1. From Hypnosis to Animals
  2. Raymond Bellour, Hilary Radner, Cecilia Novero, Masha Salazkina, Alistair Fox
  3. pp. 1-8
  4. DOI: 10.1353/cj.2014.0030
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  1. From Hypnosis to Animals
  2. pp. 8-25
  3. DOI: 10.1353/cj.2014.0033
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  1. American Genre Film in the French Banlieue: Luc Besson and Parkour
  2. David Pettersen
  3. pp. 26-51
  4. DOI: 10.1353/cj.2014.0024
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  1. Cable, Pornography, and the Reinvention of Television, 1982–1989
  2. Luke Stadel
  3. pp. 52-75
  4. DOI: 10.1353/cj.2014.0026
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  1. Can Moving Pictures Speak?: Film, Speech, and Social Science in Early Twentieth-Century Law
  2. Jennifer Petersen
  3. pp. 76-99
  4. DOI: 10.1353/cj.2014.0028
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  1. Soviet Hollywood: The Culture Industry That Wasn’t
  2. Maria Belodubrovskaya
  3. pp. 100-122
  4. DOI: 10.1353/cj.2014.0032
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  1. Clueless about Listening Formations?
  2. Ben Aslinger
  3. pp. 126-131
  4. DOI: 10.1353/cj.2014.0027
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  1. Can I Please Give You Some Advice?: Clueless and the Teen Makeover
  2. Alice leppert
  3. pp. 131-137
  4. DOI: 10.1353/cj.2014.0029
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  1. “We’ve Got to Work on Your Accent and Vocabulary”: Characterization through Verbal Style in Clueless
  2. Jennifer O’Meara
  3. pp. 138-145
  4. DOI: 10.1353/cj.2014.0031
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  1. Furiously Franchised: Clueless, Convergence Culture, and the Female-Focused Franchise
  2. Kyra Hunting
  3. pp. 145-151
  4. DOI: 10.1353/cj.2014.0020
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  1. Forthcoming
  2. p. 190
  3. DOI: 10.1353/cj.2014.0023
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  1. Introduction
  2. Melissa Lenos
  3. pp. 123-126
  4. DOI: 10.1353/cj.2014.0025
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  1. Contributors
  2. p. 151
  3. DOI: 10.1353/cj.2014.0022
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