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Table of Contents

  1. Classical German Drama on the British Stage: Schiller's Wallenstein at the Chichester Festival
  2. John Guthrie
  3. pp. 121-140
  4. DOI: https://doi.org/10.1353/mdr.2011.0026
  5. restricted access
  1. Emblems of Authority in The Admirable Crichton
  2. Marty Gould
  3. pp. 141-160
  4. DOI: https://doi.org/10.1353/mdr.2011.0014
  5. restricted access
  1. Changing Times: J.O. Francis and the First Welsh National Drama Movement
  2. Alyce Von Rothkirch
  3. pp. 161-180
  4. DOI: https://doi.org/10.1353/mdr.2011.0017
  5. restricted access
  1. Pozzo's Knook, Beckett's Boys, and Santa Claus
  2. Robert Cohen
  3. pp. 181-193
  4. DOI: https://doi.org/10.1353/mdr.2011.0019
  5. restricted access
  1. The "Sexuation" of Sublimation: A Žižekian Approach to John Mighton's Possible Worlds
  2. Graham Wolfe
  3. pp. 194-215
  4. DOI: https://doi.org/10.1353/mdr.2011.0021
  5. restricted access
  1. Hearing Double: Acousmatic Authority and the Rise of the Theatre Director
  2. Lawrence Switzky
  3. pp. 216-243
  4. DOI: https://doi.org/10.1353/mdr.2011.0023
  5. restricted access
  1. Contemporary European Theatre Directors (review)
  2. Cynthia Gendrich
  3. pp. 246-248
  4. DOI: https://doi.org/10.1353/mdr.2011.0028
  5. restricted access
  1. The Provocation of the Senses in Contemporary Theatre (review)
  2. Neal Swettenham
  3. pp. 248-250
  4. DOI: https://doi.org/10.1353/mdr.2011.0016
  5. restricted access
  1. No Such Thing as Silence: John Cage's "4'3" (review)
  2. Deborah Weagel
  3. pp. 250-252
  4. DOI: https://doi.org/10.1353/mdr.2011.0018
  5. restricted access
  1. The Letters of Gertrude Stein and Virgil Thomson: Composition as Conversation (review)
  2. Tram Nguyen
  3. pp. 252-255
  4. DOI: https://doi.org/10.1353/mdr.2011.0020
  5. restricted access
  1. Cruising Utopia: The Then and There of Queer Futurity (review)
  2. Sara Warner
  3. pp. 255-257
  4. DOI: https://doi.org/10.1353/mdr.2011.0022
  5. restricted access
  1. The Drama of Ideas: Platonic Provocations in Theater and Philosophy (review)
  2. Nickolas Pappas
  3. pp. 257-260
  4. DOI: https://doi.org/10.1353/mdr.2011.0024
  5. restricted access
  1. Gypsy: The Art of the Tease (review)
  2. Judith Lynne Hanna
  3. pp. 260-262
  4. DOI: https://doi.org/10.1353/mdr.2011.0027
  5. restricted access
  1. Contributors
  2. pp. 263-264
  3. DOI: https://doi.org/10.1353/mdr.2011.0015
  4. restricted access