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In this Issue

Table of Contents

  1. The Editor’s Drawers
  2. David Gillota
  3. pp. 1-3
  4. restricted access
  1. On Second Thought
  2. Lisa M. Beringer, Terrence T. Tucker, Joseph Litvak, Derek C. Maus, Juniper Ellis
  3. pp. 4-12
  4. restricted access
  1. “Making Such Spaces . . . Where None Previously Existed”: Interstitial Wit in Fran Ross’s Oreo
  2. Benjamin Schwartz
  3. pp. 13-30
  4. restricted access
  1. “A Punch Back, . . . a Contagious Guffaw”: Feminist Humor in The Marvelous Mrs. Maisel and the Professionalization of the Rebellious Laugh
  2. Shuhita Bhattacharjee
  3. pp. 31-50
  4. restricted access
  1. Playing with the (Gendered) Rules of Stand-Up: Alternative Aesthetics of Power in Kristen Schaal: Live at The Fillmore
  2. Luise Charlotte Noé
  3. pp. 51-70
  4. restricted access
  1. Dispatches from the Farm: The Literary Craft of John Gould’s Maine Humor
  2. David B. Raymond
  3. pp. 71-83
  4. restricted access
  1. The Year’s Work in American Humor Studies, 2021
  2. Joanne Gilbert, Todd Thompson
  3. pp. 84-177
  4. restricted access
  1. That’s Not Funny: How the Right Makes Comedy Work for Them by Matt Sienkiewicz and Nick Marx (review)
  2. Evan Cooper
  3. pp. 178-181
  4. restricted access
  1. Hollywood Screwball Comedy, 1934–1945: Sex, Love, and Democratic Ideals by Grégoire Halbout (review)
  2. Olympia Kiriakou
  3. pp. 181-184
  4. restricted access
  1. Last Laughs: Perspectives on Women and Comedy ed. by Regina Barreca (review)
  2. Margaret D. Stetz
  3. pp. 185-188
  4. restricted access
  1. It’s Life as I See It: Black Cartoonists in Chicago, 1940–1980 ed. by Dan Nadel (review)
  2. Teresa Prados-Torreira
  3. pp. 188-191
  4. restricted access
  1. Laugh Lines: Humor, Genre, and Political Critique in Late Twentieth-Century American Poetry by Carrie Conners (review)
  2. Kyle Smith
  3. pp. 192-194
  4. restricted access
  1. Played Out: The Race Man in Twenty-First-Century Satire by Brandon J. Manning (review)
  2. Owen Cantrell
  3. pp. 194-197
  4. restricted access
  1. Who’s Laughing Now: Feminist Perspectives on Humour and Laughter ed. by Anna Lise Frey (review)
  2. Jordan Hansen
  3. pp. 197-199
  4. restricted access