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Winner of the 2013 Donald Hall Prize in Poetry. The Dottery is a tale of dotters before they are born. In this series of prose poems you meet their would-be-mutters, the buoys they will know, their inner warden, and the mutterers who cannot have them. The Dottery itself is a sort-of pre-purgatory, a finishing school for the fetal feminine. The five sections correspond to the conceptual set-ups interrogated within. In “wound,” The Dottery is described, as are its inhabitants and their difficulties. In “Dual,” a gender binary is introduced and (hopefully) eviscerated. “Triage” establishes the issues that plague both the dotters and those who would bring them out into the world—specifically into the idea of America (I’m Erica and I can prefer a hummer to the rose parade”). In “Fear,” failed dotters (out in the world) are described in obit fashion. Finally, in “Thief” one mutterer recounts how she stole her dotter (“a snatched piece”) to become a mutter and chronicles both her desires and regrets.
The Double Truth is a collection of poems that arc from myth to history, knowledge to mystery, Eros to natural love, animals to human beings, then back in an alternating poetic current that betrays a speaker who is at once a privileged witness of her time and a diachronic amalgam of voices that are as imagined as they are real in their anonymous legacy.
Teaching Literacy in a Multicultural Society
David Schaafsma presents a powerful and compelling book about the struggle of teaching literacy in a racially divided society and the importance of story and storytelling in the educational process. At the core of this book is the concept of storytelling as an interactive experience for both the teller and listener. Schaafsma offers rich samples of students' writing about their lives in a troubled neighborhood. Eating on the Street offers stories by Schaafsma, his colleagues, and students to illustrate how talking across multiple perspectives can enrich the learning process and the community-building process outside the classroom as well.
The Business of Anti-neoliberal Politics in Venezuela
Venezuela's Hugo Chávez was the first anti-neoliberal presidential candidate to win in the region. Electing Chávez examines the circumstances that facilitated this pivotal election. By 1998, Venezuela had been rocked by two major scandals-the exchange rate incidents of the 1980s and the banking crisis of 1994-and had suffered rising social inequality. These events created a deep-seated distrust of establishment politicians. Chávez's 1998 victory, however, was far from inevitable. Other presidential candidates also stood against corruption and promised a clean break from politics as usual. Moreover, business opposition to Chávez's anti-neoliberal candidacy should have convinced voters that his victory would provoke a downward economic spiral. In Electing Chávez, Leslie C. Gates examines how Chávez won over voters and even obtained the secret allegiance of a group of business “elite outliers,” with a reinterpretation of the relationship between business and the state during Venezuela's era of two-party dominance (1959-1998). Through extensive research on corruption and the backgrounds of political leaders, Gates tracks the rise of business-related corruption scandals and documents how business became identified with Venezuela's political establishment. These trends undermined the public's trust in business and converted business opposition into an asset for Chávez. This long history of business-tied politicians and the scandals they often provoked also framed the decisions of elite outliers. As Gates reveals, elite outliers supported Chávez despite his anti-neoliberal stance because they feared that the success of Chávez's main rival would deny them access to Venezuela's powerful oil state.
A few days before his death in 1996, Larry Levis mentioned to his friend and former instructor Philip Levine that he had "an all-but-completed manuscript" of poems. Levine had years earlier recognized Levis as "the most gifted and determined young poet I have ever had the good fortune to have in one of my classes"; after Levis's death, Levine edited the poems Levis had left behind. What emerged is this haunting collection,Elegy. The poems were written in the six years following publication of his previous book, The Widening Spell of the Leaves, and continue and extend the jazz improvisations on themes that gave those poems their resonance.
In Dean Young's sixth book of poems, elegiac necessity finds itself next to goofy celebration. Daffy Duck enters the Valley of the Eternals. Faulkner and bell-bottoms cling to beauty's evanescence. Even in single poems, Young's tone and style vary. No one feeling or idea takes precedence over another, and their simultaneity is frequently revealed; sadness may throw a squirrelly shadow, joy can find itself dressed in mourning black. As in the agitated "Whirlpool Suite": "Pain / and pleasure are two signals carried / over one phone line." In taking up subjects as slight as the examination of a signature or a true/false test, and as pressing as the death of friends, Young's poems embrace the duplicity of feeling, the malleability of perception, and the truth telling of wordplay.
The poet employs colloquial diction, references pop and classical culture, and travels at 1000 miles per hour in his fourth collection. For those who think contemporary poetry is about abject confessions, vacation in Provence and opaque ‘academicisms,’ McDaniel is an intro to a new world.
Progressive Activism and Private Sector Responses in Latin America's Democracies
Over the last twenty years, business responses to progressive reform in Latin America have shifted dramatically. Until the 1990s, progressive movements in Latin America suffered violent repression sanctioned by the private sector and other socio-political elites. The powerful case studies in this volume show how business responses to reform have become more open–ended as Latin America’s democracies have deepened, with repression tempered by the economic uncertainties of globalization, the political and legal constraints of democracy, and shifting cultural understandings of poverty and race. Enduring Reform presents five case studies from Mexico, Brazil, and Argentina in which marginalized groups have successfully forged new cultural and economic spaces and won greater autonomy and political voice. Bringing together NGO’s, local institutions, social movements, and governments, these initiatives have developed new mechanisms to work ‘within the system,’ while also challenging the system’s logic and constraints. Through firsthand interviews, the contributors capture local businesspeople’s understandings of these progressive initiatives and record how they grapple with changes they may not always welcome, but must endure. America today presses businesspeople to endure, accept, and at times promote progressive change in unprecedented ways, even as they act to limit and constrain it.
Local Impact, Global Influence
Fossil fuels propelled industries and nations into the modern age and continue to powerfully influence economies and politics today. As Energy Capitals demonstrates, the discovery and exploitation of fossil fuels has proven to be a mixed blessing in many of the cities and regions where it has occurred. With case studies from the United States, Canada, Mexico, Norway, Africa, and Australia, this volume views a range of older and more recent energy capitals, contrasts their evolutions, and explores why some capitals were able to influence global trends in energy production and distribution while others failed to control even their own destinies.
In Energy Corridor, Houston, Texas is the macabre avatar for a nation that has systematically stripped political and economic power from the middle and lower classes. In these poems the speaker wrestles with the guilt and complacency of living in the world's wealthiest nation. It is easy in America to do nothing and suckle the trickling down of the rich, but these poem urge we have a community responsibility to alter the way we act. Through varied lenses, from Jean-jacques Rosseau to The Texas Chain Saw Massacre, from Goethe to contemporary electronic, from the 1982 Tylenol Murders to the Stanley Cup, these poems assemble the rhetoric of our cultural landscape into a call to arms. We must change our ways.