1. Foreign Asia / Foreign Shakespeare: Dissenting Notes on New Asian Interculturality, Postcoloniality, and Recolonization
  2. Rustom Bharucha
  3. pp. 1-28
  4. DOI: 10.1353/tj.2004.0004
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  1. The Eyes of the Body and the Veil of Faith
  2. Donnalee Dox
  3. pp. 29-45
  4. DOI: 10.1353/tj.2004.0010
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  1. Mr. Harmony and the Events of January 1793: Elizabeth Inchbald's Every One Has His Fault
  2. Katherine Sobba Green
  3. pp. 47-62
  4. DOI: 10.1353/tj.2004.0019
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  1. Authentic Possibilities: Plantation Performance of the 1890s
  2. Barbara L. Webb
  3. pp. 63-82
  4. DOI: 10.1353/tj.2004.0037
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  1. Richard Foreman and the Ends of an Avant-Garde
  2. Martin Harries
  3. pp. 83-96
  4. DOI: 10.1353/tj.2004.0020
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  1. Sweet Bird of Youth (review)
  2. Christopher Baker
  3. pp. 97-98
  4. DOI: 10.1353/tj.2004.0001
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  1. After Mrs. Rochester (review)
  2. Beth Watkins
  3. pp. 99-100
  4. DOI: 10.1353/tj.2004.0036
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  1. 12. Internationale Schillertage (review)
  2. Klaus van den Berg
  3. pp. 100-104
  4. DOI: 10.1353/tj.2004.0003
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  1. Brand (review)
  2. Byron Nelson
  3. pp. 104-105
  4. DOI: 10.1353/tj.2004.0027
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  1. Race: How Blacks and Whites Feel and Think About the American Obsession (review)
  2. Garrett Eisler
  3. pp. 105-108
  4. DOI: 10.1353/tj.2004.0012
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  1. True West (review)
  2. Laurence Raw
  3. pp. 108-109
  4. DOI: 10.1353/tj.2004.0029
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  1. Six Degrees of Separation, and: The Seagull (review)
  2. Ray Schultz
  3. pp. 109-113
  4. DOI: 10.1353/tj.2004.0032
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  1. Troilus and Cressida (review)
  2. Owen Edward Brady
  3. pp. 113-114
  4. DOI: 10.1353/tj.2004.0006
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  1. Under the Skin: A Festival of One-Act Plays (review)
  2. Sel Wahng
  3. pp. 115-117
  4. DOI: 10.1353/tj.2004.0035
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  1. The Violet Hour (review)
  2. Harvey Young
  3. pp. 117-119
  4. DOI: 10.1353/tj.2004.0039
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  1. Broken Glass (review)
  2. Paul Calvert
  3. pp. 120-121
  4. DOI: 10.1353/tj.2004.0007
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  1. Mutter Courage und ihre Kinder, and: Die Mutter (review)
  2. Norman Roessler
  3. pp. 121-122
  4. DOI: 10.1353/tj.2004.0030
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  1. Nathan the Wise (review)
  2. Susan Russell
  3. pp. 122-125
  4. DOI: 10.1353/tj.2004.0031
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  1. The Angel Project (review)
  2. Marla Carlson
  3. pp. 125-127
  4. DOI: 10.1353/tj.2004.0008
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  1. Performance Review Erratum
  2. p. 127
  3. DOI: 10.1353/tj.2004.0015
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  1. Sweet Violence: The Idea of the Tragic (review)
  2. John Osburn
  3. pp. 129-130
  4. DOI: 10.1353/tj.2004.0028
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  1. Agitated States: Performance in the American Theater of Cruelty (review)
  2. Jodi Kanter
  3. pp. 130-131
  4. DOI: 10.1353/tj.2004.0022
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  1. The Theatres of Moliere (review)
  2. Mechele Leon
  3. pp. 131-133
  4. DOI: 10.1353/tj.2004.0024
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  1. Death by Drama and Other Medieval Urban Legends (review)
  2. Marla Carlson
  3. pp. 134-135
  4. DOI: 10.1353/tj.2004.0009
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  1. Ethnic Drag: Performing Race, Nation, Sexuality in West Germany (review)
  2. Helen Gilbert
  3. pp. 134-135
  4. DOI: 10.1353/tj.2004.0017
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  1. The Queerest Art: Essays on Lesbian and Gay Theater (review)
  2. Noreen C. Barnes
  3. pp. 135-136
  4. DOI: 10.1353/tj.2004.0002
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  1. Disciplining Satire: The Censorship of Satiric Comedy on the Eighteenth-Century London Stage (review)
  2. Barbara Mackey
  3. pp. 136-138
  4. DOI: 10.1353/tj.2004.0025
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  1. Bernard Shaw and Barry Jackson, and: Bernard Shaw and the Webbs (review)
  2. Dennis R. Elkins
  3. pp. 138-139
  4. DOI: 10.1353/tj.2004.0013
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  1. Staging Consciousness: Theater and the Materialization of Mind (review)
  2. Attilio Favorini
  3. pp. 140-141
  4. DOI: 10.1353/tj.2004.0016
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  1. Strip Show: Performances of Gender and Desire, and: Striptease Culture: Sex, Media, and the Democratization of Desire (review)
  2. Rachel Shteir
  3. pp. 143-145
  4. DOI: 10.1353/tj.2004.0033
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  1. Staging a Cultural Paradigm: The Political and the Personal in American Drama (review)
  2. J. Chris Westgate
  3. pp. 147-148
  4. DOI: 10.1353/tj.2004.0038
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  1. Theatre, Society and the Nation: Staging American Identities (review)
  2. Jeffrey D. Mason
  3. pp. 148-150
  4. DOI: 10.1353/tj.2004.0026
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  1. Ridiculous! The Theatrical Life and Times of Charles Ludlam (review)
  2. Kenneth Elliott
  3. pp. 150-151
  4. DOI: 10.1353/tj.2004.0014
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  1. Love Me or Kill Me: Sarah Kane and the Theatre of Extremes (review)
  2. Steve Earnest
  3. pp. 153-154
  4. DOI: 10.1353/tj.2004.0011
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  1. Editorial Comment: The Theatre Scholar as Coyote
  2. Jean Graham-Jones
  3. pp. vii-ix
  4. DOI: 10.1353/tj.2004.0018
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  1. Books Received
  2. pp. 154-160
  3. DOI: 10.1353/tj.2004.0005
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