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Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice.
Each issue is beautifully illustrated and contains a wide range of articles on performance practice, iconography, sources, instruments and many other aspects of the historical context for a given work or repertory. Some issues are dedicated to a particular theme to mark the anniversary of a composer or to explore an otherwise uncharted territory, such as the music of the New World or the early musical traditions of non-Western cultures.
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Volume 32, Number 3, August 2004Table of Contents
- Briefly noted
- pp. 281-283
- Music at Corpus Christi in colonial Cuzco
- pp. 355-367
- New light on the old bow--2
- pp. 415-426
- The historical imagination
- pp. 459-460
- Early chant
- pp. 460-461
- Ciconia in transition
- pp. 462-463
- Golden Age polyphony
- pp. 463-465
- The vernacular oratorio
- pp. 465-466
- A Tallis Scholars' retrospective
- pp. 466-468
- Routes of the Roman oratorio
- pp. 468-469
- Fayrfax at the Chapel Royal
- pp. 471-473
- French schoolgirls and young ladies
- pp. 473-475
- The world of Francois Couperin
- pp. 477-478
- Willaert and Gabrieli secular music
- pp. 478-481
- Beethoven's tied-note notation
- pp. 489-491
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Copyright © 2004 Oxford University Press.
