restricted access   Volume 54, Number 1, Fall 2014

Table of Contents

Articles

Modernization and Ambivalence in Octavio Cortázar’s Por primera vez

pp. 1-24
|

Statistical Analysis of Television Style: What Can Numbers Tell Us about TV Editing?

pp. 25-44
|

“Past Not-So-Perfect”: Ararat and Its Reception in Turkey

pp. 45-64
|

Configuring Affect: Complex World Making in Fatih Akın’s Auf der anderen Seite (The Edge of Heaven)

pp. 65-87
|

Cold War Carmen in US Racial Modernity

pp. 88-111
|

In Focus: Latin American Film Research in the Twenty-First Century

Introduction

pp. 112-114
|

Approaching the (Trans)National in Criticism of Early Latin American Sound Film

pp. 115-120
|

Reconsidering the Archive: Digitization and Latin American Film Historiography

pp. 121-128
|

Mapping Cult Cinema in Latin American Film Cultures

pp. 129-135
|

Calling for Intermediality: Latin American Mediascapes

pp. 135-141
|

Contributors

p. 142
|

Book Reviews: Latin American Caucus

Media Power and Democratization in Brazil: TV Globo and the Dilemmas of Political Accountability by Mauro P. Porto (review)

pp. 143-147
|

Aesthetics and Politics in the Mexican Film Industry by Misha MacLaird (review)

pp. 148-152
|

Transition Cinema: Political Filmmaking and the Argentine Left since 1968 by Jessica Stites (review)

pp. 152-156
|

Cinema and Inter-American Relations: Tracking Transnational Affect by Adrián Pérez Melgosa (review)

pp. 156-161
|

Contributors

p. 162
|