1. A Hasty Kind of Genius: Noël Coward's Hay Fever
  2. Donald Anderson
  3. pp. 45-61
  4. DOI: 10.1353/mdr.2011.0002
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  1. Impossible Representation: Edward Albee and the End of Liberal Tragedy
  2. Michelle Robinson
  3. pp. 62-77
  4. DOI: 10.1353/mdr.2011.0004
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  1. The End of Rhetoric and the Residuum of Pain: Bodying Language in the Theatre of Howard Barker
  2. Thomas Freeland
  3. pp. 78-98
  4. DOI: 10.1353/mdr.2011.0006
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  1. The Cambridge Companion to Caryl Churchill (review)
  2. Siân adiseshiah
  3. pp. 99-101
  4. DOI: 10.1353/mdr.2011.0008
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  1. Storytelling and Drama: Exploring Narrative Episodes in Plays (review)
  2. Susan Mandala
  3. pp. 101-103
  4. DOI: 10.1353/mdr.2011.0010
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  1. Cutting Performances: Collage Events, Feminist Artists and the American Avant-Garde (review)
  2. Olga Taxidou
  3. pp. 103-106
  4. DOI: 10.1353/mdr.2011.0013
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  1. Modernism after Wagner (review)
  2. Joy H. Calico
  3. pp. 106-108
  4. DOI: 10.1353/mdr.2011.0001
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  1. Weyward Macbeth: Intersections of Race and Performance (review)
  2. Robert Ormsby
  3. pp. 108-110
  4. DOI: 10.1353/mdr.2011.0003
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  1. Acting Wilde: Victorian Sexuality, Theatre, and Oscar Wilde (review)
  2. John Paul Riquelme
  3. pp. 110-112
  4. DOI: 10.1353/mdr.2011.0005
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  1. Changing the Subject: Marvin Carlson and Theatre Studies, 1959-2009 (review)
  2. Martin Meisel
  3. pp. 112-115
  4. DOI: 10.1353/mdr.2011.0007
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  1. Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class (review)
  2. Scott DeVeaux
  3. pp. 115-117
  4. DOI: 10.1353/mdr.2011.0009
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  1. Contributors
  2. pp. 118-119
  3. DOI: 10.1353/mdr.2011.0012
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