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Table of Contents

  1. Page 2: Pleasure in the End
  2. Jeffrey R. Di Leo
  3. p. 2
  4. DOI: https://doi.org/10.1353/abr.2008.0025
  5. restricted access
  1. 100 Best Last Lines from Novels
  3. pp. 4-5
  4. DOI: https://doi.org/10.1353/abr.2008.0086
  5. restricted access
  1. Completion and Farewell
  2. James Phelan
  3. p. 6
  4. DOI: https://doi.org/10.1353/abr.2008.0072
  5. restricted access
  1. Famous Last Words: A Congeries of Reflections
  2. Charles Alcorn, Mark Amerika, Jeffrey R. Di Leo, John Domini, Brian Evenson, Peter Freese, Stacey Gottlieb, Doug Hesse, Paula Koneazny, Lance Olsen, James Schiff, Davis Schneiderman, Robert Scholes, Susan Strehle, Steve Tomasula, Regina Weinreich
  3. pp. 7-10
  4. DOI: https://doi.org/10.1353/abr.2008.0058
  5. restricted access
  1. How to Gaze
  2. J.D. Smith
  3. p. 11
  4. DOI: https://doi.org/10.1353/abr.2008.0044
  5. restricted access
  1. The Wilderness Within
  2. Anne McDuffie
  3. p. 12
  4. DOI: https://doi.org/10.1353/abr.2008.0030
  5. restricted access
  1. Refamiliarizing the Familiar
  2. Anis Shivani
  3. pp. 13-14
  4. DOI: https://doi.org/10.1353/abr.2008.0017
  5. restricted access
  1. Spontaneous Combustion
  2. Judith Kitchen
  3. pp. 14-15
  4. DOI: https://doi.org/10.1353/abr.2008.0003
  5. restricted access
  1. The Age of African American Cinema
  2. Walter R. Jacobs
  3. p. 16
  4. DOI: https://doi.org/10.1353/abr.2008.0078
  5. restricted access
  1. The Mystery of the Real
  2. Maria Damon
  3. p. 17
  4. DOI: https://doi.org/10.1353/abr.2008.0064
  5. restricted access
  1. Jazzing Lit Up
  2. Barry Wallenstein
  3. pp. 18-19
  4. DOI: https://doi.org/10.1353/abr.2008.0050
  5. restricted access
  1. Da capo, or the Politics of Running
  2. Christian Moraru
  3. p. 19
  4. DOI: https://doi.org/10.1353/abr.2008.0036
  5. restricted access
  1. Literary Residuals
  2. Laird Hunt
  3. p. 20
  4. DOI: https://doi.org/10.1353/abr.2008.0022
  5. restricted access
  1. Nothing Full of Everything
  2. Teresa Carmody
  3. pp. 20-21
  4. DOI: https://doi.org/10.1353/abr.2008.0083
  5. restricted access
  1. Postmodern Carnival
  2. Greg Oaks
  3. pp. 21-22
  4. DOI: https://doi.org/10.1353/abr.2008.0069
  5. restricted access
  1. Snow on Fire
  2. Jessica Murray
  3. pp. 22-23
  4. DOI: https://doi.org/10.1353/abr.2008.0055
  5. restricted access
  1. Place Matters
  2. Eric L. Ball
  3. pp. 23-24
  4. DOI: https://doi.org/10.1353/abr.2008.0041
  5. restricted access
  1. Exchanges & Attempts
  2. Selah Saterstrom
  3. pp. 24-25
  4. DOI: https://doi.org/10.1353/abr.2008.0027
  5. restricted access
  1. Post-communard Variations
  2. Jim Feast
  3. pp. 25-26
  4. DOI: https://doi.org/10.1353/abr.2008.0014
  5. restricted access
  1. A Quietly Relentless Intelligence
  2. Jeff Bursey
  3. pp. 26-27
  4. DOI: https://doi.org/10.1353/abr.2008.0000
  5. restricted access
  1. Untouched America
  2. Sean Bernard
  3. pp. 27-28
  4. DOI: https://doi.org/10.1353/abr.2008.0075
  5. restricted access
  1. Modes of Recovery
  2. Danny Rivera
  3. p. 28
  4. DOI: https://doi.org/10.1353/abr.2008.0061
  5. restricted access
  1. Novelists' Elegy
  2. Scott Rettberg
  3. p. 29
  4. DOI: https://doi.org/10.1353/abr.2008.0047
  5. restricted access
  1. No Relation to the Hotel
  2. Louis McKee
  3. p. 30
  4. DOI: https://doi.org/10.1353/abr.2008.0033
  5. restricted access
  1. Introduction to Focus: Famous Last Words: 100 Best Last Lines from Novels
  2. Charles B. Harris
  3. p. 3
  4. DOI: https://doi.org/10.1353/abr.2008.0011
  5. restricted access