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Table of Contents

  1. Looking for Satellites
  2. Will Brooker
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/cj.2014.0053
  5. restricted access
  1. A Cinema of Revolt: Black Wave Revolution and Dušan Makavejev’s Politics of Disgust
  2. Sarah Hamblin
  3. pp. 28-52
  4. DOI: https://doi.org/10.1353/cj.2014.0039
  5. restricted access
  1. Life, Love, and Programming: The Culture and Politics of WALL-E and Pixar Computer Animation
  2. Eric Herhuth
  3. pp. 53-75
  4. DOI: https://doi.org/10.1353/cj.2014.0042
  5. restricted access
  1. In the Realm of the Senses: Sensory Realism, Speed, and Hong Kong Martial Arts Cinema
  2. Man-Fung Yip
  3. pp. 76-97
  4. DOI: https://doi.org/10.1353/cj.2014.0045
  5. restricted access
  1. Unpacking a Punch: Transduction and the Sound of Combat Foley in Fight Club
  2. Mack Hagood
  3. pp. 98-120
  4. DOI: https://doi.org/10.1353/cj.2014.0048
  5. restricted access

In Focus: African American Caucus

  1. Introduction: When and Where We Enter
  2. Beretta E. Smith-Shomade, Racquel Gates, Miriam J. Perry
  3. pp. 121-127
  4. DOI: https://doi.org/10.1353/cj.2014.0034
  5. open access
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  1. Black Film, New Media Industries, and BAMMs (Black American Media Moguls) in the Digital Media Ecology
  2. Anna Everett
  3. pp. 128-133
  4. DOI: https://doi.org/10.1353/cj.2014.0038
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  1. “Who’s ‘We,’ White Man?”: Scholarship, Teaching, and Identity Politics in African American Media Studies
  2. Allyson Nadia Field
  3. pp. 134-140
  4. DOI: https://doi.org/10.1353/cj.2014.0041
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  1. No Getting around the Black
  2. Mark D. Cunningham
  3. pp. 140-146
  4. DOI: https://doi.org/10.1353/cj.2014.0044
  5. open access
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  1. Whose “Black Film” Is This?: The Pragmatics and Pathos of Black Film Scholarship
  2. Terri Francis
  3. pp. 146-150
  4. DOI: https://doi.org/10.1353/cj.2014.0047
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  1. Black Women On-Screen as Future Texts: A New Look at Black Pop Culture Representations
  2. Nina Cartier
  3. pp. 150-157
  4. DOI: https://doi.org/10.1353/cj.2014.0050
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  1. Keeping the Black in Media Production: One L.A. Rebellion Filmmaker’s Notes
  2. Zeinabu Irene Davis
  3. pp. 157-161
  4. DOI: https://doi.org/10.1353/cj.2014.0054
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  1. Contributors
  2. pp. 162-163
  3. DOI: https://doi.org/10.1353/cj.2014.0037
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Book Reviews

  1. Watching While Black: Centering the Television of Black Audiences ed. by Beretta E. Smith-Shomade (review)
  2. Catherine R. Squires
  3. pp. 164-168
  4. DOI: https://doi.org/10.1353/cj.2014.0040
  5. restricted access
  1. Black Television Travels: African American Media around the Globe by Timothy Havens (review)
  2. Bambi Haggins
  3. pp. 168-173
  4. DOI: https://doi.org/10.1353/cj.2014.0043
  5. restricted access
  1. Looking for Leroy: Illegible Black Masculinities by Mark Anthony Neal (review)
  2. Kimberly Nichele Brown
  3. pp. 173-177
  4. DOI: https://doi.org/10.1353/cj.2014.0046
  5. restricted access
  1. Presenting Oprah Winfrey, Her Films, and African American Literature ed. by Tara Green (review)
  2. Karen Bowdre
  3. pp. 178-182
  4. DOI: https://doi.org/10.1353/cj.2014.0049
  5. restricted access
  1. Horror Noire: Blacks in American Horror Films from the 1890s to Present by Robin R. Means Coleman (review)
  2. Harry M. Benshoff
  3. pp. 183-187
  4. DOI: https://doi.org/10.1353/cj.2014.0052
  5. restricted access

  1. Contributors
  2. p. 188
  3. DOI: https://doi.org/10.1353/cj.2014.0035
  4. restricted access
  1. Forthcoming
  2. p. 198
  3. DOI: https://doi.org/10.1353/cj.2014.0051
  4. restricted access