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Table of Contents

  1. Hypermediated Art Criticism
  2. Pamela G. Taylor, B. Stephen Carpenter
  3. pp. 1-24
  4. DOI: https://doi.org/10.1353/jae.2007.0030
  5. restricted access
  1. What's So Great About the Real Thing?
  2. Arthur Jonathan McKeown-Green
  3. pp. 25-40
  4. DOI: https://doi.org/10.1353/jae.2007.0026
  5. restricted access
  1. Creative Writing and Schiller's Aesthetic Education
  2. Peter Howarth
  3. pp. 41-58
  4. DOI: https://doi.org/10.1353/jae.2007.0025
  5. restricted access
  1. The Paradox of Painful Art
  2. Aaron Smuts
  3. pp. 59-76
  4. DOI: https://doi.org/10.1353/jae.2007.0029
  5. restricted access
  1. Reading Biography
  2. Michael Benton
  3. pp. 77-88
  4. DOI: https://doi.org/10.1353/jae.2007.0023
  5. restricted access
  1. The Neuroscience of Dance and the Dance of Neuroscience: Defining a Path of Inquiry
  2. J. Alexander Dale, Janyce Hyatt, Jeff Hollerman
  3. pp. 89-110
  4. DOI: https://doi.org/10.1353/jae.2007.0024
  5. restricted access
  1. The National Endowment for the Arts and Its Opposition: Danto's Argument for Art for Our Sake
  2. Spencer K. Wertz
  3. pp. 111-117
  4. DOI: https://doi.org/10.1353/jae.2007.0031
  5. restricted access
  1. The Artist as Professional in Japan (review)
  2. Kazuyo Nakamura, Akio Okazaki
  3. pp. 118-120
  4. DOI: https://doi.org/10.1353/jae.2007.0028
  5. restricted access
  1. A Philosophy of Gardens (review)
  2. Ronald Moore
  3. pp. 120-124
  4. DOI: https://doi.org/10.1353/jae.2007.0027
  5. restricted access