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In this Issue

Table of Contents

  1. Color Plates
  3. restricted access
  1. Cultivating Digital Trust in the Creative Economy
  2. Diana Ayton-Shenker
  3. p. 596
  4. restricted access
  1. From Structure to Atoms: From Compression/Tension Systems to a Molecular Tensegrity
  2. J. David Van Horn, Dayu Wang
  3. pp. 599-605
  4. restricted access
  1. SOS—The Space Option Star: Addressing the Energy Dilemma
  2. Arthur R. Woods, Marco C. Bernasconi
  3. pp. 606-610
  4. restricted access
  1. How Choreostorming Informs Thinking in Molecular Genetics and Cancer Biology
  2. Jill Bargonetti
  3. pp. 611-614
  4. restricted access
  1. Slow Looking at Slow Art: The Work of Pierre Bonnard
  2. Rebecca Chamberlain, Robert Pepperell
  3. pp. 615-618
  4. restricted access
  1. A Neural Network Looks at Leonardo's(?): Salvator Mundi
  2. Steven J. Frank, Andrea M. Frank
  3. pp. 619-624
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  1. Being Formal without Being a Formalist
  2. Steve Gibson
  3. pp. 625-630
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  1. Gastronomic Algorithms: Artistic and Sensory Exploration of Alain Passard's Michelin Plates in the Manner of Giuseppe Arcimboldo with GANs
  2. Emily L. Spratt
  3. pp. 631-637
  4. restricted access
  1. Pareidolia and the Pitfalls of Subjective Interpretation of Ambiguous Images in Art History
  2. Raquel G. Wilner
  3. pp. 638-642
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  1. The Choreography of the Creative process: Drawing in Time and Space
  2. Amit Raphael Zoran, Nir Dick, Naama Glauber
  3. pp. 643-648
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  1. The Missing Female Homunculus
  2. Haven Wright, Preston Foerder
  3. pp. 653-656
  4. restricted access
  1. Generating Rhythmic Graphic Patterns and Paul Klee's Concept of the Active Line
  2. Seçkin Maden
  3. pp. 657-662
  4. restricted access
  1. Designing Location-Specific 3D-Printed Vessels Using Mobile-Based Multisensor Data Fusion
  2. Paul D. Found, Chun-Cheng Hsu
  3. pp. 663-664
  4. restricted access
  1. Citizen Surgery: A Framework for Uncanny Operations
  2. Kaisu Koski
  3. pp. 665-666
  4. restricted access
  1. The Second International Electrography and Copy Art Biennial, Valencia, Spain, 1988: The Beginning of the Digital Graphics Age
  2. José-Ramón Alcalá-Mellado
  3. pp. 667-674
  4. restricted access
  1. The Science of Art: Visuality at a Disciplinary Crossroads: Introduction to Special Section
  2. Clemena Antonova, Martin Kemp
  3. pp. 675-676
  4. restricted access
  1. Soap Bubbles Between Art & Science
  2. Michele Emmer
  3. p. 677
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  1. The Fragmentation of Vision
  2. Nick Chater, Ivo Vlaev
  3. p. 678
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  1. How do Competitive Neurocognitive Processes Contribute to Artistic Cognition? The Andras-Effect
  2. Kate Schipper, Karolina Janacsek, Dezso Nemeth
  3. p. 679
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  1. Liquid Crystals, Theories of Life and Visual Perception in the Russian Avantgarde
  2. Isabel Wünsche
  3. p. 680
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  1. Remembering "Things That Happened the Week After Next": Reverse Time in Dreams, Art and Time Travel
  2. Clemena Antonova
  3. p. 681
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  1. Data Visualization and the Roots of the Art/Science Collaboration
  2. Stephen Jones, Trish Adams, Mirella Dottori
  3. pp. 682-683
  4. restricted access
  1. Science Meets Art at Bundanon
  2. Nigel Helyer, John Potts, Katie Dyer, Lizzie Muller, Tania Leimbach, Keith Armstrong, Andrew Grodecki
  3. pp. 684-687
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  1. Listening to Aquatic Ecosystems: Hydrophonic Discoveries Enhancing Conservation in Freshwater and Marine Environments
  2. Leah Barclay, Helen Pynor, Niki Sperou, Svenja J. Kratz, Bill Hart, Dietmar W. Hutmacher
  3. pp. 688-691
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  1. Grammaire de Formes ed. by Danièle Méaux (review)
  2. Jan Baetens
  3. pp. 693-694
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  1. The Photoromance: A Feminist Reading of Popular Culture by Paola Bonifazio (review)
  2. Jan Baetens
  3. pp. 694-695
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  1. The Farm by Joanne Ramos (review)
  2. George Gessert
  3. pp. 695-696
  4. restricted access
  1. Critical Zones: The Science and Politics of Landing on Earth ed. by Bruno Latour and Peter Weibel (review)
  2. Jussi Parikka
  3. pp. 696-698
  4. restricted access
  1. Orozco's American Epic: Myth, History and the Melancholy of Race by Mary K. Coffey (review)
  2. Mike Mosher
  3. pp. 698-700
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  1. Pioneers of the Global Art Market: Paris-Based Dealer Networks, 1850–1950 ed. by Christel H. Force (review)
  2. Giovanna L. Costantini
  3. pp. 701-703
  4. restricted access
  1. Colourworks: Chromatic Innovation in Modern French Poetry and Art Writing by Susan Harrow (review)
  2. Robert Maddox-Harle
  3. p. 703
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  1. Pourquoi Le Style Change-T-Il? by Gilles Philippe (review)
  2. Jan Baetens
  3. pp. 704-705
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  1. Fiction-Science—Buvard et Pichet by Dominique De Beir et al. (review)
  2. Edith Doove
  3. pp. 705-706
  4. restricted access
  1. Leonardo Reviews Online
  3. p. 706
  4. restricted access
  1. Leonardo Volume 54
  3. pp. 707-711
  4. restricted access
  1. "Leonardo Network News"
  3. pp. 712-713
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  1. What Is at Stake in the Interaction between Media Arts and Cultural Industries in Lebanon
  2. Ricardo Mbarkho
  3. pp. 714-716
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