1. "Tattooed still": The Inscription of Female Agency in Elizabeth Stoddard's The Morgesons
  2. Jennifer Putzi
  3. pp. 165-173
  4. DOI: 10.1353/leg.2000.0012
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  1. "A Foreign Country": Emily Dickinson's Manuscripts and Their Meanings
  2. Domhnall Mitchell
  3. pp. 174-186
  4. DOI: 10.1353/leg.2000.0009
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  1. Between Registers: Coming In and Out Through Musical Performance in Willa Cather's The Song of the Lark
  2. Katherine Boutry
  3. pp. 187-201
  4. DOI: 10.1353/leg.2000.0003
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  1. Exploring Contact: Regionalism and the "Outsider" Standpoint in Mary Noailles Murfree's Appalachia
  2. Marjorie Pryse
  3. pp. 199-212
  4. DOI: 10.1353/leg.2000.0011
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  1. Objects of Speculation: Early Manuscripts on Women and Education by Judith Sargent (Stevens) Murray
  2. Karen L. Schiff
  3. pp. 213-228
  4. DOI: 10.1353/leg.2000.0013
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  1. Soft Canons: American Women Writers and Masculine Tradition (review)
  2. Carolyn Sorisio
  3. pp. 229-230
  4. DOI: 10.1353/leg.2000.0014
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  1. Emily Dickinson and Her Contemporaries: Women's Verse in America, 1820-1885 (review)
  2. Marianne Noble
  3. pp. 232-234
  4. DOI: 10.1353/leg.2000.0010
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  1. Hungry Heart: The Literary Emergence of Julia Ward Howe (review)
  2. Wendy Dasler Johnson
  3. pp. 234-235
  4. DOI: 10.1353/leg.2000.0007
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  1. Plots and Proposals: American Women's Fiction, 1850-90 (review)
  2. Caroline Field Levander
  3. pp. 235-236
  4. DOI: 10.1353/leg.2000.0008
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  1. Exploring Lost Borders: Critical Essays on Mary Austin (review)
  2. Annie Merrill Ingram
  3. pp. 236-238
  4. DOI: 10.1353/leg.2000.0006
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  1. Legacy Bookshelf
  2. Devon Niebling
  3. pp. 239-244
  4. DOI: 10.1353/leg.2000.0002
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  1. Editors' Note
  2. Karen Dandurand, Sharon M. Harris
  3. p. vii
  4. DOI: 10.1353/leg.2000.0004
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  1. "But Maria, did you really write this?": Preface as Cover Story in Lydia Maria Child's Hobomok
  2. Molly Vaux
  3. pp. 127-140
  4. DOI: 10.1353/leg.2000.0015
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