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Table of Contents

  1. Notes on Contributors
  2. p. 2
  3. DOI: https://doi.org/10.1353/itx.1997.0009
  4. restricted access
  1. Intertexts: A Statement of Purpose
  2. David H. J. Larmour, Paul Allen Miller
  3. pp. 3-4
  4. DOI: https://doi.org/10.1353/itx.1997.0010
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  1. Editors’ Introduction
  2. Laura J. Beard, Susan Isabel Stein
  3. pp. 5-7
  4. DOI: https://doi.org/10.1353/itx.1997.0011
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  1. Barbed Wire Words: Demetria Martínez’s MotherTongue
  2. Debra A. Castillo
  3. pp. 8-24
  4. DOI: https://doi.org/10.1353/itx.1997.0012
  5. restricted access
  1. A is for Alphabet, K is for Kabbalah: Luisa Futoransky’s Babelic Metatext
  2. Laura J. Beard
  3. pp. 25-39
  4. DOI: https://doi.org/10.1353/itx.1997.0013
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  1. Masculine Acts / Anxious Encounters: Sabina Berman’s Entre Villa y una mujer desnuda
  2. Sharon Magnarelli
  3. pp. 40-50
  4. DOI: https://doi.org/10.1353/itx.1997.0014
  5. restricted access
  1. A Politics of the Word: Claribel Alegría’s Album familiar and Despierta, mi bien, despierta
  2. Mary Jane Treacy
  3. pp. 62-77
  4. DOI: https://doi.org/10.1353/itx.1997.0016
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  1. A Language to Call My Own: Utopian Space in María Luisa Puga’s Pánico o peligro
  2. Florence Moorhead-Rosenberg
  3. pp. 78-91
  4. DOI: https://doi.org/10.1353/itx.1997.0017
  5. restricted access
  1. Political Meta-Allegory in El Divino Narciso by Sor Juana Inés de la Cruz
  2. Verónica Grossi
  3. pp. 92-103
  4. DOI: https://doi.org/10.1353/itx.1997.0018
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  1. Disenchantment and Carnivalization: A Bakhtinian Reading of The Fourth World
  2. Guillermo García-Corales
  3. pp. 104-112
  4. DOI: https://doi.org/10.1353/itx.1997.0019
  5. restricted access