1. Curiosity or Contempt: On Spectacle, the Human, and Activism
  2. Baz Kershaw
  3. pp. 591-611
  4. DOI: 10.1353/tj.2003.0170
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  1. Disposable Wars, Disappearing Acts: Theatrical Responses to the 1991 Gulf War
  2. Jeanne M. Colleran
  3. pp. 613-632
  4. DOI: 10.1353/tj.2003.0157
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  1. Re-imagining Identity and Re-centering History in Tlaxcalan Performance
  2. Patricia Ybarra
  3. pp. 633-655
  4. DOI: 10.1353/tj.2003.0187
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  1. Arthur Miller's Ironic Resurrection
  2. Jeffrey D. Mason
  3. pp. 657-677
  4. DOI: 10.1353/tj.2003.0178
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  1. Black and White and Re(a)d All Over Again: Indigenous Minstrelsy in Contemporary Canadian and Australian Theatre
  2. Helen Gilbert
  3. pp. 679-698
  4. DOI: 10.1353/tj.2003.0164
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  1. Psycho Karaoke (review)
  2. Rachel C. Lee
  3. pp. 699-700
  4. DOI: 10.1353/tj.2003.0175
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  1. I Am My Own Wife (review)
  2. S. I. Salamensky
  3. pp. 700-702
  4. DOI: 10.1353/tj.2003.0184
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  1. such small hands (review)
  2. Meghan Brodie
  3. pp. 702-704
  4. DOI: 10.1353/tj.2003.0150
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  1. Gertrude--The Cry (review)
  2. David Kilpatrick
  3. pp. 704-706
  4. DOI: 10.1353/tj.2003.0171
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  1. Oedipus Rex (review)
  2. Michael Erickson
  3. pp. 706-708
  4. DOI: 10.1353/tj.2003.0161
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  1. The Devils of Loudun (review)
  2. Kathleen M. Cioffi
  3. pp. 708-710
  4. DOI: 10.1353/tj.2003.0156
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  1. YokastaS (review)
  2. Fernando Calzadilla
  3. pp. 710-713
  4. DOI: 10.1353/tj.2003.0153
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  1. The Roman Actor, and: Eastward Ho, and: Edward III, and: The Malcontent (review)
  2. Langdon Brown
  3. pp. 713-716
  4. DOI: 10.1353/tj.2003.0151
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  1. Kiki and Herb: Coup de Theatre (review)
  2. James M. Cherry
  3. pp. 716-717
  4. DOI: 10.1353/tj.2003.0155
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  1. El Loco y la Triste (review)
  2. Ana Elena Puga
  3. pp. 717-719
  4. DOI: 10.1353/tj.2003.0182
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  1. Hairspray (review)
  2. David Bateman
  3. pp. 719-722
  4. DOI: 10.1353/tj.2003.0148
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  1. Southern Writers Project Festival of New Plays (review)
  2. Bonnie Milne Gardner
  3. pp. 722-724
  4. DOI: 10.1353/tj.2003.0163
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  1. Coriolanus, and: The Merry Wives of Windsor (review)
  2. William T. Liston
  3. pp. 725-726
  4. DOI: 10.1353/tj.2003.0176
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  1. Jerry Springer the Opera (review)
  2. Kevin Gustafson
  3. pp. 726-728
  4. DOI: 10.1353/tj.2003.0165
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  1. Gem of the Ocean (review)
  2. Melinda D. Wilson
  3. pp. 728-729
  4. DOI: 10.1353/tj.2003.0186
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  1. Blood Cherries (review)
  2. Cathy J. Schlund-Vials
  3. pp. 730-731
  4. DOI: 10.1353/tj.2003.0185
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  1. Performance Review Erratum
  2. p. 731
  3. DOI: 10.1353/tj.2003.0162
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  1. Actors and Activists: Politics, Performance, and Exchange Among Social Worlds (review)
  2. Jill Dolan
  3. pp. 733-734
  4. DOI: 10.1353/tj.2003.0159
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  1. A Problem Like Maria: Gender and Sexuality in the American Musical (review)
  2. Andrea Most
  3. pp. 734-735
  4. DOI: 10.1353/tj.2003.0180
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  1. A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1927 (review)
  2. Harvey Young
  3. pp. 735-737
  4. DOI: 10.1353/tj.2003.0188
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  1. Spectacular Suffering: Theatre, Fascism and the Holocaust (review)
  2. Freddie Rokem
  3. pp. 737-738
  4. DOI: 10.1353/tj.2003.0183
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  1. African Theatre in Development, and: African Theatre Women (review)
  2. Loren Kruger
  3. pp. 738-740
  4. DOI: 10.1353/tj.2003.0174
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  1. The Bible as Theatre, and: Oberammergau: The Troubling Story of the World's Most Famous Passion Play (review)
  2. Norman A. Bert
  3. pp. 740-742
  4. DOI: 10.1353/tj.2003.0149
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  1. Southern Women Playwrights: New Essays in Literary History and Criticism (review)
  2. Carol Bunch
  3. pp. 742-743
  4. DOI: 10.1353/tj.2003.0152
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  1. Empty Figure on an Empty Stage: The Theatre of Samuel Beckett and His Generation, and: A Beckett Canon (review)
  2. Jonathan L. Chambers
  3. pp. 743-745
  4. DOI: 10.1353/tj.2003.0154
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  1. Lighting the Shakespearean Stage 1567-1642, and: Architect of Dreams--The Theatrical Vision of Joseph Urban (review)
  2. Matthew J. Kopans
  3. pp. 745-747
  4. DOI: 10.1353/tj.2003.0172
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  1. In Other Los Angeleses: Multicentric Performance Art (review)
  2. Kestutis Nakas
  3. pp. 747-748
  4. DOI: 10.1353/tj.2003.0181
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  1. Sideshow U.S.A: Freaks and the American Cultural Imagination (review)
  2. Sheila C. Moeschen
  3. pp. 748-750
  4. DOI: 10.1353/tj.2003.0179
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  1. East of West: Cross-Cultural Performance and the Staging of Difference (review)
  2. Natasa Kovacevic
  3. pp. 750-751
  4. DOI: 10.1353/tj.2003.0173
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  1. The Death of Comedy (review)
  2. Barbara Mackey
  3. pp. 751-752
  4. DOI: 10.1353/tj.2003.0177
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  1. Druids, Dudes and Beauty Queens: The Changing Face of Irish Theatre (review)
  2. Kyna Hamill
  3. pp. 753-754
  4. DOI: 10.1353/tj.2003.0166
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  1. Leading Creators of Twentieth-Century Czech Theatre (review)
  2. Nina Hein
  3. pp. 754-755
  4. DOI: 10.1353/tj.2003.0167
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  1. The Theatre Journal Auto / Archive: Jorge Huerta, Ph.D.
  2. Jorge A. Huerta
  3. pp. 757-762
  4. DOI: 10.1353/tj.2003.0168
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  1. Index to Volume 55
  2. pp. 765-774
  3. DOI: 10.1353/tj.2003.0169
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  1. Corrections: Doctoral Projects in Progress
  2. p. vi
  3. DOI: 10.1353/tj.2003.0158
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  1. Editorial Comment: Theatre and Activism Special Issue
  2. Harry Justin Elam
  3. pp. vii-xii
  4. DOI: 10.1353/tj.2003.0160
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