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Table of Contents

  1. Page 2: "Giant Steps"
  2. Jeffrey R. Di Leo
  3. p. 2
  4. DOI: https://doi.org/10.1353/abr.2008.0068
  5. restricted access
  1. Picketing the Zeitgeist: High Fashion and Sprituality in Venice
  2. Alain Arias-Misson
  3. pp. 3-34
  4. DOI: https://doi.org/10.1353/abr.2008.0039
  5. restricted access
  1. From the Horses's Mouths
  2. Rick Madigan
  3. p. 5
  4. DOI: https://doi.org/10.1353/abr.2008.0040
  5. restricted access
  1. Caustic Time Signatures
  2. Sean Singer
  3. p. 6
  4. DOI: https://doi.org/10.1353/abr.2008.0026
  5. restricted access
  1. Technicolor Women
  2. Allison Joseph
  3. pp. 6-7
  4. DOI: https://doi.org/10.1353/abr.2008.0012
  5. restricted access
  1. Birds of Fire
  2. David Rife
  3. pp. 7-8
  4. DOI: https://doi.org/10.1353/abr.2008.0087
  5. restricted access
  1. Bass and Superstructure
  2. Ed Pavlić
  3. pp. 8-9
  4. DOI: https://doi.org/10.1353/abr.2008.0073
  5. restricted access
  1. Sonic Revolution
  2. Colin Fleming
  3. p. 9
  4. DOI: https://doi.org/10.1353/abr.2008.0059
  5. restricted access
  1. A Burden of Guilt
  2. Anna M. Klobucka
  3. p. 10
  4. DOI: https://doi.org/10.1353/abr.2008.0045
  5. restricted access
  1. Roll the Bones
  2. Paula Koneazny
  3. p. 11
  4. DOI: https://doi.org/10.1353/abr.2008.0031
  5. restricted access
  1. Literary Machinery
  2. Darren Wershler-Henry
  3. p. 12
  4. DOI: https://doi.org/10.1353/abr.2008.0018
  5. restricted access
  1. A Modern Odysseus
  2. Kostas Myrsiades
  3. p. 13
  4. DOI: https://doi.org/10.1353/abr.2008.0004
  5. restricted access
  1. The Female Persona
  2. Jennifer Grotz
  3. pp. 13-14
  4. DOI: https://doi.org/10.1353/abr.2008.0079
  5. restricted access
  1. Criticism at the Crossroads
  2. Chad Parmenter
  3. pp. 14-15
  4. DOI: https://doi.org/10.1353/abr.2008.0065
  5. restricted access
  1. Tear-filled Lungs
  2. Laurel Blossom
  3. pp. 15-16
  4. DOI: https://doi.org/10.1353/abr.2008.0051
  5. restricted access
  1. Club Poems
  2. John Domini
  3. p. 16
  4. DOI: https://doi.org/10.1353/abr.2008.0037
  5. restricted access
  1. A Coincidence of Opposites
  2. Benjamin S. Grossberg
  3. p. 17
  4. DOI: https://doi.org/10.1353/abr.2008.0023
  5. restricted access
  1. Rescued by Metafiction
  2. Joyelle McSweeney
  3. p. 18
  4. DOI: https://doi.org/10.1353/abr.2008.0009
  5. restricted access
  1. Literary Pachanga
  2. J.D. Smith
  3. pp. 19-20
  4. DOI: https://doi.org/10.1353/abr.2008.0084
  5. restricted access
  1. Framing Virtuality
  2. David J. Gunkel
  3. pp. 20-21
  4. DOI: https://doi.org/10.1353/abr.2008.0070
  5. restricted access
  1. Bollywood to Hollywood
  2. Jigna Desai
  3. p. 21
  4. DOI: https://doi.org/10.1353/abr.2008.0056
  5. restricted access
  1. The Equation of Loss
  2. Christina Milletti
  3. p. 22
  4. DOI: https://doi.org/10.1353/abr.2008.0042
  5. restricted access
  1. Passions, Sentiments, and Sympathies
  2. Edward Dauterich
  3. pp. 22-23
  4. DOI: https://doi.org/10.1353/abr.2008.0028
  5. restricted access
  1. Postmodern Pocahontas
  2. Robert L. McLaughlin
  3. pp. 23-24
  4. DOI: https://doi.org/10.1353/abr.2008.0015
  5. restricted access
  1. In Defense of Big Beer
  2. Mark C. Smith
  3. p. 25
  4. DOI: https://doi.org/10.1353/abr.2008.0001
  5. restricted access
  1. Giant Manifesto
  2. Robert B. Liddell
  3. pp. 25-26
  4. DOI: https://doi.org/10.1353/abr.2008.0076
  5. restricted access
  1. Lexical Apnea
  2. Paul D'Agostino
  3. p. 27
  4. DOI: https://doi.org/10.1353/abr.2008.0062
  5. restricted access
  1. Cowboy Capitalist
  2. Michael Schumacher
  3. p. 28
  4. DOI: https://doi.org/10.1353/abr.2008.0048
  5. restricted access
  1. Faith in the City
  2. Tiphanie Yanique
  3. p. 29
  4. DOI: https://doi.org/10.1353/abr.2008.0034
  5. restricted access
  1. From Natural History to Art
  2. Duane Niatum
  3. pp. 29-30
  4. DOI: https://doi.org/10.1353/abr.2008.0020
  5. restricted access
  1. Notes from Dystopia
  2. Elmaz Abinader
  3. pp. 30-31
  4. DOI: https://doi.org/10.1353/abr.2008.0006
  5. restricted access
  1. All You Can Eat
  2. Carolyn de la Peña
  3. pp. 31-32
  4. DOI: https://doi.org/10.1353/abr.2008.0081
  5. restricted access
  1. Looking for the Ethical Spectacle
  2. Andrew S. Taylor
  3. pp. 32-33
  4. DOI: https://doi.org/10.1353/abr.2008.0067
  5. restricted access
  1. A Loaf and A Half
  2. José Skinner
  3. pp. 33-34
  4. DOI: https://doi.org/10.1353/abr.2008.0053
  5. restricted access
  1. Introduction to Focus: Dues and Blues: Reviewing Jazz-related Literature
  2. Sascha Feinstein
  3. p. 4
  4. DOI: https://doi.org/10.1353/abr.2008.0054
  5. restricted access