10.1353/atj.2014.0030
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Shadow Woman: The Extraordinary Career of Pauline Benton by Grant Hayter-Menzies (review)

Kathy Foley
pp. 635-637
DOI: https://doi.org/10.1353/atj.2014.0034
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Color Insert

pp. Color Insert 1-Color Insert 8
DOI: https://doi.org/10.1353/atj.2014.0051
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