Checkout
- Digital Price: $34.00 USD (All sales final)
- Legacy
- University of Nebraska Press
- issue
- Volume 17, Number 2, 2000
- "But Maria, did you really write this?": Preface as Cover Story in Lydia Maria Child's Hobomok
- Editors' Note
- Legacy Bookshelf
- Exploring Lost Borders: Critical Essays on Mary Austin (review)
- Plots and Proposals: American Women's Fiction, 1850-90 (review)
- Hungry Heart: The Literary Emergence of Julia Ward Howe (review)
- Emily Dickinson and Her Contemporaries: Women's Verse in America, 1820-1885 (review)
- Women in Chains: The Legacy of Slavery in Black Women's Fiction, and: Dreaming Black/Writing White: The Hagar Myth in American Cultural History (review)
- Soft Canons: American Women Writers and Masculine Tradition (review)
- Objects of Speculation: Early Manuscripts on Women and Education by Judith Sargent (Stevens) Murray
- Exploring Contact: Regionalism and the "Outsider" Standpoint in Mary Noailles Murfree's Appalachia
- Between Registers: Coming In and Out Through Musical Performance in Willa Cather's The Song of the Lark
- "A Foreign Country": Emily Dickinson's Manuscripts and Their Meanings
- "Tattooed still": The Inscription of Female Agency in Elizabeth Stoddard's The Morgesons
- Susan Warner's The Wide, Wide World, Conduct Literature, and Protocols of Female Reading in Mid-Nineteenth-Century America
In order to purchase digital content, you must be logged into your MyMUSE account.
For questions, please see Purchasing MUSE Content