restricted access   Volume 31, Number 2, Fall 2014

Table of Contents

Special Issue on Global Encounters in Southeast Asian Performing Arts

Guest Editor: Matthew Isaac Cohen with the assistance of Kirsten Broekman, Chua Soo Pong, Catherine Diamond, and William Peterson

From the Editor

p. iii
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Articles

Introduction: Global Encounters in Southeast Asian Performing Arts

pp. 353-368
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No More Masterpieces: Tangible Impacts and Intangible Cultural Heritage in Bordered Worlds

pp. 369-398
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Filipino Folk Dance in the Academy: Embodied Research in the Work of Francesca Reyes Aquino, Sally Ann Ness, and Benildanze

pp. 399-416
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Seri Wangnaitham’s Phuchanasibtid and the Modernization of Thai Traditional Theatre

pp. 417-438
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Buddhism and Thai Comic Performance

pp. 439-456
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Looking to the Future: Training a New Generation for Balinese Arja

pp. 457-480
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Wayang Hip Hop: Java’s Oldest Performance Tradition Meets Global Youth Culture

pp. 481-504
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Contemporary Wayang Beber in Central Java

pp. 505-523
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From Ritual Form to Tourist Attraction: Negotiating the Transformation of Classical Cambodian Dance in a Changing World

pp. 524-544
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To Randai or Not to Randai

pp. 545-557
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Dama Orchestra’s Shidaiqu Recontextualized in Theatre

pp. 558-573
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Whither Rama in the Clear-Cut Forest: Ecodramaturgy in Southeast Asia

pp. 574-593
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Report

Lighting Spectacles in East and Southeast Asia

pp. 594-605
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Founder of the Field

Frank Hoff (1932–2013)

pp. 606-611
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Performance Review

Double Nora by Ueda Kuniyoshi, Mori Mitsuya, and Tsumura Reijirō (review)

pp. 612-616
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Book Reviews

A Continuous Revolution: Making Sense of Cultural Revolution Culture by Barbara Mittler (review)

pp. 617-620
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South Asian Festivals on the Move ed. by Ute Hüsken Axel Michaels (review)

pp. 620-622
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Dramatic Action in Greek Tragedy and Noh: Reading with and Beyond Aristotle by Mae J. Smethurst (review)

pp. 622-625
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Hijikata: Revolt of the Body by Stephen Barber (review)

pp. 625-628
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Supernatural Beings from Japanese Noh Plays of the Fifth Group: Parallel Translations with Running Commentary by Chifumi Shimazaki and Stephen Comee (review)

pp. 628-631
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Another Stage: Kanze Nobumitsu and the Late Muromachi Noh Theater by Lim Beng Choo (review)

pp. 631-635
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Shadow Woman: The Extraordinary Career of Pauline Benton by Grant Hayter-Menzies (review)

pp. 635-637
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Color Insert

pp. Color Insert 1-Color Insert 8
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