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In this Issue

Table of Contents

  1. The Editor’s Drawers
  2. Lawrence Howe
  3. pp. 223-224
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  1. On Second Thought
  2. pp. 225-233
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  1. Spit Takes: The Algebra of Jokes
  2. Mike Reiss
  3. pp. 234-236
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  1. Introduction: Black Laughs Matter
  2. Darryl Dickson-Carr
  3. pp. 237-251
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  1. Chitlins and Dry Bones: A Conversation About the N-Word in Stand-Up Comedy
  2. Andrew Ali Aghapour, Samuel Gates, Michelle Robinson
  3. pp. 252-274
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  1. “We cool?”: Satirizing Whiteness in Obama-Era Black Satire
  2. Grace Heneks
  3. pp. 275-296
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  1. Speculative Satire and Postracial Capitalism in Nana Kwame Adjei-Brenyah’s Friday Black
  2. Benjamin Schwartz
  3. pp. 297-316
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  1. “Half a wit is better than none”: Race, Humor, and the Grotesque in Fran Ross’s Oreo
  2. Adriana Wiszniewska
  3. pp. 317-336
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  1. Joking at the Limits of Protest in Chester Himes’s If He Hollers Let Him Go
  2. Diego A. Millan
  3. pp. 337-359
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  1. The Power of Laughter: Jessie Redmon Fauset and the Racial and Gender Politics of Humor
  2. Sabrina Fuchs Abrams
  3. pp. 360-380
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  1. Irony and Sarcasm
  2. Bruce Michelson
  3. pp. 381-384
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  1. Hitchcock and Humor: Modes of Comedy in Twelve Defining Films
  2. David Gillota
  3. pp. 384-387
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  1. Cracking Up: Black Feminist Comedy in the Twentieth- and Twenty-First Century United States
  2. Abbey A. Morgan
  3. pp. 387-390
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  1. Funny How? Sketch Comedy and the Art of Humor
  2. Michael Epp
  3. pp. 390-392
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  1. Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals
  2. Julie Webber
  3. pp. 392-394
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  1. The Psychology of Comedy
  2. Miriam M. Chirico
  3. pp. 395-399
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  1. The Outsider, Art, and Humour
  2. Winifred Morgan
  3. pp. 399-402
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  1. Inside Comedy: The Soul, Wit, and Bite of Comedy and Comedians of the Last Five Decades
  2. Kyle Smith
  3. pp. 402-404
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  1. Becoming Carole Lombard: Stardom, Comedy, and Legacy
  2. Zsófia Anna Tóth
  3. pp. 404-407
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