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  Volume 53, Number 4, Summer 2014

Table of Contents

Looking for Satellites

pp. 1-2
|

Sony and Local-Language Productions: Conglomerate Hollywood’s Strategy of Flexible Localization for the Global Film Market

pp. 3-27
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A Cinema of Revolt: Black Wave Revolution and Dušan Makavejev’s Politics of Disgust

pp. 28-52
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Life, Love, and Programming: The Culture and Politics of WALL-E and Pixar Computer Animation

pp. 53-75
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In the Realm of the Senses: Sensory Realism, Speed, and Hong Kong Martial Arts Cinema

pp. 76-97
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Unpacking a Punch: Transduction and the Sound of Combat Foley in Fight Club

pp. 98-120
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In Focus: African American Caucus

Introduction: When and Where We Enter

pp. 121-127
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Black Film, New Media Industries, and BAMMs (Black American Media Moguls) in the Digital Media Ecology

pp. 128-133
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“Who’s ‘We,’ White Man?”: Scholarship, Teaching, and Identity Politics in African American Media Studies

pp. 134-140
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No Getting around the Black

pp. 140-146
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Whose “Black Film” Is This?: The Pragmatics and Pathos of Black Film Scholarship

pp. 146-150
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Black Women On-Screen as Future Texts: A New Look at Black Pop Culture Representations

pp. 150-157
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Keeping the Black in Media Production: One L.A. Rebellion Filmmaker’s Notes

pp. 157-161
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Contributors

pp. 162-163
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Book Reviews

Watching While Black: Centering the Television of Black Audiences ed. by Beretta E. Smith-Shomade (review)

pp. 164-168
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Black Television Travels: African American Media around the Globe by Timothy Havens (review)

pp. 168-173
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Looking for Leroy: Illegible Black Masculinities by Mark Anthony Neal (review)

pp. 173-177
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Presenting Oprah Winfrey, Her Films, and African American Literature ed. by Tara Green (review)

pp. 178-182
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Horror Noire: Blacks in American Horror Films from the 1890s to Present by Robin R. Means Coleman (review)

pp. 183-187
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Contributors

p. 188
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Forthcoming

p. 198
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Research Areas

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