1. Editorial
  2. Tess Knighton
  3. p. 175
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  1. The Spanish plucked viola in Renaissance Italy, 1480-1530
  2. Hiroyuki Minamino
  3. pp. 177-192
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  1. The court of don Fernando de Aragon, Duke of Calabria in Valencia, c.1526-1550: music, letters and the meeting of cultures
  2. Bernadette Nelson
  3. pp. 195-222
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  1. Morales's Officium, chant traditions, and performing 16th-century music
  2. George Grayson Wagstaff
  3. pp. 225-243
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  1. New polyphonic fragments from 15th-century Spain: a preliminary report
  2. Angel Manuel Olmos, Tess Knighton
  3. pp. 245-251
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  1. More about Renaissance slide trumpets: fact or fiction?
  2. Patrick Troster
  3. pp. 252-268
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  1. Annibale Stabile and performance practice at two Roman institutions
  2. Ruth Lightbourne
  3. pp. 271-285
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  1. New light on the old bow--1
  2. Robert E. Seletsky
  3. pp. 286-301
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  1. Monteverdi: onwards and downwards
  2. Andrew Parrott
  3. pp. 303-317
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  1. Medieval performances
  2. Richard Rastall
  3. pp. 319-320
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  1. The guitar in its fullness
  2. Richard T. Pinnell
  3. pp. 320-322
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  1. Biblical instruments
  2. David Wulstan
  3. pp. 322-326
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  1. Words without music in the German Baroque
  2. Stephen Rose
  3. pp. 326-327
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  1. Small-town Spain
  2. Geoffrey Baker
  3. pp. 327-328
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  1. Early America and Cuba
  2. David Irving
  3. pp. 328-333
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  1. Balancing a catalogue
  2. Michael Latcham
  3. pp. 333-334
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  1. Ludford and Croce
  2. John Milsom
  3. pp. 335-336
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  1. Seicento opera edited
  2. Hendrik Schulze
  3. pp. 336-338
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  1. Music for plucked strings
  2. Tess Knighton
  3. pp. 339-341
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  1. Biber's Mystery Sonatas
  2. Mieko Kanno
  3. pp. 341-343
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  1. Renaissance miscellany
  2. Fabrice Fitch
  3. pp. 343-344
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  1. Two Trasuntino harpsichord copies
  2. Peter Bavington
  3. pp. 345-346
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  1. Harold Copeman (1918-2003)
  2. Margaret Bent
  3. p. 347
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  1. Pitch in eary Anglican church music
  2. David Wulstan
  3. pp. 348-349
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  1. Basle, Cambridge and openness
  2. Christopher Page
  3. p. 349
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  1. Performing pitch
  2. Andrew Parrott
  3. p. 349
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  1. Bach's singers
  2. Eric Lewin Altschuler
  3. p. 350
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